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If We're Going to End Up Living with AI, Can AI Think Like the Mountains? New Ecosystem at “The Mountain Algorithms” in Kaohsiung Museum of Fine Arts
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如何創作出既具深刻文化性、又娛樂大眾的藝術作品?法國藝術家雙人組Clédat & Petitpierre專訪
Interview with French Arti Duo Clédat & Petitpierre at Keelung Art Museum
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創作不須向誰證明:專訪日本藝術家Yoshi 47,低谷重生的「Daily Motifs」
No Need to Prove Anything to Anyone with Art: Interview with Japanese Artist Yoshi47, “Daily Motifs” and Rebirth From the Bottom
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中秋夜跟著紫式部去旅行:從《源氏物語》的誕生打造傳說、信仰與文化結合的追月漫遊
Follow Murasaki Shikibu on a Trip at Mid-autumn Night: From the Conception of “The Tale of Genji” to a Voyage Chasing After the Moon that Combines Legends, Faith, and Culture
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如果文物有履歷──談書畫「著錄」的重要性
If Artifacts Had Resumes - The Importance of “Bibliographic Descriptions” in Paintings and Calligraphy
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搶救珍本古籍大作戰──國家圖書館特藏的曲折史
A Great Battle to Salvage Rare Ancient Books - Complicated History Behind National Central Library's Special Collection
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【蕭文杰專欄】文化部提出「不義遺址保存條例草案」缺陷多
【Column by Hsiao Wen-Chieh】The Many Flaws Behind Ministry of Culture’s Proposed Draft Ordinance for Sites of Injustice Preservation
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#專題【藝術CSI】鑑定制度的建立與挑戰:當代藝術市場中的盲區探索
【Art CSI】Establishment and Challenges of Authentication Systems: Exploring Contemporary Art Market’s Blind Spots
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切玉茲雖異,蟠夔卻弗殊──乾隆朝仿青銅玉器的製作與政治意圖
The Making and Political Intentions of Imitation Bronze and Jade Wares in the Qianlong Period
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生命經驗的凝結與提煉──專訪五位2024璞玉獎得主
Accrual and Refinement of Life Experiences -Interviewing the 5 Winners of 2024 Luminous Art Marketing
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#專題【臺灣藝術高教危機】透過「藝術教育」,你成為理想的大人了嗎?一篇關於藝文產業工作者的自白
【The Crisis in Taiwan's Art Higher Education】Becoming an Ideal Adult Through “Arts Education”? Confessions of an Arts Industry Worker
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