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Roman Shamin retweeted
3 things I learned designing a uniwidth font
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Replying to @typecache
Uniwidth is the new black.
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[New Font Release] EK Baumer was expanded. It now comes in three subfamilies: Headline‚ Uniwidth‚ and Mono. typecache.com/news/6941/ #typecache
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Uniwidth is the new black. (Term coined by yours-truly BTW.)
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Portugal-based @yeptype’s Unifora is a uniwidth sans serif with 135 styles where every weight is built on the same column width.
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Portugal-based foundry @yeptype has released Unifora, a uniwidth sans serif superfamily with 135 styles. Built across five widths from Condensed to Expanded.
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Meet Unifora, @yeptype’s uniwidth sans serif with 135 styles.
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Portugal-based foundry @yeptype’s Unifora is a uniwidth sans with 135 styles across five widths. Every weight holds the same column width. Download trial fonts below ↓
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Replying to @benjitaylor
Uniwidth font is the solution!
Replying to @yeptype
1/8 — Uniwidth design Here’s the problem: you set a button label in Regular. User hovers, it switches to Bold. The text gets wider, the layout jumps.
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The corner cuts aren’t just decoration. Uniwidth spacing is tight by nature, so those cuts carve out breathing room where characters would otherwise collide.
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Unifora is uniwidth (aka multiplex or duplexed). Every character keeps the same width across all weights, widths, and slants. Words, lines, and paragraphs don’t shift. Layout stays rock solid.
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I spent 2 years on a single constraint: every weight, every width, every slant—same character widths. Today Unifora is out. A uniwidth variable sans-serif superfamily. 135 fonts. Industrial edge, architectural precision.
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Comma Sans → new on Adobe Fonts.
Clean. Humanist. Uniwidth.
Activate instantly with your Adobe CC subscription. fonts.adobe.com/fonts/comma-…
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Had some time to kill so increased a "QJ" kern by 10 units in a uniwidth system because it was too tight in the Bold. As one does.
I just kerned «řĵ». How YOU doin'?
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