BarAkhenaten.

The Eagle: The eagle is the symbol of the so-called “Tribe of Manasseh,” named after the son of Joseph, the Pharaoh’s dream interpreter and the man who wore the famous “coat of many colours,” traditionally associated with the Zodiac. In reality, this Joseph is identified with Yuya, one of the wealthiest and most powerful men in Egypt during the reign of Pharaoh Thutmose IV. Yuya held the highest offices of state and was almost certainly connected to the Hyksos ruling elite. He was counted among the twelve “brothers,” a cryptic reference to his priestly (and masonic) rank, and served as second only to the Pharaoh himself. In both Egyptian and certain Eastern traditions, the word Akha (as in Akhenaten) means “Eye.” The hieroglyph for Akhem or Akha was the eagle. For this reason, the eye and the eagle have long been paired as royal symbols, especially in Egyptian iconography. The name Akhenaten literally means “the Eye of Aten.” Manasseh therefore functions as a symbolic cover term for the Atonists and their influence upon the founding and destiny of America. The Great Seal of the United States of Aton: A shield is placed directly in front of the eagle, protecting it. The Stars and Stripes (American) are literally a shield for the Eagle…that is, for the Cult of Akhenaten and Aten. The motto E Pluribus Unum (“Out of Many, One”) is a clear reference to the single great star formed from the thirteen smaller ones. This fourteenth star corresponds to the fourteenth and highest cornerstone of the pyramid, the capstone shown on the reverse of the one-dollar bill. The star in question is not “Judaic” in the conventional modern sense. It is the royal Star of David…the star of the House of Aten. The stars represent the militaristic faction of the cult, while the olive branches represent its theocratic or religious faction.

The House of Windsor: The House of Windsor is the current British royal house. It was created on 17 July 1917 when King George V changed the family name from Saxe-Coburg and Gotha to Windsor (after Windsor Castle) during World War I. The move was driven by strong anti-German public feeling. The royals recent paternal line was German: Queen Victoria married her cousin Prince Albert of Saxe-Coburg and Gotha in 1840. Their descendants (Edward VII and George V) therefore belonged to that German house, itself a branch of the older House of Wettin. Earlier, the British throne had been held by the House of Hanover (also known as Guelph/Welf) since 1714. European royalty has always intermarried heavily, so the Windsors connect to many other houses: Schleswig-Holstein-Sonderburg-Glucksburg and Oldenburg (Prince Philips paternal line) Battenburg/Mountbatten (Philips maternal family, anglicised in 1917) Bowes-Lyon (Queen Elizabeth The Queen Mother’s family) Hapsburg and others through centuries of dynastic marriages. Further back lie the Plantagenets, Tudors, Stuarts, Capetians, Savoy, and more. Royal houses are traditionally named after territories or residences; titles like Prince of Wales or Duke of Kent are standard peerages, not disguises. Prince Philip (1921–2021) was born into the Glücksburg line. He was a great-great-grandson of Queen Victoria and closely related to most European royal families, including the Russian Romanovs. In short: the 1917 name change was a practical wartime decision. The British royals, like nearly all European monarchies, sit at the centre of a vast, centuries-old web of aristocratic intermarriage.

“Freemasonry is hidden Christianity…no one need be ashamed to be a Christian” — Adam Weishaupt

Cult of Aton: elitesesotericsymbols.blogsp…

Aten: the Sun Disk The Aten was the sun disk in ancient Egyptian religion. It originally appeared as an aspect or manifestation of Ra, the sun god, but later developed into a deity in its own right. During the New Kingdom, Pharaoh 'Amen'hotep IV elevated the Aten to supreme status. In the fifth year of his reign, he changed his name to Akhenaten (“Son of Aten") and promoted Atenism…a form of monotheism centered exclusively on the Aten. This briefly replaced Egypt’s traditional polytheistic religion. Akhenaten required his subjects to worship the Aten alone, depicted as a radiant solar disk.

