What if the emptiness you're so afraid of is the doorway? People often awaken after loss, illness, or a hole tearing open in their life. At first it feels dreadful — and then a moment comes when you stop resisting it and simply say, 𝑡ℎ𝑎𝑡'𝑠 𝑤ℎ𝑎𝑡 𝑖𝑠. 𝐓𝐡𝐞 𝐬𝐩𝐚𝐜𝐢𝐨𝐮𝐬𝐧𝐞𝐬𝐬 𝐭𝐡𝐚𝐭 𝐰𝐚𝐬 𝐚𝐥𝐰𝐚𝐲𝐬 𝐭𝐡𝐞𝐫𝐞 𝐢𝐧 𝐭𝐡𝐞 𝐛𝐚𝐜𝐤𝐠𝐫𝐨𝐮𝐧𝐝 𝐬𝐮𝐝𝐝𝐞𝐧𝐥𝐲 𝐛𝐞𝐜𝐨𝐦𝐞𝐬 𝐭𝐡𝐞 𝐟𝐨𝐫𝐞𝐠𝐫𝐨𝐮𝐧𝐝.

MSKさん！ありがとうございます♡ 素敵な音読🎶 そしてspaciousness 大切ですよね。心にも余裕がないと選択する時にも焦ったりしてしまうこともあるし。今日もちょっとだけ意識していこうと思ってます！MSKさんも素敵な1日を！

The art of Godlike Mastery is seeing the perfection of life unfolding and the relationships among things and beings as they appear in consciousness. With Godlike Mastery, you are no longer living "on" linear time, you're living "in" timelessness. It's more of a therapeutic spaciousness, not therapy. I don't accept all applications for the Godlike Mastery offer I have because it protects the purity and momentum for the initiates who are ready to embody the Godlike Mastery frequency. Apply to the Godlike Mastery offer here: docs.google.com/forms/d/e/1F…

Ready to stop forcing your growth and learn the art of inner expansion? 🌟 This week's second set of features on Awakened Magazine is officially live: 🎶 Lynne Stukart: “The Sound of Expansion” guides the body out of fight-or-flight and into the parasympathetic response, where it can rest, restore, and begin its natural healing processes. 🔮 Mistress Domonique Powell: “Expanding Your Auric Field: A Sacred Key to Easing Energetic Turbulence” reveals how 244 chakras and 208 biolith nodes work together as a grid to expand your consciousness. 🌱 Aprille Pullins: “Expansion Through Embodied Confidence” navigates the Dark Night of the Soul with somatic tools like cold water face splashes to stimulate the vagus nerve and reset the nervous system. 💎 Laura Ocasio: “Rediscover the Confidence You Already Have” introduces the Confidence Journal to help you document evidence of your strengths, successes, growth, and resilience. 🌊 Erem Latif: “Expansion, Without Fragmentation” teaches us that expansion is about internal spaciousness, giving us a loosening in the chest and a steadiness in the gaze. Read this week’s features on Awakened Magazine: AwakenedMagazine.com. #AwakenedMagazine #PersonalGrowth #SpiritualAwakening #ConsciousLiving #EnergyHealing

