The lives of Benedictine monks and nuns have much to teach us, if a display of medieval and contemporary art at the Sainsbury Centre is anything to go by
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Lord’s is at once the most evocative place in English cricket and the nucleus of the sport’s old-fashioned tendencies. Michael Delgado wonders whether art can help haul it into the 21st century
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This year’s Venice Biennale rightly gives a bigger platform to lesser-known artists. But who is collecting them, asks Apollo’s art market columnist, Jane Morris
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This summer, the Volksbühne in Berlin will have a 25-metre swimming pool installed outside the theatre – but it’s not the first time the mecca for experimental theatre has dipped its toe into water, writes Rakewell
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In the magical documentaries of Jean Painlevé, the animals – especially the sea creatures – are the stars. ‘Each creature, he said, determined the style, structure and commentary.’ Emilie Bickerton is entranced by his world of Surrealism and science
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The lives of the Benedictine monks have much to teach us today, if a display of medieval and contemporary art at the Sainsbury Centre is anything to go by
apollo-magazine.com/living-b…
The idea of a ‘universal’ museum – one that can encompass the world’s cultures and histories – has less credibility than it used to. So what comes next? The Los Angeles County Museum of Art has a bold suggestion, writes Jonathan Griffin
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‘One of the most original fashion photography projects of the past decade comes not from London or Paris but from the post-industrial valleys of South Wales.’
Owen Pritchard is charmed and impressed by ‘Ffasiwn’, now at National Museum Cardiff
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Jasper Johns was a flag-bearer for a particular brand of inscrutable, elegant painting, writes Charles Darwent as an exhibition of the artist’s work opens at the Guggenheim Bilbao
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The terrifying power of Mount Etna is captured in a 17th-century fresco in Catania’s cathedral: ‘a fascinating impression of Catania before it was razed to the ground’, writes Helena Attlee
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‘In the art world you’re not only buying an object, you’re buying a relationship.’
The Old Master gallerist Andreas Pampoulides talks to Edward Behrens about the importance of fairs, what happened after Brexit and the collapse of the mid market.
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The collection of the Bauhaus designer Herbert Bayer is up for auction at Roseberys London today. Lucy Waterson looks at a minimalist drawing by Mathias Goeritz that takes an ingenious approach to structure and form
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The June issue of Apollo is out now, featuring the Albertina Museum in Vienna at 250 | an interview with Anish Kapoor | Frederic Church’s miracle home on the Hudson | the fine art of cricket at Lord’s | LACMA’s exhilarating new galleries | and much more
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‘It’s a place made from the leftover fabric of the last century.’
Will Wiles gets to the heart of the everyday horrors of ‘Backrooms’, the debut film by Kane Parsons
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In the 1920s Edvard Munch turned the canteen of an Oslo chocolate factory into a de facto gallery of modern art. Ana María Bresciani of the Munchmuseet explains how he did it
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A rococo snuffbox made by Louis XV’s goldsmith and a floral still life by Bernardo Strozzi are among the most significant works to enter public collections recently
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‘The best work is chronically online.’
This year’s Whitney Biennial is undoubtedly messy and unintentionally revealing, writes Zachary Ginsberg
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The blockbuster May auctions in New York ‘have done much to quell industry anxiety after several difficult years. But the season’s success is really down to what was for sale,’ writes Anna Brady
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‘What Dunn achieved in these […] cartoons was certainly a form of criticism, a quicksilver form that is notoriously difficult to achieve in prose.’
Will Wiles on Alan Dunn, a cartoonist with a fine line in writing about architecture
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The Georgian era was famed for the extravagance of its banquets. Ivan Day goes in search of some of the wildest recipes of the 18th century
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