Moses and Monotheism: Freud’s final book…(written in exile from Nazi occupation)…Moses and Monotheism drops a truth bomb the world still dodges: the biblical Moses was not a Hebrew shepherd. He was an Egyptian aristocrat, a high priest or prince deeply committed to Pharaoh Akhenaten’s outlawed monotheistic Aten cult. Akhenaten had imposed the exclusive worship of the solar god Aten, ruthlessly suppressing Egypt’s ancient polytheism. After his death, the old priesthood and the public violently rejected Atenism and restored the traditional gods. Drawing on psychoanalysis, Egyptology, and the primal-horde theory he first laid out in Totem and Taboo, Freud offers a radical reinterpretation of Jewish origins. He argues that Moses, a fervent Atenist, refused to let the new faith die. He gathered a small band…Egyptian monotheists and perhaps some proto-Israelite tribes…and led them out of Egypt in a miniature Exodus to keep Aten’s legacy alive. Moses imposed on this group an uncompromising monotheism drawn directly from the Aten cult: an invisible, singular God demanding ethical rigor and the distinctively Egyptian practice of circumcision. Yet he ruled as a harsh, dictatorial father figure. The people eventually rose up and murdered him. The killers then repressed the crime through collective amnesia and merged with other Yahweh-worshipping Midianite tribes. Over generations the repressed memory returned. The monotheistic idea re-emerged far stronger than before, while the unconscious guilt gave rise to the prophetic tradition and a Messiah complex…the deep wish to restore the slain father-leader. Christianity later supplied atonement by offering the sacrificial death of the son. Freud saw Judaism’s genius and its tragic burden as psychoanalytic scar tissue. Modern researchers are now beginning to echo the core insight: Akhenaten’s solar revolution did not vanish. It went underground and, through the very people who killed its first messenger, quietly rewrote the spiritual foundations of the West.

Freud was hesitant to publish Moses and Monotheism…he knew it would anger the power structure. He wrote in the books preface that it wasn’t backlash from the Jews he was worried about. Freud knew his bombshell claims…(that Moses was an Egyptian prince and that the Jewish people had murdered him in cold blood)…would ignite outrage in the Jewish community. But that didn’t stop him. The real threat, the one that made him hesitate, was far more dangerous: the Catholic Church. In his own words from the Prefatory Notes: “I do not only think so, I know that this external danger will deter me from publishing the last part of my treatise on Moses. I have tried to remove this obstacle by telling myself that my fear is based on an over-estimation of my personal importance, and that the authorities would probably be quite indifferent to what I should have to say about Moses and the origin of monotheistic religions. Yet I do not feel sure that my judgement is correct. Psycho-analytic research is in any case the subject of suspicious attention from Catholicism. Such violent methods of suppression are by no means alien to the Catholic Church; she feels it rather as an intrusion into her privileges…” He wasn’t just paranoid. The Church had already crushed psychoanalytic ideas, and its influence could have destroyed his life’s work, ...(or even worse)… so he withheld the explosive part…the section that exposed the sacred origins of monotheism’s. His message was clear: yeah, the Jews might get offended, but Freud knew the Vatican held the real power.

The entire Abrahamic story is an Egyptian solar cult rebrand. Moses = Akhenaten Christianity = Atonism Atonism = pure Solar Monotheism. The “Jews” (for the most part) = Egyptian Atonist refugees. Jesus = the Persian King of Edessa.

Akhenaten is the missing link that connects everything... …Yet almost no one knows his name. Sigmund Freud…(the genius who was obsessed with ancient Egypt)…knew exactly who Akhenaten was. He understood the Atonists and what their revolution truly meant. And that knowledge cost him his life. Freud was assassinated. Agents of the Rothschild dynasty poisoned him because of his explosive theories on Egypt and the hidden origins of monotheism (Moses and Monotheism). What he discovered was so dangerous and revelatory, that the Freudian archives in New York were locked away and kept closed to the public for more than forty years. His legacy was then deliberately buried, swept into the trash, and erased from the official record. King Akhenaten: x.com/113official/status/205…

