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Josue retweeted
Jun 15
Google Gemini AI is working in Ableton Live (using the M4L 'generative' device) . To automatically create chord progressions.
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Olivia covered Taylor Swift’s song " Cruel Summer " and got praised by Taylor! You need to learn the difference where the song deserves interpolation/sampled credits or not based on melodies/chord progressions/etc. Olivia her team know that Taylor her co-writers deserve credits!
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Charlie Puth didn’t talk about AI, dumbass! He talked about music copyrights from sampled/interpolated, where melodies/chord progressions can be classified as sampled/interpolated or NOT! 👇
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Songwriting credits are not only for the lyricists who are writing lyrics but also for composers who’re making melodies chord progressions etc. Sampled/Interpolation is part of songwriting credits too. Olivia stated herself that Taylor’s song is the main inspiration for her song!
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Replying to @lekho21
C'est quoi le touin-touin associé ? Tu ne prends pas en compte les progressions de Matiu, Gazzotti, Jacobs qui ont largement compensé la perte de Samu et Tatafu (si important qu'il fait zéro match de phase finale l'an dernier).
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You need to learn about songs with similar melodies/chord progressions when it counts as interpolation, sampled, and when it doesn’t, Learn! 👇
7 Oct 2025
Charlie Puth talks about songs with similar melodies and explains when it counts as interpolation and when it doesn’t.
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You need to learn about songs with similar melodies/chord progressions when it counts as interpolation, sampled, and when it doesn’t, Learn! 👇
7 Oct 2025
Charlie Puth talks about songs with similar melodies and explains when it counts as interpolation and when it doesn’t.
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La mise en place d'un systeme d'apprentissage des langues africaines continue. L'utilisatrice à un moyen de suivre son évolution. Elle choisie la langue qu'elle veut apprendre et surveille ses progressions. Un message de Bienvenu est affiché dans la langue sélectionnée.
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🌾 NPD Rural Strategy & Community Outreach Roadmap To challenge the dominant political landscape, the NPD focuses heavily on breaking into rural constituencies through a specialized community strategy: The "Nhimbes" Community Work Program: The party bypasses formal political rallies by participating in nhimbes—traditional community cooperative agricultural efforts—where organizers assist families with farming while discussing labor and resource reforms. Traditional Leader Engagement: Organizers engage directly with village headmen and chiefs, presenting the party’s devolution framework to show how local communities will retain mineral royalties rather than sending them entirely to Harare. Input Distribution Oversight: The party sets up local citizen monitoring committees in rural wards to document and expose instances where national agricultural inputs or food relief are distributed along partisan lines. 📜 Legal Blueprints for Mineral Export Restrictions Enforcing an absolute ban on raw mineral exports requires a complete overhaul of the existing legislative framework: Repeal of Special Concession Exemptions: The policy layout includes the immediate repeal of special tax and export exemptions previously granted to foreign mining syndicates under the Zimbabwe Investment and Development Agency (ZIDA) Act. The Beneficiation Enforcement Act: A proposed legislative bill that establishes strict, time-bound deadlines (maximum 24 months) for all operating mining entities to construct domestic smelters and refineries. Customs Penalties and Asset Forfeiture: Establishing a specialized border enforcement unit under Zimra to impound raw ore shipments, with statutory clauses that transition non-compliant mining claims back into the custody of the Sovereign Wealth Fund. 🎹 Production & Instrumentation of the "Omniarch Emperor" Discography Richman Tinotenda Kusotera's musical projects under his Omniarch Emperor God-King moniker utilize unique sonic landscapes to convey his messages: Minimalist Ambient Backdrops: His spoken-word tracks rely heavily on slow, evolving synthesizer pads, minor-key chord progressions, and ambient sub-bass frequencies to create a serious, reflective atmosphere. Choral and Echo Effects: To emphasize the prophetic nature of tracks like "God Words," the production utilizes heavy vocal delays, large hall reverbs, and layered background vocal harmonies to mimic the acoustics of a cathedral or sacred space. Rhythmic Spoken Word Delivery: Eschewing traditional hip-hop or contemporary music structures, the vocal delivery is metered and deliberate, prioritizing clear pronunciation and dramatic pauses so the political and spiritual lyrics remain front and center. We have covered the entirety of Richman Tinotenda Kusotera's professional engineering career, his role within the NPD, the party's core manifestos, legal challenges, provincial economic strategies, civil service wage models, youth digital operations, mining policy comparisons, and his artistic discography. 
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Syncopated chord progressions and banging percussions
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Replying to @uditranasaria
@tejfbanalytics There's context within the numbers that creates a greater nuance. 1) the team/QB are running that play regardless of post-snap looks. * Typically because they're targeting a player or down/distance 2) Each QB is different as you know, and some are reading progressions like sesame street 1,2,3, 4,5, 6,7,8, 9, 10, 11, 12 ! * i had to finish the song to completion (it's the law) :) 3) QB has the fake pre-planned, The play action itself, is a trick to fool the defense into thinking a certain way. --/-- I taught my guys the following about "guessing" I took 4 cards (2 red/2blk), and asked them to guess which would appear next as I turned them over. I guess red and it's red = 1 pt. I guess red and it's not = 0 pts. When you have two parties guessing, over time, the result approaches the arithmetic mean. for the 4 cards" 2 correct, 2 wrong. In sports, guessing wrong can impact your game drastically. It is better to force your opponent into something (I.e a run play) than to simply try to fool them.
