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For me, the theatrical cut was something entirely new. A PERFECT blend of the two genres. I LOVED the Special Edition for it's added depth. I love them both equally, but the film at the time was a new blending of the two I hadn't ever seen before.😎🤘💯
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Jerrysaltoon retweeted
Jun 15
LV-426 feels like a living, breathing nightmare—not because it’s fantastical, but because it’s grounded in gritty realism.
The fog, the sound design, the miniatures, the weathered edges—this is a colony that was lived in, then died in.
🎬 What detail in the production design stands out most to you? The hive walls? The med bay? The atmosphere processor?
Let’s talk about the artistry in destruction.👇
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Nick retweeted
Jun 14
That score. That editing. That rising panic.
As the platform buckles, the Queen climbs, and Bishop races the clock, we’re thrown into one of cinema’s most perfectly constructed climaxes.
🎼 James Horner’s “Bishop’s Countdown” has become a defining piece of action film scoring—used in trailers and referenced for decades.
💬 What do you think makes this final sequence so timeless? The music? The tension? Ripley in full command?
Let’s break down the art of a perfect third act.👇
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Hope Newcastle is your 2nd favourite. Mostly. 🙏
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Stephen Simpson retweeted
Jun 15
Have you ever wanted MORE Aliens? Head over to AliensExpanded.com to pick up the Ultimate companion to one of the greatest movies of all time.
Watch the award-winning Aliens Expanded documentary now at bit.ly/43rDVku, or hit the link in our bio.
🎬🔥
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i totally agree she fosters newt, and newt happily accepts, i also say hicks lift newt onto the table touchscreen thing as she wanted to see, sonhe epuld have been a great stepfarther and strong partner to Ellen, dwayn & ellen sotting ina tree........ 💖😀
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I hope you come for the next Liverpool Comic Con, I would love to see you there.. enjoy your time in Manchester and great to hear you’re a Liverpool fan, that’s awesome 😁👍🏻, my dad was from Liverpool too 🙂
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