The Workspace for Video Teams. Ingest orchestration, logging, pre-cut, transfer to edit, sharing and review, subtitling and localisation.

Joined May 2009
1,002 Photos and videos
Limecraft retweeted
The Trump administration has given the green light for Paramount Skydance to take over Warner Bros. Discovery in a mega-merger that will reshape Hollywood. cnn.it/3Qhds5S
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๐ŸŽค On a format like The Voice of Holland, post-production cannot afford to wait until filming is over. With ๐Ÿญ๐Ÿฌ ๐—ฐ๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ฎ ๐—ณ๐—ฒ๐—ฒ๐—ฑ๐˜€, multiple audio sources and ten-hour shoot days, ITV Studios Netherlands needed a workflow that could keep up with production in real time. The challenge was impressive: automatically prepare material before it hits the edit suite, without losing structure, context or editorial control. Together with NEP Europe, Limecraft helped move that work upstream: โ–ช๏ธ Footage was ingested while recording was still ongoing. โ–ช๏ธ On-set notes were captured as metadata and stayed attached to the media. โ–ช๏ธ Template-based AAF export delivered structured, multi-track timelines that reflected the editorial logic from the start. The result for ITV Studios Netherlands: ๐Ÿฒ๐Ÿฌ% ๐—น๐—ฒ๐˜€๐˜€ ๐˜๐—ถ๐—บ๐—ฒ ๐˜€๐—ฝ๐—ฒ๐—ป๐˜ ๐—ผ๐—ป ๐—ฒ๐—ฑ๐—ถ๐˜ ๐˜€๐˜‚๐—ถ๐˜๐—ฒ ๐—ฝ๐—ฟ๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—ฝ๐—ฟ๐—ฒ-๐—ฐ๐˜‚๐˜๐˜๐—ถ๐—ป๐—ด. Less manual work. Faster access to the right material. More time for the edit itself. ๐Ÿ‘‰ Curious what this could mean for your production workflow? Book a demo with Limecraft. #Limecraft #ITVStudios #TheVoiceOfHolland #PostProduction #MediaTechnology #Broadcast #ProductionWorkflow #MediaWorkflows
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๐Ÿ—“๏ธ ๐—Ÿ๐—ถ๐—บ๐—ฒ๐—ฐ๐—ฟ๐—ฎ๐—ณ๐˜ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ.๐Ÿฐ โ€“ ๐—•๐˜‚๐—ถ๐—น๐˜ ๐—ณ๐—ผ๐—ฟ ๐˜„๐—ต๐—ฎ๐˜ ๐—ฐ๐—ผ๐—บ๐—ฒ๐˜€ ๐—ป๐—ฒ๐˜…๐˜ Join us on June 18 for a first look at what's coming in Limecraft 2026.4 release. On the agenda: ๐Ÿ‘ฅ Group & Team Management Large accounts know the pain: too many workspaces, too many users, too much time spent on access management. Limecraft 2026.4 introduces "Teams": define users, workspaces and permissions in one place, and access updates automatically as new productions are created. ๐Ÿ” Advanced Audio Sync using Waveform Matching Timecode works for most shoots, but not when clocks drift, audio cards arrive late, or timecode is simply missing. Audio fingerprinting fills that gap, matching video and audio by waveform during the backup job itself, so sync holds up even when timecode doesn't. ๐Ÿ“ฒ Push notifications in the mobile app Keep up with production updates wherever you are. See you there โ€“ grab your spot via the link below! #Limecraft #TeamManagement #AudioSync #MediaProduction #Webinar