PRUSSIAN BLUE MANUSCRIPT The Centre is guiding you to live from it. Its richness. Its texture. Its depth. Presence is the key. Openness to receive. Openness to allow. Openness to love. Openness to be. Ancient truth returns. Ancient feeling returns. Ancient knowing returns. In the blood. In the bone. In the flesh. Majestic. Majesty. Ancient land of the soul's wisdom. It moves. It reveals. It remembers. Sacred Priestess. Sacred nourishment. Sacred rituals. Sacred knowing. Sacred pleasure. Being. Feeling. Nourishment. Pleasure. Returning to your DNA. Returning to truth. Returning to wisdom. Returning to pleasure. Returning to nourishment. Returning to what has always been waiting beneath the noise. Returning to what has always known. Returning to what cannot be taught. Returning to what lives in the blood, the bone, and the flesh. Returning to the hidden treasure. Returning to the hidden gold. Alive. Nourished. Breathing. A living sacred knowing is a way to live. A living sacred knowing is a way to be. A living sacred knowing is a way to inhabit the earth. Holy return. Holy embodiment. Holy presence. Holy nourishment. Holy pleasure. Holy spaciousness. Spaciousness to receive. Spaciousness to feel. Spaciousness to listen. Spaciousness to remember. The Centre is guiding you home. To nourishment. To beauty. To pleasure. To truth. To wisdom. To what is alive. To what is real. To what is yours. Being the art. Being the prayer. Being the vessel. Being the sacred nourishment. Ancient truth returns. Ancient wisdom returns. Ancient pleasure returns. Ancient nourishment returns. And what was hidden begins to reveal itself. The treasure. The gold. The living gold. The holy gold. The nourished gold. The gold that was waiting beneath everything. The Centre is guiding you to live from it. Its richness. Its texture. Its depth. #blavatsky #blavatskymadeflesh #LivingAsArt #BecomeTheArt #TheGoldWithin #Aliveness #Remembrance

Abdullah Ibrahim: A Baobab of Sound I first encountered Abdullah Ibrahim in New York in the late 1980s, before Nelson Mandela walked free. I was there with comrades from the ANC. I remember Max Coleman, Aziz Pahad, and others. We listened to Abdullah play and afterwards spent time together talking about South Africa, about home, about longing, about a future we could sense but had not yet touched. That evening has stayed with me all my life. Abdullah was not merely a musician. He was a custodian of spirit. If you attended one of his concerts, you quickly understood that he demanded something rare from his audience: presence. If people spoke, if they distracted themselves, he would stop playing. Music was not entertainment. It was prayer. It was discipline. It was listening. He played from a place so deep that words often seemed unnecessary. His music accompanied many of us through decades of struggle and transition. It soothed us, challenged us, reminded us of home, and sometimes took us somewhere beyond home. Whether he was playing in Cape Town, New York, Europe, or anywhere else in the world, he carried with him something unmistakably African, yet profoundly universal. I have just returned from a pilgrimage of silence. I sat with elephants and lionesses. I watched eagles rise on thermals above ancient mountains. I spent time beneath baobabs that stand like sentinels of memory, holding centuries within their trunks. I sat around fires listening to stories older than nations. As I heard of Abdullah’s passing, it struck me that he was like one of those baobabs. Rooted deeply in Africa. Reaching far beyond Africa. A living ancestor while he walked among us. And now an ancestor in another form. His music carried the same quality I encountered on this journey. The same stillness. The same spaciousness. The same invitation to listen more deeply. When I listened to Abdullah, I often felt that I was hearing more than jazz. I was hearing prayer. I was hearing dervishes turning. I was hearing a Venda snake dance moving through the dust. I was hearing Bharatanatyam rhythms carried across oceans. I was hearing the heartbeat of people searching for meaning. He understood that music is a language older than words. A language that speaks directly to the soul. The body of Abdullah Ibrahim has completed its journey. But the music remains. Like the mountain. Like the baobab. Like the embers of an ancient fire passed from one generation to the next. For those of us whose lives were touched by his music, he has not gone away. He has simply joined the great orchestra of ancestors whose songs continue to guide us from beyond the horizon. Go well, Abdullah. Thank you for the music. Thank you for the silence between the notes. Thank you for teaching us how to listen. “ You were a living ancestor while you walked among us, and now an ancestor in another form.” 🙏🏾❤️🎶

boredom is spaciousness.

with who we are. On the other hand, when there is a sense of spaciousness in our lives, something begins to shift. A tidy room, a quiet morning, an unhurried walk, or even a few moments of deep breathing can create room not only in our surroundings but also in our hearts. In that

with who we are. On the other hand, when there is a sense of spaciousness in our lives, something begins to shift. A tidy room, a quiet morning, an unhurried walk, or even a few moments of deep breathing can create room not only in our surroundings but also in our hearts. In that

Consent moves quickly in our culture. Yes or no.
Now or never.
Decide fast. But in psÿchede|ic facilitation, part of the work is creating enough spaciousness for someone to pause and ask: How do I really feel?
What do I actually want?
What do I need more time to understand?