Aleister Crowley: Demonised to Preserve Control Aleister Crowley, the Victorian-era “Satanist” perpetually branded “the Wickedest Man in the World,” was no mere provocateur. A master poet, mountaineer, scholar, and philosopher, he stood squarely in the likes of Socrates, Nietzsche, Blake, and the great iconoclasts who dared dismantle external authority. His genius lay in proclaiming Thelema…(true Will)…as humanity’s path to total emancipation. Love and Will, he revealed through esoteric numerology, are identical principles. Freedom, Crowley taught, arrives only when we reject the “mind-forged restraints” imposed by parents, priests, politicians, and peers. Consciousness is colonised; family and community often mask enslavement. The unrepressed individual alone can free others. For this, the power-structure demonised him precisely to keep us from this work. Gutter journalists, Christian moralists, and occult gatekeepers smeared him as Antichrist, cannibal, and devil-worshipper. As Israel Regardie said, “little mystics” feared his exposures of their camouflages. The system required a bogeyman: an unrepressed soul threatens the super-ego’s anxious order." In this age of awakening…(the Aeon of Horus, the sovereign individual)…we can reflect on Crowley’s fate. The spirit of rebellion he heralded is breaking old paradigms. World wars, cultural upheavals, and today’s convulsions were, he foresaw, the necessary birth-pains. True Will demands discipline. Reflecting on his demonisation reveals the oldest trick: vilify the liberator to keep the herd repressed. In an era when the crowd’s voice still colonises minds, Crowley’s call rings urgent: attune to your imperial self, walk the Siddhartha road alone, and become the star you are. Freedom is not permission.

I have been accused of being a “black magician.” No more foolish statement was made about me. I despise the thing to such an extent that I can hardly believe in the existence of people so debased and idiotic as to practice it. — Aleister Crowley (The Sunday Dispatch, 1933)

The deeper I delve into the occult disciplines, the more inexorable the pull becomes… …an unbidden initiation, almost against my will, into the shadowed truths the profane world refuses to name. It took an open, inquisitive mind a deeper descent into the veiled mysteries of Egypt, Ireland, Sybolism, and lost Atlantis to finally shatter the religious enchantment that had bound me. Once the veil lifts, you simply know. A luminous new paradigm unfolds, alive with answers long withheld. For me, it was like stepping through a door can’t ever be closed.

At least two thousand years before the Hebrew Patriarchs wrote of the Garden of Eden, the Neolithic Great Goddess had her magic Garden of Immortality... In Genesis are all the recognisable elements of the much more ancient Mother Goddess myth, symbol and ritual. Here is the Garden of the Goddess and her wise cosmic serpent, the tree of knowledge with its dark soma fruit…which became, for Westerners, the magic apple of the European “White Goddess” Eve — Monica Sjöö

