After his world is destroyed, an intergalactic-rock-n-roll rebel is on a time-traveling race against the clock to find the buried truth behind Oblivion.
The Directive is simple: to bring truth to a world full of lies...
#Revolt & Join the Resistance
A.Z*
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youtu.be/dPrqf9t1Y1c
Exclusive: 75 massive oil paintings, more than 30 artists, four countries, and 11 years later, Hisko Hulsing is ready to debut 'Danse Macabre' at Annecy later this month. We've got your first look at the short's impressive trailer.
cartoonbrew.com/shorts/danse…
Two of our songs and vids are on regular rotation on these stations. #IndieArtists If you've never heard of NBNMTV, stop sleeping on it. It's worth checking out. 1 year Anniversary Show!
NEW BANDS NEW MUSIC ANNIVERSARY.: Watch Now! newbandsnewmusictv.dynalinks…
You can now share your profile on Indie Pulse and embed your profile and top 3 tracks in any website. Here’s mine: indiepulse.woo.co/artist-pro… - share yours!
🚨 do you understand what happened to your right to protest..
The FBI just invented a new domestic extremism category called "anti-tech violent extremism" - and it doesn't exist in any public document.
WIRED got 1000 leaked pages proving they're already using it to track AI critics and data center protesters.
What the leak exposed:
- Photographing a data center is now officially "suspicious behavior" in Virginia
- Fusion centers are surveilling town halls where residents complain about water
- 61% of Americans believe AI will destroy more jobs than it creates
- Even Marjorie Taylor Greene snapped: "how dare the peasants complain"
They built a new extremist category for you before they told you it exists.
Television Delivers People is a seminal 1973 short video work by artist Richard Serra and producer Carlota Fay Schoolman.
Presented as a single-channel video with white text scrolling over a plain background, accompanied by light Muzak, it functions as a concise, powerful critique of broadcast television.
The piece explicitly states that “Television delivers people to an advertiser,” framing TV not as entertainment or information but as a system that packages viewers as a product for corporate interests.
It reveals how the medium subtly shapes behavior and maintains social control under the guise of harmless programming.
In 1973, Serra and Schoolman used the very medium they were critiquing buying airtime to broadcast it turning television against itself.
Their insight feels prophetic in our current media landscape:
•. Attention economy: Platforms like YouTube, TikTok, Instagram, and streaming services have perfected the art of “delivering people” to advertisers (and algorithms) at an unprecedented scale.
•. Data harvesting: Modern media doesn’t just sell eyeballs — it collects detailed behavioral data to predict and influence actions.
•. Polarization and control: Entertainment, news, and social feeds now blend seamlessly, often prioritizing engagement over substance, reinforcing the status quo or corporate and ideological agendas.
The film remains a stark reminder to view media critically: Who truly benefits from your time and attention? In an era of infinite scrolling and personalized feeds, understanding Television Delivers People encourages us to reclaim agency over what consumes us making it essential viewing for navigating today’s hyper-mediated world.