Hector Garcia Cirilo retweeted
Meet Jose Isart, CFO of Rush Ecosystems.
From the finance side, he builds the foundation that lets institutions enter the RWA market with legal and operational clarity.
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Jun 15
Joan Isart ens convida a redescobrir el talent dels pintors catalans a través de l'exposició de natures mortes al @MuseudeValls. Una reivindicació del nostre patrimoni per valorar, com es mereixen, els tresors pictòrics que tenim a casa nostra.
👉A la #revistaserrador de juny
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Quantum Non-Gaussian State Preparation of Levitated Particles via Time-Dependent Control of Weakly Nonharmonic Hybrid Potentials Piotr T. Grochowski, Oriol Romero-Isart
x.com/i/grok/share/8e3178331…
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Que spray perfeito do Isart pra segurar o bomb nessa #Ascent
O sentinela da @juventusgamingg sentou o dedo e levou 3!
#LigaGG #VPLA #Valorant #ValorantBrasil
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Quantum Non-Gaussian State Preparation of Levitated Particles via Time-Dependent Control of Weakly Nonharmonic Hybrid Potentials
Piotr T. Grochowski, Oriol Romero-Isart
arxiv.org/abs/2606.10042 [𝚚𝚞𝚊𝚗𝚝-𝚙𝚑]
ALT Levitated high-mass quantum systems provide access to unprecedented regimes in both fundamental science and technological applications. However, deterministic generation and manipulation of quantum non-Gaussian states, which are central to many continuous-variable quantum advantages, remain elusive in such platforms. In this work, we propose a theoretical protocol for preparing a continuous-variable degree of freedom of a levitated massive object in a variety of quantum states, including Fock and Schrödinger cat states, without coupling to auxiliary two-level systems. Our approach enhances otherwise weak nonharmonic effects by transient wave-function delocalization and combines this with optimal control of the potential. Specifically, time-dependent modulation of the linear component of the potential, in the presence of a static cubic nonharmonicity, provides a route to universal control of the mode. We analyze quantum state preparation under such control and estimate the required nonh
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Quantum Non-Gaussian State Preparation of Levitated Particles via Time-Dependent Control of Weakly Nonharmonic Hybrid Potentials
arxiv.org/pdf/2606.10042
Piotr T. Grochowski, Oriol Romero-Isart.
arxiv.org/abs/2606.10042
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Jun 8
O título não veio dessa vez, mas foram 9 horas de competição e 4 mapas vencidos ao longo da campanha. Muito orgulho da equipe pelo desempenho. Seguimos trabalhando para voltar ainda mais fortes.
@bruseveriano @Dustvlr_ @codezinvlr @gsmOTW_ @_gahpedroso_ @ isart @TzFlame
Depois de 9 longas horas de jogo, md3, md5, lower, repescagem, consideramos ainda os nossos muleques campeoes . Orgulho de todos voces, foram maravilhosos.
@PxEsports3488
@gsmOTW_
@TzFlame
@ff_slowly
@bruseveriano
@codezinvlr
@isartvlr
@_gahpedroso_
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👨⚕️ El Dr. Miquel Sans Cuffi, coordinador @ISADMUTEKNON, te invita al 10º Update Multidisciplinar Enfermedades Inflamatorias y Autoinmunes Sistémicas ‼️
🗓️ 5 de junio
⏰ 18 - 20.30h
🔴 Sesión online: us02web.zoom.us/j/8985249555…
💬 Con Dra. Mónica Isart, @silvio_silvio75, Dra. Victoria Amat Samaranch, Dra. Anna López Ferrer, @cristicarbo, @majo_ricart
🤝 @GebroPharmaES @EliLillyandCo @AbbVie_ES @NovartisSpain @LEOPharmaEs
ℹ️ linke.to/10UpdateIsadmuTKN
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bu bot mu degil mi anlamadm ama? yazmaya sakin cekinme bana bir isart ver ben sana yazarim
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Por qué lo dice así tan brusco? La mía es de Isart, son fabricantes, calidad impecable.
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May 23
What isArt?
Art is the quiet rebellion against forgetting.
It’s the human urge to leave something behind that survives us. A mark on a wall. A story on a page. An emotion frozen in colour. In a world that moves faster every day, true art isn’t just something we look at.
It’s something we feel.
That’s why @thebeaksart caught my attention.
Not because it’s trying to dominate timelines.
But because it feels like art first.
Created by veteran artist @DKashtalyan, The Beaks isn’t another generative collection built around endless trait combinations. It’s a universe of hand-crafted characters brought to life through pointillism and stippling, a painstaking process where entire compositions emerge from thousands, sometimes millions, of individual dots.
Think about that for a second.
➩ Every shadow.
➩ Every texture.
➩ Every expression.
➩ Built dot by dot.
You can actually feel the time inside the work.
And that’s becoming increasingly rare.
Before NFTs, before Ethereum, before mint pages and collector circles, Dima was already building his artistic identity.
For more than 20 years his work has appeared on giant murals across Europe and Australia, in exhibitions from Warsaw to Taipei, and in publications like The New York Times, Harper’s Magazine, and MIT Technology Review.
It’s an established artist bringing his universe onchain.
And that universe is fascinating.
The Beaks transforms a single anatomical feature into something deeply expressive.
These aren't just birds.
They are personalities.
Some appear elegant and aristocratic.
Others feel melancholic, mysterious, and even mythological.
They exist somewhere between dream and memory.
The more you look at them, the more details begin revealing themselves.
What I find most interesting is how The Beaks moves against the current trend.
We're living in an era of infinite content.
➩Infinite images.
➩Infinite AI generations.
➩Infinite scrolling.
Most things are created to be consumed quickly and forgotten even quicker.
The Beaks feel intentionally different.
● Slower.
● More deliberate.
● More human.
Every piece carries visible effort.
Every piece carries intention.
And people are noticing.
I've seen collectors describe it as:
"Bringing back the nostalgia feeling of 2021."
"One of the most interesting NFT drops this year."
"Dima elevated a single anatomical feature into the emotional and visual heart of an entire universe."
That says a lot.
➩ People aren't talking about floor prices.
➩ They're talking about how the work makes them feel.
The collection consists of 1,111 fully hand-drawn pieces.
And maybe that's why it resonates.
Because beneath all the speculation, NFTs were always at their most exciting when they connected artists directly with collectors.
The Beaks also carries another layer that I love.
➩Street art is temporary by nature.
➩ Walls get painted over.
Buildings get demolished.
Weather slowly erases everything.
➩ Blockchain permanence flips that idea completely.
What once existed on temporary walls can now live forever onchain.
The chain becomes the wall that can not be painted over.
That's a powerful concept when you think about it.
The community around the project feels refreshing, too.
Creative reinterpretation contests.
Genuine participation instead of endless hype farming.
The focus remains where it should be:
the art.
In a space flooded with noise, that feels increasingly valuable.
Mint is approaching on May 26th at 0.03 ETH, and whether you're a collector, an artist, or simply someone who appreciates craftsmanship, I think The Beaks is worth paying attention to
The Beaks feels like it's building something that could still matter long after the trend cycle moves on.
Follow @thebeaksart and @DKashtalyan.
The flock is only beginning to gather.
What does art mean to you in 2026?
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