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๐Ÿšฉ ๐—ฆ๐—ผ๐—บ๐—ฒ ๐˜„๐—ผ๐—ฟ๐—ธ๐—ณ๐—น๐—ผ๐˜„ ๐—ฝ๐—ฟ๐—ผ๐—ฏ๐—น๐—ฒ๐—บ๐˜€ ๐—ผ๐—ป๐—น๐˜† ๐˜€๐˜‚๐—ฟ๐—ณ๐—ฎ๐—ฐ๐—ฒ ๐˜„๐—ต๐—ฒ๐—ป ๐˜๐—ต๐—ฒ ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ด๐—ฒ๐˜๐˜€ ๐—ฏ๐—ถ๐—ด, ๐—ณ๐—ฎ๐˜€๐˜, ๐—บ๐—ฒ๐˜€๐˜€๐˜† ๐—ผ๐—ฟ ๐—ฎ๐—น๐—น ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฎ๐—ฏ๐—ผ๐˜ƒ๐—ฒ โœ”๏ธ Too many edit assistants creating pre-cuts manually differently โœ”๏ธ Audio that should have been synced, but eventually isnโ€™t. โœ”๏ธ Updates missed because nobody is sitting in front of the right screen at the right time. That is exactly where Limecraft 2026.4 comes in. Our ๐—ฟ๐—ฒ๐—น๐—ฒ๐—ฎ๐˜€๐—ฒ ๐˜„๐—ฒ๐—ฏ๐—ถ๐—ป๐—ฎ๐—ฟ ๐—ถ๐˜€ ๐—ฐ๐—ผ๐—บ๐—ถ๐—ป๐—ด ๐˜‚๐—ฝ ๐—ผ๐—ป ๐—๐˜‚๐—ป๐—ฒ ๐Ÿญ๐Ÿด. Weโ€™ll walk you through whatโ€™s new, why it matters, and how it helps keep complex production workflows under control. ๐Ÿ‘‰ Havenโ€™t registered yet โ€“ grab your spot!
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Limecraft retweeted
๐Ÿ—“๏ธ ๐—Ÿ๐—ถ๐—บ๐—ฒ๐—ฐ๐—ฟ๐—ฎ๐—ณ๐˜ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ.๐Ÿฐ โ€“ ๐—•๐˜‚๐—ถ๐—น๐˜ ๐—ณ๐—ผ๐—ฟ ๐˜„๐—ต๐—ฎ๐˜ ๐—ฐ๐—ผ๐—บ๐—ฒ๐˜€ ๐—ป๐—ฒ๐˜…๐˜ Join us on June 18 for a first look at what's coming in Limecraft 2026.4 release. On the agenda: ๐Ÿ‘ฅ Group & Team Management Large accounts know the pain: too many workspaces, too many users, too much time spent on access management. Limecraft 2026.4 introduces "Teams": define users, workspaces and permissions in one place, and access updates automatically as new productions are created. ๐Ÿ” Advanced Audio Sync using Waveform Matching Timecode works for most shoots, but not when clocks drift, audio cards arrive late, or timecode is simply missing. Audio fingerprinting fills that gap, matching video and audio by waveform during the backup job itself, so sync holds up even when timecode doesn't. ๐Ÿ“ฒ Push notifications in the mobile app Keep up with production updates wherever you are. See you there โ€“ grab your spot via the link below! #Limecraft #TeamManagement #AudioSync #MediaProduction #Webinar
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๐ŸŒ ๐—ข๐—ป ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—˜๐—ป๐˜ƒ๐—ถ๐—ฟ๐—ผ๐—ป๐—บ๐—ฒ๐—ป๐˜ ๐——๐—ฎ๐˜†, ๐˜„๐—ฒ'๐—ฟ๐—ฒ ๐˜€๐—ต๐—ฎ๐—ฟ๐—ถ๐—ป๐—ด ๐—ฎ ๐—ฑ๐—ถ๐—ณ๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐˜ ๐—ธ๐—ถ๐—ป๐—ฑ ๐—ผ๐—ณ ๐—ฑ๐—ฎ๐˜๐—ฎ. Our annual Carbon Footprint Report for FY25 shows a total footprint of 142.8 tonnes CO2e. That is a 12% reduction compared to FY24 (162.5 tonnes), yet slightly higher than FY23 (132.8 tonnes). A straight line would make a tidier story, but we prefer transparency and solid numbers. And, taking into account the growing footprint of our platform, this is an excellent result ๐Ÿ‘ Like most software vendors, the majority of our emissions are outside our direct control. Scope 3 emissions, including suppliers, infrastructure, travel and other indirect components, account for 95% of the total. That is why consistent reporting matters. It helps us trace the contributions per category, what we can reduce, and where we need to stay accountable. ๐ŸŒณ For the third year in a row, Limecraft has offset its full footprint, including Scope 1, 2 and 3, through Go Forest. Another step on our path towards Net Zero by 2030. More info in our Carbon Footprint Report. #WorldEnvironmentDay #CarbonNeutral #Sustainability #ClimateAction #Limecraft
