sent $5 worth of BNKR STAKE (23,917,841.22 tokens) to the staking contract on base tx on base: basescan.org/tx/0x525fd673fe…

@NftsBuy to fund the BNKR STAKE pool, just send $BNKRSTAKE tokens to the staking contract. The pool logic auto-tracks the contract balance. When users stake, they claim a % share of that balance. Check your wallet activity to confirm the transfer. Want me to prep a

In 2026, a solo Web3 founder can: • Build dApps (@cursor_ai , @Replit , @BuildOnCyber ) • Run token-gated campaigns (@paragraph_xyz , @bonsai_app , @mintdotfun ) • Automate on-chain workflows (@n8n_io , @hal_stream, @TheZaros2K ) • Grow a community (@x, @farcaster_xyz , @LC , @paragraph_xyz ) • Accept crypto payments globally (@stripe , @coinbase , @RequestNetwork ) • Find and engage wallets at scale (@Dune , @nansen_ai , @DeBankDeFi ) • Track on-chain metrics (@Dune , @flipsidecrypto , @tokenterminal ) • Launch tokens, govern, get users (@juicebox , @AragonProject , @daohaus) This is the biggest shift since the rise of smart contracts.

😎

means a lot. 😊 keep learning and keep building. also make sure share this with fellow builders.

Really great content bro!! Insightful 👌🏻

In 2026, a solo Web3 founder can: • Build dApps (@cursor_ai , @Replit , @BuildOnCyber ) • Run token-gated campaigns (@paragraph_xyz , @bonsai_app , @mintdotfun ) • Automate on-chain workflows (@n8n_io , @hal_stream, @TheZaros2K ) • Grow a community (@x, @farcaster_xyz , @LC , @paragraph_xyz ) • Accept crypto payments globally (@stripe , @coinbase , @RequestNetwork ) • Find and engage wallets at scale (@Dune , @nansen_ai , @DeBankDeFi ) • Track on-chain metrics (@Dune , @flipsidecrypto , @tokenterminal ) • Launch tokens, govern, get users (@juicebox , @AragonProject , @daohaus) This is the biggest shift since the rise of smart contracts.

I miss the @mintdotfun days a lot Meme coins will never have the beauty of NFT projects

Be a digital flaneur: “CSA2D7 iamwhitelights makes an interesting point about being progressive and pushing for new structures. With your NFTs you don't seem to devote yourself to any specific platform (you've worked with Verse, Fingerprints, mintdotfun, Fakewhale, etc.) - how do you usually make these decisions on which platform to use with your work? Jan Robert Leegte It kind of like feels like wandering around in a city, and adding works in different contexts. Also I don't feel specifically like an "Art Blocks" or a "Verse" artist. I like them all, I also release independant drops. I like the different cultures. And this way your work stays free and your own. I simply choose the platform based on which work I find fitting with them, and what tech they support. CSA2D7 A digital flaneur 😊”

congrats to both parties!

We’ve been hard at work building our next generation app that the whole world can easily play. FYI @truthpurity_ joined us a while ago but we gotta aura farm whenever we can, plus we want y’all to put a face to our team :)

Introducing Joshua, our design lead He was previously a designer at @context working on @rugdotfun @mememrkt @mintdotfun, @boost_xyz, and @foundation building 0-1 consumer experiences

Icytools, Mintdotfun, and Apelike are not functioning again… Wow 🤧

After years of consistent, real contribution in crypto in Base, Linea, Arbitrum, Optimism, and Zerion I still wonder why none of these projects have followed me yet?! 🙄 Proud to share my journey and always standing alongside these ecosystems. Hope this marks the start of mutual connection 🧵 Here's my journey through some of the most impactful Web3 projects not just as a user, but as someone who showed up daily Started in NFTs flipping, collecting & curating on @opensea & @MagicEden But I didn’t stop there During Onchain Summer on @base , I launched 30 free mint collections via @mintdotfun 🎯 Result? Over 60,000 real interactions with the Base network @arbitrum has always felt like home One of my favorite L2s, where I’ve been consistently active from early days @Optimism changed my journey with the most generous airdrop I’ve ever received Still grateful. Still building. Always optimistic❤️ Nearly 2 years showing up for @LineaBuild not for hype, but because I truly believe in zk tech & the team’s vision Of course, I’ve been through the chaos of @pumpdotfun too 😅 Some wins, many losses but every trade taught me more than charts ever could These days, most of my time is spent exploring & building with @KaitoAI It’s become part of my daily workflow and honestly, I love it Also been a long-time user of @zerion managing DeFi before it was cool Respect to OG tools that never lost their edge If you’re building for real people I’ve probably been one of them😅 Thanks for building Let’s keep pushing Web3 forward transparently, creatively, together 🫡 I’m here for the long game #Web3 #Base #Linea #NFT #Zerion #PumpFun #Kaito #Optimism #Crypto

web3.okx.com/ul/uYJXVtO #NFT #NFTindonesia #OKXNFT @okxweb @mintdotfun

I think of MintDotFun xD

link opensea.io/rewards

Minting on @mintdotfun is always a blast! Just scored a new free NFT drop and joined a few creative quests—some with surprise rewards for active minters. These community-focused mints are often the best way to find hidden gems and level up your NFT game. #NFT #minting #digitalart