Americas Royal Bloodlines: The most powerful names in American politics weren’t elected by the people. They were selected by blood. It’s never been about speeches, debates, or red vs blue. A deeper look into the family trees of Al Gore, George W. Bush, and John Kerry reveals that these men aren’t just politicians. They’re literal descendants of European monarchs, Roman emperors, and Charlemagne himself…and they’re closely related to one another through centuries of royal inbreeding. This is documented genealogy from Burke’s Peerage and the New England Historic Genealogical Society. Al Gore: Al Gore was the former Vice President and climate crusader. He is a verified descendant of Edward I of England. He is also a cousin of former President Richard Nixon. Gore traces his bloodline straight back to the Carolingian dynasty…specifically to Roman Emperors Louis II, Charles II, and Louis I. That makes him a direct descendant of Charlemagne, the 8th-century Emperor who forged much of medieval Europe. Gore’s Charlemagne connection also makes him a cousin of George W. Bush. Meaning...the same ancient royal blood flows through both the Democrat Gore and the Republican Bush. George Bush: According to genealogists, George W. Bush is closely related to every European Monarch…on or off the throne. He shares kinship with the entire House of Windsor, Britains royal family. ・He is the 13th cousin of Queen Elizabeth II and her mother, the Queen Mother. ・He is the 13th cousin once removed to Prince Charles (now King Charles III). Bush’s family tree is documented back to the early 15th century. He descend directly from: ・Henry III of England ・Mary Tudor (sister of Henry VIII, who married Louis XI of France) ・Charles II of England Barbara bush is related to the same British monarchs as her husband. Bush’s immediate family is already a political dynasty: father was President, grandfather Prescott Bush was a U.S. Senator from Connecticut, brother Jeb was Governor of Florida. But the real pedigree is hidden in the branches.Bush is related to 16 U.S. Presidents…not by marriage or politics, but by blood. The list, compiled by prominent genealogist Gary Boyd Roberts in his book Ancestors of American Presidents, includes: George Washington, Millard Fillmore, Franklin Pierce, Abraham Lincoln, Ulysses S. Grant, Rutherford B. Hayes, James Garfield, Grover Cleveland, Teddy Roosevelt, William Howard Taft, Calvin Coolidge, Herbert Hoover, Franklin D. Roosevelt, Richard Nixon, Gerald Ford, and of course his own father, George H.W. Bush…He’s also related to Pocahontas, the American-Indian princess. John Kerry: In 2004, Senator John Kerry ran against George W. Bush. According to Burke’s Peerage…the gold standard of aristocratic genealogy…Kerry actually had more titled royal relations than Bush. Kerry traces his lineage through his mother, Rosemary Forbes, directly to the royal houses of: England, Sweden, Norway, Denmark, Russia, Byzantium, Persia, France, and Albania. Every major royal bloodline in Europe, Kerry has. Men from supposedly opposing parties…Gore, Bush, Kerry…all swimming in the same royal blood. Cousins of Charlemagne. Cousins of each other. Cousins of presidents, kings, queens, and emperors... ...stretching back over a thousand years.