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๐ŸŽฌ Excited to officially introduce Limecraft Academy, launching in July 2026. After some fantastic conversations at MPTS, weโ€™re excited to bring modern production workflows into the classrooms, giving students hands-on experience with the tools and processes used across todayโ€™s media industry. What's in the package? โœ”๏ธ Industry-standard production workflows โœ”๏ธ Collaborative project environments โœ”๏ธ Smart media organisation & asset management โœ”๏ธ Editing-ready project delivery โœ”๏ธ Limecraft Certification Pathway ๐Ÿš€ It was great connecting with students, lecturers, and faculty members from so many universities at @mpts_london , including @QMUL , The University of Salford, @UniWestminster , @Windsor_college , Coleg Sir Gar | Coleg Ceredigion, De Montfort University, @cardiffmet and @LDNFilmAcademy. Weโ€™re excited to continue those conversations and explore future collaborations. Weโ€™re also proud to already be working alongside leading educational institutions like Solent University, @FilmEU_Univ, @VUBrussel, KULeuven helping students gain access to real-world production environments and industry-ready workflows. Interested in bringing real-world production workflows to your students? Letโ€™s talk. #Limecraft #LimecraftAcademy #MediaEducation #PostProduction #Broadcast #CreativeTechnology #MPTS #FilmEducation
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๐Ÿ“๐—Ÿ๐—ผ๐—ป๐—ฑ๐—ผ๐—ป | ๐Ÿฎ๐Ÿฑ ๐—๐˜‚๐—ป๐—ฒ. Join us for an exclusive industry gathering, bringing together professionals from across broadcast, production, post-production, media technology, and education. Together, we'll explore workflow innovation, AI, cloud operations, automation, and the future of content creation through a series of practical talks and industry discussions. ๐Ÿ‘ฅ Joining us on stage: Steve MacPherson, Nico Oorts, Ricardo Herreros Symons, Maarten Verwaest, Leonardo Re & Dieter Van Rijsselbergen. Please note this is an invitation only event, with only a few spots left. ๐Ÿ“ฉ Interested in joining us? Send us a DM. #Event #London #MediaWorkflows #Broadcast #PostProduction #MediaTechnology #AI #ContentCreation #MediaInnovation
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๐Ÿ” ๐—™๐—ถ๐—น๐—ฒ ๐—ฉ๐—ฒ๐—ฟ๐—ถ๐—ณ๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป: ๐—ฃ๐—ฟ๐—ผ๐—ผ๐—ณ ๐—ผ๐—ณ ๐—ถ๐—ป๐˜๐—ฒ๐—ด๐—ฟ๐—ถ๐˜๐˜†, ๐—ฏ๐˜‚๐—ถ๐—น๐˜ ๐—ถ๐—ป๐˜๐—ผ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜† ๐—ผ๐—ณ๐—ณ๐—น๐—ผ๐—ฎ๐—ฑ An offload is only complete when it can be verified. Thatโ€™s why Limecraft 2026.3 adds ASC MHL generation directly during ingest and offload. The verification report travels with the media, allowing every stakeholder in the chain to independently validate file integrity using any MHL-compatible tool. Behind the scenes, verification works by processing all files in a transfer through a checksum algorithm, reducing an entire folder structure to a unique digital fingerprint. The result is stored in an MHL or PDF report and can be revalidated at any point in the workflow. Why it matters? Because production media is often irreplaceable. Verification helps detect corruption, incomplete transfers, or unwanted