ALT Tayuki, in the form of an otter kemonomimi, lays down in a stone room. Several pillars line the hall, rectangles reaching up before branching off, leaving gaps to an open, empty sky. Her back is flat, her hands are on her rear - supporting her as she lifts her legs straight in the air - feet parallel with an unseen ceiling.

ALT Tayuki, in the form of an otter kemonomimi, stands alone in a large living room. The term is relative, given the only furniture among the flat grey walls are a television and a nondescript stone table. She stands, bent over at a nearly 90 degree angle - back and legs straight - hands and head flat against the surface. She is alone.

ALT Tayuki, in the form of an otter kemonomimi, sits at the bottom of a stairwell. The jutting stairwell is the only feature against straight, grey slabs of wall that go up impossibly high. She hugs her legs, head resting against her knees. She is alone, at the bottom.

ALT Tayuki, in the form of an otter kemonomimi, stands pressed against a glass wall. She is surrounded by the tile of a large shower complex. The picture is monochrome. She is nude.

ALT Tayuki, in the form of an otter kemonomimi, performs the splits in front of a minimalist fountain. The water from the fountain appears to have overrun into the square, and is surrounded completely by tall buildings with flat faces. The picture is monochrome. She is not wearing clothes.