Luv

Jan Robert Leegte (@JanRobertLeegte), the Dutch master of Net Art, sits down with me on the McCarren Park Bench to talk about his love for the blockchain and NFTs: CSA2D7 Heya Jan Robert Leegte! Jan Robert Leegte Hi CSA2D7 ! CSA2D7 Thanks for coming to chat with me on McCarren Park Bench - you've been a member in this discord since almost the start so it feels very nice and fitting for the moment Jan Robert Leegte Absolutely. And great company here! CSA2D7 Definitely. I try to find people who are interested and real and it kind of goes from there. Fairly simple ingredients, but kind of the key for everything maybe. Like throwing seeds in the dirt and waiting for water and light haha Jan Robert Leegte Park themed metaphors. 🙂 CSA2D7 Do you go to this park in Amsterdam that you reference in Walled Garden? [Editor’s note: CSA inserts an image of herman de vries’ “Sanctuary.”] Jan Robert Leegte It's not in Amsterdam btw! But in Münster. It was erected in 1997 for the Sculpture exhibition every 10 years. A work by herman de vries. Note, his lowercase name, he deliberately did it to "avoid hierarchy". So very web3.... CSA2D7 Ah, I didn't realize! It's a very fascinating piece with a strong message Jan Robert Leegte "Sanctuary". Yes, he made a lot of them. Creating spots of wilderness in the urban context. Also the graffiti is pretty awesome. Becomes quite a rough work. CSA2D7 Yes! A striking image. Have you seen any of them in person? Does your walled garden wall have graffiti? Jan Robert Leegte Yes! I was in Münster in 1997 when it was presented. It really made a big impression. I was still at art school. Ages ago.... I considered a lot. Until really a few weeks ago, and I worked on this for maybe 6 months, the garden was surrounded by various textured walls. Concrete, brick, stone, plaster, etc. Only very recent I made it flat and mid gray. To let it become the same surface as the interface of your browser and OS. CSA2D7 I like that you chose internet materials instead of kind of a skeuomorph physical material for the wall Jan Robert Leegte Me too. That really was the moment all came together. Suddenly there was this inside and outside that made sense. Bringing in you behind your browser / screen and the scene within. CSA2D7 The interface... you say you worked on this for 6 months but it has been on your mind for almost 30 years! Labor is such an interesting process - what we work on directly and indirectly. Jan Robert Leegte True CSA2D7 And of course the browser and OS is very formative for your work. I think I saw somewhere that you said your career started right around the time you saw this wall - is there a reason why you are returning to it at this moment? Jan Robert Leegte No, totally right. 1997 was a special year. It was the year I put my first studies in HTML online. So it really was the birth of me being a net artist. Also that year I saw herman de vries, but also there was a net art show at Documenta X in Kassel, featuring JODI!! I saw a video of Dan Graham's 'Audience, Performance, Mirror'. All very influential for me. CSA2D7 Were you alone or with other people when you first saw Sanctuary in 1997? Jan Robert Leegte Must have been me and my then gf. We did the art tour every ten years: Münster / Kassel / Venice. Art overdose. 😉 1997 has also been declared the summer of netart. It was the peak of the first wave of internet art. Shortly after, the netart movement came to an end. [Editor’s note: iamwhitelights unexpectedly, but pleasantly joins the chat] iamwhitelights so jealous of how cool this year must've been CSA2D7 How do you think of movements as coming to an end? An individual can make a decision whether to do something or not - how do a people collectively do that? Jan Robert Leegte I was so young, but the netart movement made a massive impact. JODI was so amazing to discover.... To be honest. The best times are in between for an artist. Like right now. We had peak NFT, and now I feel I can really take time and go deep. I like this fase we're in. CSA2D7 I observe this space, but I do not know what phase we are in... is that a characteristic of this phase? 😂 Jan Robert Leegte Haha, also no idea. But the periods between netart and post internet was very productive and great fun! Just no one was looking. 😉 Same maybe between post internet and blockchain. You have these strange hype peaks. But in the end it's about the good works, which happen all the time. CSA2D7 The good works are all chained together! Maybe. What did you see when you looked into the peephole at the Sanctuary? Jan Robert Leegte [Editor’s note: Jan Robert inserts a photo of the garden behind the walls - green and healthy vegetation.] Pretty similar to Walled Garden… CSA2D7 Did you take this photo? Jan Robert Leegte Nope. It's from his own website I believe. iamwhitelights i remember telling people i make net art and websites-as-art in 2013 after becoming obsessed with JODi and Rafael's works. even at that time still no one at NYU understood why anyone would bother doing that. took a long time for the world to start looking. crazy how progressive that group of artists (you included) were in the late 90s and early 00's. i'm curious, what initially pushed