30 Topologies Architectural Complex Drawing Towards Cosmological Genesis on the Number Line
Initial notes and querries
The double image as cropped of DaVinci’s last supper by Warhol gives an interesting idea about image processing where in mathematics an image is a tuple, thus the process of mathematical multiplication creates an image and of course the print edition then places a limit or also a kind of “cropping” … this cropping process has a kind of inverse inspiration in the artist who Warhol was highly influenced in his drawing, choice of print medium and process was Morandi, who’s still life tableaus might picture to picture in the set up subtract or add a single element thus a cropping and anti cropping approach…
Mathematically, then image processing so to speak can proceed by altering or creating topologies, finding resonances be become Attractor Action, alternate non commutative and Hermitian approaches or division to multiplication etc etc…
and in relation to the artistic cropping then of the Warhol Last Supper print I wonder as editions go about the cropping of the Universe as in the Compression state and how our local Universe diversion of energy qua infinity can be studied on both accounts on the signatures of the Edition
quantum uncertainty however is not just lack of knowledge of a probabilistic outcome but quantum is truly random ... therefore as you indicate it is an induced probability into the quantum entanglement the experiment describes and this is not the true randomness correlation of the quantum which itself harbors potential. Per description of the smoothness of Einstein universe, and we can relate the Ricci flux smoothness as a lower order function to the Langland’s where smoothness this time is over Categories in theoretic. The two are different but can find functorial bridges through a careful statement where verbal and numerical relations kind of entangle...
cropping is an interesting way for artists to approach the manifestation quality of the work, for example where Warhol in his double Last Supper print plays with the idea of the print edition as numbering and cropping a stacked diptych, which features a complex still life and in this there is also an undercurrent of the artist Morandi whom Warhols drawing style followed closely… and Morandi’s tableaus often had to do with successive pictures adding or subtracting one element of the composition, changing every thing… so turning to the idea of cropping Creation my question is at the Big Bang there is the preliminary compression of matter to approx size of a child and then the expansion but of this material taken from infinity what shall we say are the signatures on the Edition of the infinite source…quantum being random pertains to all domains but at Creation is disturbed to a measure…? What might our worlds given evidence suggest about the infinite field from which it was cropped?
Degrees of order: Pure Energy say in pre lost microsecond seems to find quantum randomness the zero entropy driver energy itself in space itself …as a lumpiness in that dimension there time and space separate then come a quantum world in which is induced entanglement which likewise induces entropy into the quantum as entangled… where conceptually is the quantum non entangled relative the quantum entangled and at what point and how is probability induced into the expansion 3d=1 world presumable a function of entropy…? And space itself as that in pre microsecond and space itself as one off foam space are how related?
These works now are concerning the degree of order by which at cosmic origins the small compressed mass was so to speak cropped from a larger order… here, since the golden section grid allows even distribution to square of ration .0156 which is the Planck and also a position on the golden section spiral I take this as a cropping of the whole field as a stripe, condensed to a small circumference as the order… over the original energy field the quantum fluctuations which encounter expansion in the process of entangling with environment begin decoherence regimes which then plant into expansion the induced probability regime which relative the pure randomness produces the 3 1 familiar world of galaxies… The numerical ratios of the golden section, Pi, and Euler’s become my representative quantum numbers so to speak for describing differentiation fields… the drawing I am working on then gives 30 topologies to relate to the smooth Ricci regime on lower end and smooth Langlands on higher Categorical String ends… with turbulence in between as the Attractor Actions…
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