The collective project of James Chinneck, Chris Bloor and Derek Horton, curating international contemporary art in Leeds, 2013-2017. Tweets from Derek Horton.
From 2014-2017 @AndmodelLeeds presented 27 exhibitions and residencies curated by Chris Bloor, James Chinneck and Derek Horton, playing a key role in Leeds’s creative and cultural scene. Find out more about their projects here: tinyurl.com/mvbh4zfs
Our latest Soanyway, Issue 11, Redux, online now soanywaymagazine.org/issues Redux—restoration, reinterpretation, remaking, remixing, re-editing, are the themes this issue of Soanyway.
With this issue we are also launching a new feature, Soanyway Reviews.
Our 10th issue will be out soon—we invite submissions in the form of a CONVERSATION, (deadline 31 August 2021). Maybe an interview (audio, video or transcript) or a broader interpretation of the conversational—as poetry, scripted dialogue, or a visual exchange of images/objects.
Calling #sculpture researchers! There's a fantastic #job opportunity to work on "Hepworth’s Progeny: Generations of Women in Sculpture in Britain — Lives, Work, Careers and Social Change 1960-2021" @HepworthGalleryhepworthwakefield.org/our-st…
We welcome submissions of photographs for covers of future issues of our online magazine. Check out our past covers here - soanywaymagazine.org/issues Please submit max 5 images to info@soanywaymagazine.org with the subject heading ‘COVER IMAGE’. More details below.
Delighted to see this shot of a great work by #CullinanRichards in our window in 2014 included in ‘For Marlow Moss’ by @BickAndrew - part of Dora: Dialogues on Women’s Creative Practice and Thinking. You can see the full text pdf here dorichhousemuseum.org.uk/res…@DorichHouse
We are pleased to announce that the tenth contribution to Dora: Dialogues on Women's Creative Practice and Thinking has now been published.
'For Marlow Moss' by Andrew Bick, explores the life and work of pre-war British constructivist artist Marlow Moss.
dorichhousemuseum.org.uk/res…
From Issue 8–ADAPTATION, RETELLING soanywaymagazine.org/issue-e… — Conway Hives by @Deborah95355946 made to fit ceiling windows in the art deco Conway Hall (referencing beehives on the building’s roof) and subsequently shown on gallery walls and floors. #conwayhall
If you haven’t checked out our magazine lately, there’s a new way to search it. We now have an index of covers soanywaymagazine.org/volume-… Or you can search the separate contributor index (over 100 now), or of course you can just browse each magazine issue.
'sand pour' (1968) is one of a number of sand works that Flanagan made from 1966 onwards, having used the material whilst working on building sites in Montréal. Installation photos at 'Light pieces and other works' at @AndmodelLeeds in 2017.
'sand pour' (1968) is one of a number of sand works that Flanagan made from 1966 onwards, having used the material whilst working on building sites in Montréal. Installation photos at 'Light pieces and other works' at @AndmodelLeeds in 2017.
📣 APPLY NOW! 📣
We're inviting Leeds-based artists to submit applications for six bursaries of £5,000 and ten bursaries of £1,000 to work with the The Tetley to present new work through the PANIC! network online through our website.
Apply here 👉 thetetley.org/panic-artists-…
JocJonJosch’s In Time series from 2018 is in our current issue soanywaymagazine.org/issues JocJonJosch is an Anglo-Swiss-Czech collective of Jocelyn Marchington, Jonathan Brantschen & Joschi Herczeg. @jocjonjosch The issue’s theme is ‘adaptation/retelling’. #adaptation#videoart