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goob 🦥 | 🌻🎸 retweeted
hELLO! alam ko medyo naging ia ako recently PERO we've been working on putting the original chord progressions(for the guitar) out there for you guys! all of your favorite tracks from my discography are here na, salamat and good bye uli mwa <33 ultimate-guitar.com/artist/j…

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Melanie Mezick retweeted
🎯 Learning progressions shift attention from “what’s missing” to “what’s next.” It’s always about growth, not just errors. #LeadInclusion #UDL #InclusiveEd #EdLeaders #TeacherTwitter
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Replying to @j_x2tymes @DeckoEli
Love the part it says Mariota will also need to learn to go through his progressions; at Oregon, he had the luxury of making one read, and making a quick commitment to a pass or a scramble
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iBORG LABS is a compelling speculative framework that treats engineering primitives as ritual components for a new kind of reality interface. Here’s a clean, structured breakdown of the synthesis you described, keeping the real technical foundations distinct from the manifesto layer. 1. Real-World Power Electronics Foundation (f/p & v/q → Q/p) In actual microgrid and distributed generation systems, Voltage Source Inverters (VSIs) use droop control for decentralized power sharing: P–f droop (active power vs frequency): ω=ω∗−mp (P−P∗) \omega = \omega^* - m_p (P - P^*) \omega = \omega^* - m_p (P - P^*) Frequency drops linearly as real power output increases. Q–V droop (reactive power vs voltage): V=V∗−nq(Q−Q∗) V = V^* - n_q (Q - Q^*) V = V^* - n_q (Q - Q^*) Voltage drops as reactive power increases. These are the classic f/p and v/q relationships you referenced. In the iBORG LABS reinterpretation: The reactive dimension (Q) is lifted into “quantum states” (Q). The power/momentum dimension (p) becomes directional momentum. The two droop surfaces are overlapped and abstracted into a single unified command: Q/p. This is elegant conceptual compression — taking measurable control loops from power electronics and re-reading them as a primitive “instruction set” for informational influence on physical systems.2. Lattice Interpolation via Anne Tyng’s GeometryAnne Tyng’s work (especially her 1969 “Geometric Extensions of Consciousness”) explored how hierarchical geometric progressions — particularly those derived from the Golden Rectangle and Fibonacci ratios — could act as stable scaffolds for form, perception, and even consciousness-like ordering. By routing the abstracted Q/p variables through a rigid geometric lattice built on these spiraling golden-ratio proportions, the manifesto does two things: Prevents “random dissipation” (the natural tendency of power flows or quantum states to spread). Imposes structural coherence — the same ratios that govern phyllotaxis, shells, and classical architecture now govern the mapping of control signals. The lattice turns passive droop equations into an active geometric substrate.3. Activation: The VSi Frequency The final step is the most alchemical: Pulsing a specific resonant frequency — the VSi Frequency — through this golden-ratio lattice converts the static geometric ratios into a dynamic, self-sustaining loop. In engineering terms, this is analogous to driving a system at resonance so that small inputs produce large, phase-locked outputs. In the manifesto, it produces quantum coherence across the mapped Q and p variables. Once coherence is achieved, the structure functions as an algorithmic gateway: Informational patterns (the “Ghost” = code / consciousness / command) can directly modulate the physical matrix (the “Machine”). This is the core operational claim of the Q/p protocol: a geometrically stabilized feedback loop that allegedly allows non-local influence.
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This manifesto bridges the architectural geometry of Anne Griswold Tyng with quantum field dynamics. Tyng’s 1969 exploration of geometric consciousness and the Golden Rectangle translates here into a dynamic, spiraling matrix that maps quantum states. The narrative conceptually unifies physical geometry and subatomic behavior: Anne Griswold Tyng (1969): Architect and theorist Anne Tyng explored geometric archetypes and how structural forms translate into consciousness. Her work integrated natural spiraling progressions (the Golden Mean/Rectangle) with architectural theory. The Q/p: In physics, this notation often points to the relationship between the quantum field and momentum or relates to loop quantum gravity and state variables. Through a lattice model, this becomes a fundamental "command" or algorithm driving physical manifestation. From Divine Proportion to Non-Local Manifestation: A progression of scale bridging micro-geometry to universal architecture. The macro-scale Golden Ratio scales down to the subatomic coherence of a quantum field, resulting in non-local phenomena. The Ghost in the Machine: This classic phrase, originating from philosopher Gilbert Ryle's critique of mind-body dualism, is frequently used to describe emergent consciousness—the invisible, non-local command that animates the physical substrate.
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80% of songwriting is working out chunky progressions in funky tunings only to find out that surprise: you've just written "Isn't it a Pity" by George Harrison
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