Bohemian Rhapsody: Queen’s 1975 masterpiece Bohemian Rhapsody is a coded retelling of the Atlantis saga. The song narrates the rise and fall of the advanced island civilisation. It covers the divine origins, forbidden unions between celestial beings and human women, cataclysmic destruction like the battle against Tiamat, and the gods ultimate departure. Every line mirrors Atlantis: an empire undone by hubris and swallowed by the sea. Is this the real life? / Is this just fantasy? The opening questions whether Atlantis was historical truth or mythic illusion. The doubt mirrors the veil that hides the island empire, gifted advanced knowledge by celestial visitors, from modern eyes. It blurs the line between divine and mortal realms just as the Nephilim did. Caught in a landslide, / No escape from reality This marks the cataclysm. Atlantis sinks into the Atlantic depths like Tiamat torn apart by Marduk. The “landslide” is the flood Plato described. Hubris brings divine retribution with no escape. Open your eyes, / Look up to the skies and see The call urges awakening. The skies reveal the stars from which the sons of God descended. These celestial visitors mated with human women in the Nephilim account and gave godlike technologies before they left. I’m just a poor boy, I need no sympathy The voice is Atlantis itself, once wealthy yet now diminished. The hybrid offspring of Nephilim unions speak with quiet dignity. Their fall came from arrogance. Because I’m easy come, easy go, little high, little low Atlantis rose fast through divine gifts and hybrid ingenuity. It fell just as quickly. The cycle traces elevation by the Nephilim and collapse after their withdrawal. Any way the wind blows doesn’t really matter to me, to me The winds echo the evil gales Marduk used against Tiamat. For the Atlantean narrator fate no longer matters. The empire is already doomed. Mama, just killed a man / Put a gun against his head, pulled my trigger, now he’s dead “Mama” is Tiamat, the sea mother of Atlantis. The slain “man” is the old order or corrupted human lineage. This mirrors the disruptive Nephilim arrival and internal betrayals that sped moral decay. Mama, life had just begun / But now I’ve gone and thrown it all away Atlantis enjoyed its golden age of harmony and power. Pride led to overreach and wars. The civilization defied cosmic law and threw everything away. Mama, ooh, / Didn’t mean to make you cry / If I’m not back again this time tomorrow / Carry on, carry on as if nothing really matters The apology is to the Earth mother. The Atlanteans did not intend the grief. The plea tells survivors to preserve memory quietly as the island slips beneath the waves. Too late, my time has come / Sends shivers down my spine, body’s aching all the time Final judgment arrives. Shivers and aching capture the terror of earthquakes and tsunamis. Atlantis convulses like Tiamat in her death throes. The Nephilim era ends. Goodbye, everybody, I’ve got to go / Gotta leave you all behind and face the truth The gods depart. The Nephilim leave after their unions produce hybrids. Atlantis bids farewell and confronts divine withdrawal and submersion. Mama, ooh / I don’t wanna die / I sometimes wish I’d never been born at all The hybrid child of Atlantis laments existence. Born of forbidden unions, it now faces doom. This echoes the tragic fate of the Nephilim’s offspring in the flood. I see a little silhouetto of a man / Scaramouche, Scaramouche, will you do the Fandango? A shadowy figure appears amid chaos. It is a final leader or lingering watcher reduced to a foolish dancer. The frantic dance is the death spiral of a doomed civilisation. Thunderbolt and lightning, / very, very frightening me The peak of cataclysm arrives. Thunderbolts and lightning are celestial weapons against Tiamat or the judgment that sank Atlantis. The fear is raw. (Galileo) Galileo, (Galileo) Galileo, Galileo Figaro magnifico This chants lost knowledge. Galileo nods to Atlantean astronomers who mapped the gods’ starry origins. The magnificent works of hybrid architects prove futile against the flood. But I’m just a poor boy, nobody loves me / He’s just a poor boy from a poor family / Spare him his life from this monstrosity The hybrid offspring plead for mercy. Once men of renown, they are now monstrous outcasts. The poor family is humanity corrupted by the experiment that created Atlantis. Easy come, easy go, will you let me go / Bismillah! No, we will not let you go The cycle repeats but divine authority refuses release. “Bismillah” invokes cosmic judges who will not spare the hybrid experiment. (Let him go!) Bismillah! We will not let you go (repeated) Choral battle of wills unfolds. Atlanteans beg while the divine council, like the one that condemned Tiamat, pronounces doom. Relentless waves follow. Never, never, never, never let me go / Oh, no, no, no, no, no, no, no / Oh, mamma mia, mamma mia (Mamma mia, let me go) Desperate pleas cling to life. The drowning empire cries to Mama as the sea claims everything. Beelzebub has a devil put aside for me, for me, for me Beelzebub, a fallen watcher and Nephilim patriarch, prepares special torment. The hybrid faces exile or the hell of surviving the flood that erases Atlantis. So you think you can stone me and spit in my eye? / So you think you can love me and leave me to die? Defiance rises against the departing gods. The Nephilim loved humanity yet abandoned their offspring to the deluge. Stoning is the hail of judgment. Oh, baby, can’t do this to me, baby / Just gotta get out, just gotta get right outta here! Furious rejection of doom follows. Atlantis fights to the end with boats or hidden knowledge. The sea still claims all. Nothing really matters, anyone can see / Nothing really matters / Nothing really matters to me / Any way the wind blows The outro brings resignation. Atlantis’s grandeur dissolves. The same winds that scattered Tiamat carry away the last traces. Empires and paradises prove temporary. Bohemian Rhapsody is an elegy for Atlantis. It is a veiled chronicle of divine meddling, cosmic war, and a civilisation’s watery grave. When you listen you can hear the crash of waves, the cry of the hybrids, and the thunder of gods departing. youtu.be/fJ9rUzIMcZQ?si=ZSpr…