Asha walks in, stretching her wings out to test the spaciousness of the cave. It’s large enough to accommodate her, and she sniffs the debris scattered about. “It feels… right,” she comments carefully. “So far, anyway.” Further inside, the cave slopes down and is submerged.

In the 28th minute of a World Cup knockout match against Uruguay in 2014, James Rodríguez received the ball on his chest. He was 22 years old. The ball dropped toward the left edge of the penalty area. Without letting it touch the ground, without a moment's hesitation, he swivelled and struck a left-footed volley that flew past the goalkeeper and into the top corner of the net. FIFA later voted it the best goal of the 2014 World Cup. The following year, it won the Puskás Award as the finest goal scored anywhere on earth in 2014. James did not celebrate with the abandon you might expect. He turned, walking slowly, arms outstretched. He looked like a man who knew, in that moment, that he had done something that could not be undone. Colombia's journey to football's biggest stage is defined by moments like that. But it is also defined by something much darker. Something that football cannot fix but can only honour. This is Colombia's Greatest World Cup XI of All-Time. And before we speak about the genius of Valderrama's passing or James's volley or Falcao's goals or Rincon's equaliser against West Germany — we must speak about Andrés Escobar. —— ANDRÉS ESCOBAR — "EL CABALLERO DEL FÚTBOL" He was not in this lineup. He was a defender. But his story is the context in which every Colombian World Cup performance since 1994 has been played. Escobar was just 27 years old when he was gunned down in his homeland after the 1994 World Cup in the United States. It was his own goal in the first half of their 2-1 loss to the U.S. that gave the South Americans an insurmountable challenge to stay in the competition. He was shot six times by two gunmen, one of them shouting "Gooool" as Escobar writhed on the pavement. He had written a column in a Medellín newspaper after Colombia's elimination from the tournament — asking his compatriots for patience and calm. "Life doesn't end here," he wrote. "We have to go on." Ten days later, he was dead. The murder stunned Colombia and drew international attention. And it cast a shadow over Colombian football that took twenty years and one extraordinary tournament to begin to lift. —— IN GOAL: DAVID OSPINA 108 international appearances. Arsenal and Napoli's goalkeeper. At the 2014 World Cup — Colombia's finest — Ospina was the defensive organiser behind the back four, giving Colombia the calm goalkeeping presence that allowed their attacking players to focus entirely on what they did best. His penalty save performances in later tournaments confirmed his status as one of South America's most reliable international goalkeepers. —— IN DEFENCE: THE FOUR PILLARS Juan Camilo Zúñiga — the Napoli right-back who gave Colombia their attacking width on the right and whose challenge on Neymar in the 2014 quarterfinal — forceful but within the laws of the game — fractured Brazil's most important player's vertebra. It ended Brazil's tournament. It ended under the most scrutinised controversy of that quarterfinal. Zúñiga maintained it was a legitimate challenge. The debate has never fully closed. Mario Yepes — the captain. The Paris Saint-Germain and AC Milan centre-back who gave Colombia over a decade of defensive leadership. 101 international appearances. He arrived at the 2014 World Cup at 38 years old — an elder statesman of Colombian football — and his composure in defence gave the younger players around him the confidence to attack. Yerry Mina — the Everton centre-back who at the 2018 World Cup scored three goals in one tournament — all with his head — the most goals ever scored by a defender in a single World Cup tournament. His hat-trick of headers made him a completely unique figure in the competition's history. He celebrated each one with a dance that made the whole world smile. Pablo Armero — the left-back who gave Colombia their attacking width from the left, completing the full-back pairing that made their 2014 campaign so dynamic. —— IN MIDFIELD: THREE NAMES FROM THREE ERAS Freddy Rincón — the Real Madrid and Palmeiras midfielder who scored what many Colombians consider the greatest goal in their national team's history. In the 89th minute of the 1990 World Cup group match against West Germany — the reigning European champions — with Colombia losing 1-0 and needing a point to advance, Rincón picked up the ball