An unpublished writer learning to write an epic tale and sharing everything I learn along the way.
Joined February 2021
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11 Oct 2023
Unlock your full writing potential with Storybook: Master Novelist, the ultimate Notion template for writers and authors! ๐โ๏ธ #WritingTools #StorybookMasterNovelist
writingquest.gumroad.com/l/Sโฆ
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May 31
The biggest lie in writing:
"Finish the book first. Build the audience later."
I've learned the hard way this is backwards. Here's what actually works: ๐งต
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May 31
Start with:
โ One post a day about what writing taught you this week
โ One thread per week about craft, worldbuilding, or publishing
โ Showing up consistently before you feel "ready"
The audience shows up when you do.
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May 31
The book doesn't make the career.
The audience does.
Build it now. Even if the draft isn't done.
Especially if the draft isn't done.
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May 31
Worldbuilding mistake most writers make:
They build the world before they understand the story.
Your reader doesn't need the full history.
They need to feel the tension.
Build what the story needs. Cut the rest.
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May 31
How do you track your writing progress?
Word count? Time spent? Scenes finished? Something else?
I'm convinced the metric you choose shapes the writer you become.
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May 30
Characters who only react to the plot aren't protagonists.
They're passengers.
Your main character should want something badly enough to act, even when it costs them.
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May 30
Readers don't buy books. They buy promises.
Your back cover copy makes one promise: this book will make you feel a specific way.
If your blurb is a plot summary, you've already lost them.
Lead with the emotional hook. Follow with stakes. End with a question they need answered.
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May 30
Pricing your book at 99 cents to get downloads is not a strategy.
It's a signal to readers that you don't believe in the work.
Price communicates value. If you want readers who are invested, charge what the book is worth.
Discounts are a tool. Permanence is a trap.
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May 30
The indie writers who make it treat every book as a data point.
Cover clicks. Blurb conversion. Which ads work.
You're not just a writer. You're building a business.
Embrace that and everything changes.
What's the biggest obstacle in indie publishing you've hit?
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May 30
Most writers treat publishing as the finish line.
It's not.
It's the starting gun.
Here's what nobody tells you about actually selling books as an indie author:
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May 30
Your cover is a marketing asset, not art.
Readers judge your book in under 2 seconds while scrolling.
If your cover doesn't signal the genre instantly, it fails before anyone reads a single word.
Hire a professional who knows your genre. This is not the place to cut costs.
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May 30
The inciting incident is not when your story starts.
It's when your character's world becomes permanently unstable.
If life could return to normal after your inciting incident, it's not inciting enough.
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May 30
Indie or traditional publishing?
And more importantly, why did you make that choice?
Not the ideological answer. The real one.
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May 29
The version you publish will never match the one you first imagined.
The imagined version is perfect because it's never been written.
Stop protecting it. Write the real one.
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May 29
Most fantasy characters aren't unlikable because they're too complex.
They're unlikable because they don't want anything badly enough.
Here's how to fix that. ๐งต
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May 29
The shortcut writers skip:
Give your character something they love before you take it from them.
Not just something they want. Something that reveals who they are when no one is watching.
That's the thing the story will cost them. And that cost is what the reader will feel.
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May 29
Character work is the hardest part of the craft.
Plot you can outline. World you can build.
Character only comes from asking uncomfortable questions and being honest enough to write the answer.
What does your main character believe about themselves that isn't true?
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