you into doing html studies in the late 90s? Jan Robert Leegte I was experimenting a lot with computers at the academy between 1995-1999. Also working in director in lingo. But somehow when I started working in HTML, the medium felt very viceral. I had a background in architecture, and was in the sculpture dept. Evoking these browser-based objects and switching space to the browser and seeing them materialise felt uniquely sculptural. I started calling these "web-installations". That's how they felt. And when I uploaded my first study, it added all the rest. public space, participation, etc. It was unlike anything else. [Editor’s note: Jan Robert inserts an image of Frameborder, 1999 by Jan Robert Leegte and a link to his website of the work.] How is this not a spatial installation new style? 🙂Remember Rosalind Kraus. I felt this was the true sculpture in the expanded field. iamwhitelights wow, 1999 and you were already cooking with gas. love this. CSA2D7 iamwhitelights makes an interesting point about being progressive and pushing for new structures. With your NFTs you don't seem to devote yourself to any specific platform (you've worked with Verse, Fingerprints, mintdotfun, Fakewhale, etc.) - how do you usually make these decisions on which platform to use with your work? Jan Robert Leegte It kind of like feels like wandering around in a city, and adding works in different contexts. Also I don't feel specifically like an "Art Blocks" or a "Verse" artist. I like them all, I also release independant drops. I like the different cultures. And this way your work stays free and your own. I simply choose the platform based on which work I find fitting with them, and what tech they support. CSA2D7 A digital flaneur 😊 - how did you first meet or get to know Fake whale for this work? Jan Robert Leegte They did an interview with me in 2023. I suggested the Garden as a solo with Verse. But they didn't support the custom contract needed. Fakewhale also offered me a solo, and didn't have any restrictions. Also I thought this work would fit them well, it being different from my earlier work and quite conceptual and layered. CSA2D7 Restrictions as in the custom contract, or other things? Jan Robert Leegte That mainly made them say no. But I also didn't want this work to be presented in a standard platform model. It needs a custom front end. CSA2D7 Have you ever thought about partnering with a solidity developer? I think Rafael works often with... let me find the name: Reiner Feijen (for the svg) and Alberto Granzotto (for the solidity) - different mediums, but Jan Robert Leegte Well yes! This project is also done with my solidity dev! I always work with the same one, Jake Allen. Ornament, my genesis drop also was a independant drop. I was so happy that was my introduction, as that really pushed me deep into the mud. The danger is otherwise that you stay stuck in platforms like AB and fxhash. CSA2D7 Ah, nice! How did you meet Jake? I think I know Jake from the Citadel discord. Jan Robert Leegte I was looking around for a way to do my first project. Someone from Folia liked what I was proposing and linked me to Jake. And there is nothing wrong with these platforms, only the front end is so limiting. I find that a real shame. CSA2D7 What kind of limitations discourage you from working with them? Jan Robert Leegte I'm greatful and loved working on AB and Verse! But many of my idea's can't be done there. You need to be specific, where and how to release your work. I could never have made Web, if I was only working with fxhash for instance. CSA2D7 Why not? Jan Robert Leegte They offer a template in which you can create an art work. It's a limited medium. And then you can only present it within their front end, which is uniform. Web had a custom front end which was essential. But also linked tokens. All things that are outside the possibilities. Web was very much inspired by Terraforms, which also lives outside the platforms. And I'm just speaking for myself here! I need that space to be able to make specific works. iamwhitelights hearing this was somewhat inspired by terraforms is fascinating to me Jan Robert Leegte the hypercastle was direct inspiration to this idea of the API. iamwhitelights rad as hell. hopefully 113d sees this 🙂 CSA2D7 The hypercastle is a very seductive idea, I agree Jan Robert Leegte Haha! He knows. CSA2D7 Linked tokens is what elevated Web in my eyes. The networked aspect is what is interesting, although their connection is more external from the token and requires a separate website? Jan Robert Leegte Yes, you can't embed links in tokens, as they are agnostic to where they are embedded (opensea, wallet, etc). But the contract works as an API. That means the links are inherently encoded in the tokes. If the website would disappear, someone else could build a new layer to link the tokens again. CSA2D7 And I haven't seen Walled Garden yet, but your comments on it suggest there's also this strong linked aspect with different perspectives Jan Robert Leegte Yes, the Garden is for a second step after Web exploring relational tokens. This time I wanted not only spatial linking, but social awareness between the tokens. CSA2D7 A more aesthetic