in midfield, drove through the German defence, and slotted it home. 1-1. Colombia were through. The country erupted. He died in 2022 after a car accident in Cali. He was 55 years old. Colombia mourned him as a national hero. James Rodríguez — the Real Madrid midfielder whose 2014 World Cup campaign was the finest individual performance by any Colombian footballer at any World Cup in the sport's history. Six goals in five matches. The Golden Boot. The Puskás Award. And a group of Colombian fans who followed him through the tournament in the biggest yellow-shirted migration in the country's recent sporting history. He said during the tournament: "We are making history." CARLOS VALDERRAMA — "El Pibe." The man. The hair. The left foot. The three World Cups. No Colombian player has ever meant more to their national team's identity than Carlos Valderrama. His golden afro is the most iconic image in Colombian football history. His passing — at 1990, 1994, and 1998 — was the creative heartbeat of everything Colombia did. He was born in Santa Marta on the Caribbean coast and grew up watching the sea. Something of that fluidity and that spaciousness entered his football. He moved through matches like water — finding spaces that weren't there, finding teammates who didn't know they were in a good position until the ball arrived to confirm it. When Escobar was murdered in 1994, it was Valderrama who continued to carry Colombian football forward. He appeared at the 1998 World Cup at the age of 36 — still as effective, still as visionary — and led Colombia through a tournament that ended in the group stage but confirmed what everyone already knew: that Valderrama was one of the finest playmakers in the history of the sport. Regardless of result. —— IN ATTACK: THREE FORWARDS, THREE DIFFERENT KINDS OF DANGER Faustino Asprilla — the Newcastle United and Parma forward whose unpredictability made him one of the most feared attackers in European football during the 1990s. His hat-trick against Barcelona in the Champions League remains one of the finest individual performances in the competition's history. For Colombia, he was the striker whose genius and eccentricity in equal measure defined what Colombian attacking football looked like to European eyes. Juan Cuadrado — the Chelsea and Juventus winger who gave Colombia their most dynamic wide presence in the 2014 and 2018 World Cups. Direct, technically outstanding, capable of the kind of individual moment that changes the direction of a match. He gave Colombia 100 international caps with the commitment and intensity of a player who always gave everything to the yellow shirt. RADAMEL FALCAO — "El Tigre." Colombia's all-time leading scorer with 36 international goals. The Monaco and Atlético Madrid striker whose physical power, movement in the box, and finishing quality made him one of the two or three most complete centre-forwards in the world during his peak years. He missed the 2014 World Cup through injury — the greatest individual absence in the tournament that year. Colombia reached the quarterfinal without him. Had he been there — fit, at his peak — the football world discussed what might have been possible. He played at the 2018 World Cup but could not recapture his pre-injury form. He retired from international football having given everything he had, with 36 goals that no one else has come close to matching. —— FROM ESCOBAR TO JAMES The gunman who shot Andrés Escobar shouted "Goal!" as he fired. Twenty years later, James Rodríguez scored the most beautiful goal Colombia has ever produced at a World Cup. That is Colombia's football story. Darkness and light. Tragedy and genius. A country that has fought through things most football nations will never understand — and that has always, somehow, found a way to make the yellow shirt mean joy. In 2026 — with Luis Díaz, Jhon Córdoba, Richard Ríos, and the next generation — Colombia return to the World Cup in search of what has always been just out of reach. The quarterfinal in 2014 was their furthest. A semifinal awaits. And a nation that has already endured more than football should ever ask of anyone will be watching, singing, and believing. 🇨🇴 ¡Arriba Colombia! De Escobar a James — la historia sigue. From Escobar to James — the story continues. "Life doesn't end here. We have to go on." — Andrés Escobar, in his final newspaper column, June 1994 #ArribaColombia #LosCafeteros2026 #JamesRodriguez #CarlosValderrama #RadamelFalcao #ColombiaCopaDelMundo2026 #AndrésEscobar #FreddyRincón #EternoCafetero #WorldCup2026