The Black Venetians: One of the most enduring links between the ancient world and the modern era is a powerful group originating from Venice, Italy. For generations they have quietly dominated global affairs and are known as the “Black Venetians” or “Black Nobility”…a term they themselves have used for centuries. The name reflects the dark nature of their deeds. The story begins with the Phoenicians, an elite branch of the Semitic peoples who were renowned as master navigators, astronomers, mathematicians, and builders (including the Temple of Solomon). Descended from an older Atlantean lineage, they became the royalty of the Semitic world. As they settled in Italy, the name “Phoenician” evolved into “Venetian.” These seafaring people were devoted worshippers of Venus…the planet and goddess whose light guided them across the oceans…hence the natural shift to the name “Venetians.” Within the Venetian oligarchy, two families stand out: the Longhi and the Guelphs. When the Black Venetians moved their operations to Holland, they established the Amsterdam Bank…the financial heart of the 17th century…and founded the Dutch East India Company. They also became the bankers and financiers to numerous royal dynasties, including the Stuarts. They are credited with backing major religious and political movements: Martin Luther and Protestantism, Puritanism, the Jesuits, the Club of Rome, later Freemasonry, and many other secret societies. Through the House of Orange (Hanover), they entered England with William III and have remained a dominant force ever since. A key turning point came in the 1530s under Henry VIII when he allowed Venetian agents control of his government, turning England into a model of police-state control. By the end of his reign, Venetian bankers held the growing English foreign debt and dictated terms to the throne. Within a century, England had become the usurious, slave-trading empire of Great Britain under a transplanted Venetian party. This takeover was orchestrated by Thomas Cromwell, who persuaded Henry VIII to accept Venetian financing. This important detail is what connects ancient Phoenician, Sumerian, Babylonian, and Mesopotamian bloodlines of Nephilim or Atlantean descent…directly to today’s global oligarchs. As American statesman Lyndon LaRouche and others have documented, the lineage can be traced across centuries. In December 1688, the Dutch Prince William of Orange (William III) invaded England in what British history calls the “Glorious Revolution.” He replaced the excesses of Charles II and James II with an even more refined form of Venetian-style control. From this era sprang the British Stock Exchange, the modern navy, the concept of empire, the great universities, and the merchant class (named after Mercury). These oligarchs did not “infiltrate” existing societies in recent times. They created the cities, political systems, industries, and financial structures constraining us today. For most of human history, ordinary people lived within a few miles of their feudal villages; movement was often illegal. Power was exercised through monarchy (the crown) or theocracy (the cross). The Black Venetians operated at the highest levels of this from the very beginning, shaping the world from the first century AD onward. After William III’s death in 1702, the British crown passed to his sister-in-law Anne, the last Stuart monarch. In 1714 the German Black Nobility family of Hanover took the throne, beginning with George I. These Hanoverians were closely tied to the House of Hesse, which later became the launchpad for the Rothschilds. Queen Victoria…famously dressed in black…was the head of the Guelph dynasty, one of the major Black Nobility families. Today’s Windsor family descends directly from the Guelphs through the Hanover, Saxe-Coburg, Battenberg (Mountbatten), and related lines. The name “Windsor” was adopted in the early 20th century to sound more English; their original names (Saxe-Coburg, Battenberg, Guelph) reveal their continental European and Venetian roots. As Valdamar Valerian wrote in The Serpentine World Order, virtually all major coups, revolutions, and wars of the 19th and 20th centuries have revolved around the Guelphs’ ongoing effort to maintain and expand their power…now expressed as the drive toward a New World Order. In short, the Black Venetians represent a continuous thread of influence stretching from ancient seafaring elites to the architects of the modern financial and political order.

“But there exists…another class of adepts belonging to a brotherhood also and mightier than any other they have to be ranked with the adepts of the Black Art. These are our Roman Catholic “Fathers” and clergy…A hundred times more learned in secret symbology and the old religion than our Orientalists will ever be…There are more profoundly learned Kabalists in Rome and throughout Europe and America than is generally suspected…Thus are the “Brotherhoods” of “Black” adepts more powerful and dangerous…than any host of Eastern Occultists.” — Helena Blavatsky