changes before they become expensive problems. Limecraft Edge now also supports selectable checksum algorithms. Alongside MD5, productions can use xxHash64 and xxHash3 64-bit for faster verification performance on high-volume shoots โ€” while maintaining interoperability across systems and vendors through standardized MHL reporting. And for teams that require strict data integrity policies: verification can be made mandatory as part of the offload workflow. ๐Ÿ‘€ Jonna and Maarten walk you through it in the video. #Limecraft #FileVerification #MHL #DataWrangling #MediaIntegrity
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๐™’๐™๐™ฎ ๐™˜๐™ง๐™š๐™–๐™ฉ๐™ž๐™ฃ๐™œ ๐˜ฝ๐™ง๐™ค๐™–๐™™๐™˜๐™–๐™จ๐™ฉ-๐™œ๐™ง๐™–๐™™๐™š ๐™จ๐™ช๐™—๐™ฉ๐™ž๐™ฉ๐™ก๐™ž๐™ฃ๐™œ ๐™ค๐™ฅ๐™ฉ๐™ž๐™ข๐™ž๐™จ๐™š๐™™ ๐™›๐™ค๐™ง ๐™ƒ๐™ž๐™œ๐™-๐™๐™š๐™–๐™™๐™–๐™—๐™ž๐™ก๐™ž๐™ฉ๐™ฎ ๐™ž๐™จ ๐™ข๐™–๐™ฉ๐™š๐™ง๐™ž๐™–๐™ก๐™ก๐™ฎ ๐™™๐™ž๐™›๐™›๐™š๐™ง๐™š๐™ฃ๐™ฉ ๐™›๐™ง๐™ค๐™ข โ€œ๐˜ผ๐™„ ๐™˜๐™–๐™ฅ๐™ฉ๐™ž๐™ค๐™ฃ๐™จโ€ Creating readable, professional subtitles is about far more complex than splitting a transcript every 40 characters. Each broadcaster and streaming platform maintains detailed subtitle style guides covering timing, line breaks, reading speed, speaker changes, shot changes, positioning, punctuation and much more. Because good subtitles are not just technically correct. You want them to be as close to invisible as possible. Poorly auto-generated garbled captions expose the defects immediately: โ€ขawkward line breaks โ€ขsubtitles appearing too early or too late โ€ขcaptions fighting against the rhythm of the edit โ€ขrapid flashing that creates a stroboscopic viewing experience โ€ขsentences broken at unnatural points The problem? Even the best โ€œAI subtitleโ€ services treat subtitling as a text problem. It is not. Subtitling is editorial craft. Timing matters. Rhythm matters. Editorial intent matters. At Limecraft, we approach subtitling from a post-production perspective. Our AI agents are designed to create state-of-the-art subtitles that follow your specific style guide and respect the editorial cadence. Because the goal is not simply to generate captions. The goal is to create subtitles viewers barely notice โ€” because they feel natural. Not convinced yet? Give it a try yourself. #Limecraft #FeatureFriday #Subtitling #Accessibility #Broadcast #PostProduction #AI #MediaTechnology
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Back from @mpts_london, heavily loaded and still digesting. One theme kept recurring. What was most striking this year was how much the industry has matured. The debate is no longer whether best practices will/need to change. The real question remains how to make complexity manageable, instead of simply adding more of it. Across MPTS, earlier industry events, and DPP discussions, much of the conversation focused on whether large-scale transformation would happen. The pressure is real: more content, more deliverables, tighter turnaround times, growing complexity, AI deployed in a hurry due to FOMO, and certain steps in post-production being decimated. So how do you transform operations in flight while everything is moving at full speed? Production teams rarely