if we find spacious living accomodations living quarters our mom said we can bring our covid kittens (if the family that took them off our cramped in a shoebox apartment hands are willing to release them~ return the covid kittens to us again upon hypothetically improved in spaciousness {stressful thinking about downgrading for space while this is the best that can be done in this day & age & it's still faulty: afraid of downhill alternatives} living conditions)

The sacred art of detachment is profoundly important in ascension—The releasing of the control you have is a classic form of attachment (clinging to outcomes, control, or shared destiny). It keeps the soul tethered to lower-vibrational worry, separation anxiety, and the illusion that one person’s evolution depends on another’s. True detachment dissolves that grip. What Detachment Actually Means (Esoterically)It is not cold indifference, emotional shutdown, abandonment, or “I don’t care anymore.” That’s often fear masquerading as detachment. Instead, it is inner freedom—an immovable center that remains steady amid joy, sorrow, honor, disgrace, or the uncertainty of another soul’s path. It creates spaciousness so the divine (or higher consciousness) can move freely. In the inner work I have done.. over the last few years This remains one of the things I face daily and I try and practice release ... of the control I want to hold over another's perceptions and whether or not they will ascend with me, or be with me, or the feeling I have of wanting them to "get it" so badly... I have started releasing that hold and that attachment.. so that I have a better inner freedom. Its important not to confuse it with egos protection of I just don't care anymore.. every person is another form of expression of you . Of the greater Source that we all come from , and we need to let them express how they wish to ✤ theculturium.com

في حي الرمال، حيث النمو والاستقرار يلتقيان. أدوار سكنية بتصاميم عصرية ومساحات مدروسة تناسب العائلة. توزيع داخلي ذكي، إطلالات متعددة، وتفاصيل تعطي إحساساً بالراحة والاتساع. الاختيار هنا ليس فقط في المكان… بل في المستقبل الذي تبنيه. Calma تصمم الحاضر وتبني المستقبل In Al Ramal, where growth and stability meet. Residential floors with contemporary designs and thoughtfully planned spaces suited for families. Smart internal layouts, multiple views, and details that create a genuine sense of comfort and spaciousness. The choice here is not only about the place… It is about the future you are building. Calma designs the present… and builds for the future.

🕌Quran 9:115-129 A people who have been guided will not be misled it will be made clear to them the knowledge of things there is justice in the dominion of the heaven and earth justice in life help, and protection. There is favor on profits fighters and helpers in times of distress. After the hearts of a part of them nearly swerved from duty. Those three who were left behind, felt guilty to such a degree, the Earth seemed to constraint to them for all its spaciousness. Their souls seemed straightened. They had fled away from justice. It was fitting for the people of Medina to not prefer their own life. What they suffer to do was reckoned to their credit as a deed of right doing whether they suffered thirst, fatigue, hunger in the cause of justice, the reward is not lost of those who do God nothing small or great or even a shortcut across a valley, but the deed is inscribed to their credit. The believers all go forth together if a contingent from every expedition remain behind, they could devote themselves to study in religion and admonish people to guard themselves and learn those who Find no meaning injustice who gird about you fight them so they feel firmness from you when a teaching comes, faith should be increased, and the people should rejoice, but those whose hearts have a disease. It will add to their doubt, and they would die. In doubt they turn aside because their hearts have turned aside, and they cannot understand. The messenger does grieve that the people should perish and is anxious over them to rescue themselves

