The problem with tech is that it’s still largely being built by men who’ve never felt truly connected to themselves, to others, or to the world. It’s revenge-of-the-nerd energy disguised as innovation, and it’s torpedoing culture, intimacy, and meaning in the process.

A demo is architecture. A sketch. Temperature check. Momentum capture. Especially for artists like me, where the records evolve through arrangement, mix, sequencing, context, visuals, and repetition. Judging an unfinished demo like it’s the mastered release is like tasting ingredients out of the pan halfway through cooking and acting confused that it doesn’t taste like the finished meal yet.

神か、アルゴリズムか──Sean Leonが問い続けるもの wired.jp/article/sean-leon-g…

“A flawed human in a tech-driven world where systems are perfect but humans are not” - @seanleon, @record_mag

This blew up on IG.

God’s Algorithm is the system. Dead Internet Theory is an update inside it.

Nvm I put it back

Last night was awesome🇰🇷

I took this one off the album

🇰🇷 🙂‍↕️

Not just music man

It’s already done. Just refining. Been playing it for the industry… not sure why. Well I know why but, yeah. I’ve already seen what happens when this system is in the real world. Toronto. Tokyo. Gods-algorithm.com

My next album is called dead internet theory.

Saturday. Seoul.

Spotted in Seoul, had to cop.

Last few months feel like years.

research