Izas Manu VI: Jesus While tradition paints Jesus as a humble Galilean carpenter, the real man behind the myth was King Izas Manu (Izas-Manu VI), a first-century Nazarene prince of Edessa in northern Syria and rightful heir to the Adiabene throne. Born around AD 4 under the observation of the Persian Magi...the famous “Star of Bethlehem”...he inherited pure Egyptian royal blood straight from Cleopatra VII’s Ptolemaic dynasty. His mother, Queen Helena of Adiabene, is remembered for her lavish funding of Jerusalem’s Temple expansions and her decisive famine relief efforts. Izas later led Nazarene troops during the Jewish Revolt of AD 66–73 before being captured. The historian Josephus describes his crucifixion as “king of the Jews.” Taken down alive early from the cross by a high-ranking ally…identified in records as Joseph of Arimathea. He survived the ordeal, precisely matching the Gospel narrative. The deliberate historical cover-up was a calculated act of imperial policy. After Rome crushed the revolt, the emperors Vespasian and Titus, working through their pet historian Josephus Flavius, needed a new religion that would pacify the empire’s restless Eastern provinces. By stripping Izas of his royal Edessan identity and recasting him as a pacifist spiritual saviour who preached submission to authority (“render unto Caesar”), they transformed a dangerous messianic rebel into the founder of a Gentile faith perfectly suited for imperial control. Syriac royal records of the Edessan kings were suppressed or deliberately conflated; archaeological evidence…Edessan coins and statues showing a thorn-crowned ruler…and detailed genealogies were systematically ignored. Christianity was re-engineered as a tool of statecraft. Mainstream biblical scholars remain confined within the Gospels, treating them as self-contained biography while routinely omitting the wider pre-Christian historical record: Egyptian pharaonic dynasties, Ptolemaic-Persian exile lineages, Edessan monarchy archives, and the overwhelming archaeological and textual parallels between Christian motifs and far older pagan traditions. Every central element…virgin birth, crucifixion-resurrection, divine kingship…was already ancient astro-theological and mythological material from Irish, Egyptian, Persian, and Near Eastern sources, simply redacted and overlaid onto a real royal history. The Bible is not original revelation but a carefully edited political document. This is who Jesus truly was: the last pharaonic heir, whose story was mythologised and sanitised to birth a new state/slave religion.

An interesting thing happens to music when you know what to listen for: Suddenly every song sounds like coded transmissions from a lost world. The songs we’ve all heard a thousand times crack open and spill the same ancient ache: we are the survivors of Atlantis. We are the children of Tiamat’s shattered body and every song is the homesick howl of our forgotten past. Just a few examples from thousands: Goo Goo Dolls – “Iris” 👁️ The singer isn’t just lovesick. He’s homesick for a place that no longer exists. “And I’d give up forever to touch you.. Cause I know that you feel me somehow You’re the closest to heaven that I’ll ever be And I don’t want to go home right now.” “And all I can taste is this moment… I just don’t wanna miss you tonight.” Queen – “Bohemian Rhapsody” “Is this the real life? Is this just fantasy?” He’s already questioning the simulation. “Caught in a landslide, no escape from reality.” Tiamat’s destruction. The flood. The fall. The moment the sky cracked and we were buried under oceans of mud and water. Then the confession: “Mama, life had just begun But now I’ve gone and thrown it all away… Goodbye everybody, I’ve got to go Gotta leave you all behind and face the truth.” The operatic middle section is cosmic rebellion… angels and devils fighting over one soul that refuses to stay trapped on this rock. “Easy come easy go, will you let me go? Bismillah! No, we will not let you go (let him go) Bismillah! We will not let you go (let him go) Bismillah! We will not let you go (let me go) Will not let you go (let me go) Never, never, never, never let me go No, no, no, no, no, no, no Oh, mama mia, mama mia Mama mia, let me go Beelzebub has a devil put aside for me” "So you think you can love me and leave me to die?" "Can’t do this to me baby, Just gotta get out, just gotta get right out of here…" "…Nothing really matters." Elton John – “Rocket Man” “She packed my bags last night, pre-flight I miss the Earth so much, I miss my wife I’m not the man they think I am at home… I’m a rocket man.” He realises this planet is not home. “Mars ain’t the kind of place to raise your kids / In fact it’s cold as hell.” He’s describing the void between worlds. “And I think it’s gonna be a long, long time…” Because the journey back home is slow burn of a fuse lit ten thousand years ago on a continent that no longer exists. Led Zeppelin – “Stairway to Heaven” And here is the promise. "There’s a sign on the wall, but she wants to be sure, Cause you know sometimes words have two meanings…" “There’s a feeling I get when I look to the West. And my spirit is crying for leaving…” The West? Where Atlantis sank… “A new day will dawn for those who stand long, And the forests will echo with laughter…”