**4유형** English: As a Four, you are least developed in the real qualities of the Feeling Center (stable emotional presence and connection to ordinary joy). Instead, you operate in your “creative/identity mode,” relying on the Thinking and Moving-Instinctive Centers to intensify emotions and create a special self-image. To face the shadow, notice how you romanticize suffering and uniqueness, and begin to allow ordinary presence and connection without needing to be special. 한국어: 4유형으로서 당신은 감정 센터의 진정한 자질(안정적인 감정적 현존과 일상적인 기쁨과의 연결)을 가장 덜 발달시켰습니다. 대신 사고와 움직임 본능 센터에 의존하여 감정을 강화하고 특별한 자아 이미지를 만드는 “창의/정체성 모드”에서 활동합니다. 그림자를 직면하려면 고통과 독특함을 낭만화하는 방식을 알아차리고, 특별할 필요 없이 일상적인 현존과 연결을 허용하기 시작하십시오. **5유형** English: As a Five, you are least developed in the real qualities of the Thinking Center (quiet mind, spacious clarity, and unknowing). Instead, you operate in your “observation mode,” relying on the Feeling and Moving-Instinctive Centers to withdraw and conserve energy. To face the shadow, notice how you detach from life and hoard knowledge, and begin to allow direct participation and emotional engagement without needing complete certainty first. 한국어: 5유형으로서 당신은 사고 센터의 진정한 자질(고요한 마음, 공간적인 명료함, 알지 못함)을 가장 덜 발달시켰습니다. 대신 감정과 움직임 본능 센터에 의존하여 에너지를 보존하고 철수하는 “관찰 모드”에서 활동합니다. 그림자를 직면하려면 삶으로부터 분리되고 지식을 축적하는 방식을 알아차리고, 완전한 확신 없이도 직접 참여하고 감정적으로 관여하기 시작하십시오. **6유형** English: As a Six, you are least developed in the real qualities of the Thinking Center (quiet mind, a sense of unknowing, and spacious clarity). Instead, you operate in your “duty mode”—driven by some combination of the Feeling and Moving-Instinctive Centers. To face the shadow, notice this subtle pattern of doubt and vigilance, and begin to trust your own inner authority and the spaciousness of not knowing. 한국어: 6유형으로서 당신은 사고 센터의 진정한 자질(고요한 마음, 알지 못함의 감각, 공간적인 명료함)을 가장 덜 발달시켰습니다. 대신 감정과 움직임 본능 센터의 조합에 의해 주도되는 “의무 모드”에서 활동합니다. 그림자를 직면하려면 의심과 경계의 이 미묘한 패턴을 알아차리고, 자신의 내면적 권위와 알지 못함의 공간을 신뢰하기 시작하십시오. **7유형** English: As a Seven, you are least developed in the real qualities of the Thinking Center (focused presence and the ability to stay with what is). Instead, you operate in your “planning/excitement mode,” relying on the Feeling and Moving-Instinctive Centers to keep options open and reframe pain. To face the shadow, notice how you avoid limitation and depth, and begin to allow sustained presence and the full range of feelings without constant future-orientation. 한국어: 7유형으로서 당신은 사고 센터의 진정한 자질(집중된 현존과 있는 그대로 머무는 능력)을 가장 덜 발달시켰습니다. 대신 감정과 움직임 본능 센터에 의존하여 선택지를 열어두고 고통을 재해석하는 “계획/흥분 모드”에서 활동합니다. 그림자를 직면하려면 제한과 깊이를 피하는 방식을 알아차리고, 끊임없는 미래 지향 없이 지속적인 현존과 감정의 전체 범위를 허용하기 시작하십시오.

If there is no Spaciousness at all in you, life is not going to be easy at all. On the contrary, if you start making more and more space for Spaciousness, Life is going to get easier and easier 💛

if u only have space, and try to lean on a weak earth element, it will actually make ur consciousness even more unstable! it will just vacillate bw impractically profound spaciousness and complete dullness/unconsciousness