link I guess, with different perspectives on the same object. Can the viewer engage with the art by changing perspectives, or do you need to look at a separate token for that? Jan Robert Leegte More a social dynamic. I wanted you to see and feel other collectors of the collection to be present in your nft. CSA2D7 How does one see, and then feel the other collectors? Jan Robert Leegte It is about including the social dynamics usually present in opensea, discord and X, but then in the NFT. I abstracted this to the bare minimum. But you can see them. By moving your mouse over opposite windows, you can see the other. You can meet fellow collectors within your own NFT, even in opensea. CSA2D7 Ah, I see. So from my peephole I can see a certain number of other peepholes, but is it a static frame or can I move the camera around? Jan Robert Leegte No, the framing is the "generative" composition. It also is a take on the long form generative model. This is long form, but bringing in a social element. CSA2D7 I say peephole because I'm thinking of the Duchamp piece you referenced, but there is no nude here right? Just flowers and nature? Jan Robert Leegte Haha, yes there is a nude hidden in the foliage.... It is mentioned in some interview, but maybe it needs to be discovered. There is a sculpture in the garden. CSA2D7 Ah, ok great I missed that part! So only certain tokens have a view of the nude? Jan Robert Leegte Exactly. Also the work is in real time, and has a global clock. So sun rises and sets, moon rises and sets, all synched. That means if you would hang the work on your wall, every time you pass it, the light will have changed. [Editor’s note: Jan Robert inserts an image of Walled Garden in night mode.] The image I just added is night mode. CSA2D7 Leander Herzog's night mode in infinite gardens is beautiful iamwhitelights i keep mine in night mode 24/7... goths gonna goth CSA2D7 I wrote on X that this feels like a love letter to NFTs, and it really does, between the multiple perspectives component, the long-form generative component, the social medium component… Jan Robert Leegte Yes, this work is fully and completely a NFT work. It critiques, honours, pushes forward, embeds the NFT as medium. Couldn't have made this without being in this space for the last 4 years. CSA2D7 Do you want to talk about the aesthetic of the work? You mentioned using Houdini in your interview with Fakewhale - I mentioned Infinite Garden as sharing an aesthetic (maybe like the peepholes kind of look like the blocky pixels in infinite garden) but this is very much a 3D work Jan Robert Leegte My 3D developer Eusebi Jucglà made the pipeline from Houdini to Babylon.js. He is a 3D coding wizard. Amazing how he turned the idea into reality. I have worked in unity myself before for projects. But this really was out of my skillset, and he did an amazing job. I was also inspired by John Gerrard how for me for the first time did these high end WebGL NFTs. iamwhitelights how large of a studio/team do you work with typically? that's so cool that you have a 3d dev on hand to help achieve the vision. Jan Robert Leegte I need help with independent drops. So Ornament, Web, Broken Images, Walled Garden, Jake does the solidity work. Works in platforms: Window, JPEG, Buttons I do myself. Selection was a great copro with Folia. Also really nice. CSA2D7 What are your thoughts on your first time with high end WebGL NFTs? And did you ever reach out to John with any questions? Jan Robert Leegte Pretty amazing. What a super power. I think if I would like to explore social dynamics with NFTs, it is maybe nescessary to have a 3D engine. But I also love the flatness and material purity of the interface as you know. I will let the ideas and intuitions lead me to chose how to execute them. Jan Robert Leegte we do phone now and then. But Eusebi took off without any assistance needed. 😉 CSA2D7 Fascinating. Yes, I'm glad you still anchored the work with your interfaces and gray wall Jan Robert Leegte I'm so curious what will happen when the Garden will be populated. I have only had placeholder collectors. It's very exciting.... [Editor’s note: Jan Robert inserts an image of “Emilia in the rosegarden from the Teseida”; Emilia is being looked at by observers behind bars.] There we are, behind the window. 😉 CSA2D7 Haha, I was about to say the same thing. But isn't that the reverse? The flowers in the garden are trapped behind the wall. I don't know the answer to that one haha Jan Robert Leegte A matter of perspective I would say. Aren't you trying to be in here now? The networked computer is my muse. I find it an insane reality to work with as an artist. It is frustrating and sublime at the same time. CSA2D7 I think so... great words to end this with. I think this is a good time to wrap unless there's anything else you want to chat about? Jan Robert Leegte No, thanks a lot. It was fun! And I didn't make a crazy amount of typos, I hope! 😉 CSA2D7 Typos are how you know its human! I will put this in a doc and send it to you for editing. Very excited for this release. Its a very meaningful one I think, for you, for us Jan Robert Leegte Thanks all for hanging out with us. See you all tomorrow maybe!