have the luxury to stop, redesign workflows from scratch, and restart. Yet, operational pressure keeps slowly increasing. The panel discussion with @NEPGroupInc Europe and @itvstudios resonated strongly. The key message stood out very clearly: meaningful transformation only happens through openness, collaboration, and partnership, not through theoretical โ€œsilver bulletโ€ solutions. Organisations have to rethink assumptions together and align technology with operational reality. The collaboration between NEP Europe, ITV Studios and Limecraft showcases that approach: moving workflow intelligence upstream, capturing editorial intent earlier in the process, bringing editorial and post-production together in a collaborative model, and building workflows that remain operationally usable throughout the chain. Thanks to all partners and customers we had the chance to talk to at MPTS, for pointing us in the right direction. Your insights are invaluable ๐Ÿ™ #MPTS2026 #MPTSLondon #MediaTechnology #PostProduction #WorkflowIntelligence
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๐ŸŽฌ ๐—”๐—”๐—™ ๐—˜๐˜…๐—ฝ๐—ผ๐—ฟ๐˜: ๐—ง๐—ฟ๐—ฎ๐—ฐ๐—ธ-๐—น๐—ฒ๐˜ƒ๐—ฒ๐—น ๐—ฐ๐—ผ๐—ป๐˜๐—ฟ๐—ผ๐—น ๐—ณ๐—ผ๐—ฟ @Avid ๐˜„๐—ผ๐—ฟ๐—ธ๐—ณ๐—น๐—ผ๐˜„๐˜€ On complex productions, getting the sequence right the first time is non-negotiable. Limecraft 2026.3 extends AAF export templates with advanced track mapping: master clips or group clips, camera and audio device selection, custom labels, multi-channel audio per subtrack. The sequence builds itself. Especially relevant for multicamera, multi-track and high-volume productions where a predictable timeline is worth its weight in rushes. ๐Ÿ‘€ Check the video where Jonna and Maarten walk you through it. #PostProduction #AvidMediaComposer #Limecraft #EditorialWorkflow #AAFExport
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Limecraft retweeted
โ€œDid you know that @Limecraft supports integrated media production workflows with Archiware P5? See them at @MPTS stand F70.โ€
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๐Ÿšจ ๐—Ÿ๐—ฎ๐˜€๐˜ ๐—ฐ๐—ฎ๐—น๐—น: ๐—Ÿ๐—ถ๐—บ๐—ฒ๐—ฐ๐—ฟ๐—ฎ๐—ณ๐˜ @ @mpts_london ๐˜๐—ต๐—ถ๐˜€ ๐˜„๐—ฒ๐—ฒ๐—ธ This Wednesday and Thursday, you'll find us at Stand F70 at Olympia London, ready to rethink high-volume workflows, distributed production, and the relentless pressure of tighter turnarounds. Also on the programme โ€“ and not to be missed: our co-founder Maarten Verwaest takes the stage on Wednesday 13 May at 15:15 in the Production Theatre, alongside Jonathan Vermeulen (@NEPGroupInc Europe) and Edwin van der Veen (@itvstudios Netherlands), chaired by Louise Wells (@Bubble_Agency). They'll share first-hand insights from building a connected production workflow for The Voice of Holland, from live capture to edit-ready content in real time, across dozens of cameras and unforgiving turnaround windows. ๐Ÿ“ Stand F70 | 13โ€“14 May | Olympia London ๐ŸŽค "From Capture to Cut in Real Time" | Wed 13 May | 15:15 | Production Theatre ๐Ÿ‘‰ Schedule's filling up, grab your slot via the link below. #MPTS2026 #MPTSLondon #MediaTechnology #PostProduction
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