British music isn’t just popular, the UK public just ranked it No. 1 as the cultural export they are most proud of 🇬🇧 New research in BPI’s annual stats book ‘All About The Music 2026’ shows: 🥇27% of the public rank music as the UK’s top cultural export 🌍 Nearly 75% say it boosts the UK’s global reputation 🤝 Over two-thirds want more Government support for homegrown artists BPI CEO Dr Jo Twist OBE: “It’s encouraging to see that the public holds British music in such high regard and is so committed to seeing its continued success. The UK is a creative superpower both economically and culturally, as can be seen across our many world-leading creative industries. Music speaks to the human experience in a unique and powerful way and is there for us at every moment in our lives. As we’ve seen over the last year with numerous new artists breaking through on the world stage, British music has a truly global impact - its importance and power as a cultural asset and economic force cannot be overstated.” You can now dive into the full report for the data, trends and artist stories shaping the future of UK music in ‘All About The Music 2026’ 📊 Free for all BPI Members here: bpi.co.uk/page/bpi-aatm-2026 Available for the public to buy here: bpi.co.uk/page/shop

What is Gen Alpha's relationship with music? 🧐 The BPI Insight team recently released a revolutionary video-based study on the music connections of 7 to 14 year olds in the UK 💡 'Right Here, Right Now: Generation Alpha Talk Music', powered by research platform @indeemo and created with input from @lemontankagency, is a qualitative study of in-home video interviews and tasks, with the participants sharing their musical touch-points right from their homes. In total over 750 videos were captured from over 65 young people from across the UK and from all backgrounds. This report is free to all BPI members here: bpi.co.uk/page/generation-al… Non-members can access a short preview of the study here: covver.com/genalpha-at-bpi?r… If you want to deepen your understanding of Gen Alpha and the opportunity that the latest wave of music fans offer the UK recorded music market, check out this study. For any questions, just email GenAlpha@bpi.co.uk

The rumours are true 👀 The @BRITs are heading back to Manchester! Following a record-breaking 2026 show, the BRIT Awards will return to @TheCoopLive on Saturday 27 February 2027 live on @ITV, marking 50 years since the very first BRIT Awards was televised. Stacey Tang will also be returning as Chair of the BRIT Committee and preparations are well underway for another unforgettable celebration of the biggest artists, standout performances and defining moments in music 🙌 More here: bpi.co.uk/news/13280031

Manchester, ready for round 2? 👀 The BRIT Awards 2027 returns Saturday 27th February on ITV1 & ITVX.

The BPI is profoundly saddened to learn of the passing of Kanya King CBE, and we join the whole music community in mourning her loss and sending our condolences to her loved ones. BPI Chair @yolandabrown OBE DL: “There is only one Kanya King, in the same way there is only one Bob Marley or one Whitney Houston. Kanya was truly one of one, a legend! “What made her so remarkable was that she spent her career, through the vehicle of MOBO creating a platform so that there could be other Kanyas, other Tinie Tempahs, other Emeli Sandés and so many more artists whose names, stories and gifts may not otherwise have been given the space they deserved. “Wearing my musician hat, my first ever award was a MOBO Award in 2007 and it was the spark my career needed at that time. I know I am one of countless artists whose journey was encouraged, amplified and validated by Kanya’s vision. We celebrate everything Kanya stood for and fought for led by her belief in the power of culture to change lives for the better. I join others in sending my love and heartfelt condolences to Kanya’s family, friends, colleagues and all who worked with her, loved her and benefited from her extraordinary legacy. Rest in peace Kanya, your impact will live on for generations.” BPI CEO Dr Jo Twist OBE: “It is with such a heavy heart that we learn of this great loss to the music and wider community, and we send our love and heartfelt condolences to Kanya’s family, friends and to all who worked with her. “Everyone who knew Kanya or who benefited from her incredible passion for music and the creative arts and from her fierce commitment to inclusivity and social justice will know just how much of an inspirational trailblazer she was. She will always be remembered for this and for the wonderful legacy she leaves to British music and beyond, not least through the MOBO Awards and brand she founded and developed so brilliantly into a landmark platform for so many artists, and which will act as a lasting tribute to her many accomplishments. Rest in Peace Kanya, you will be greatly missed.”

WE'RE HIRING! UK Music is looking for a Head of Policy and Public Affairs to lead on the development and execution of UK Music’s policy and public affairs strategy and be responsible for effective political engagement. Find out more and apply here: tinyurl.com/ey2dp3da

Congratulations Jo 👏 Our CEO Dr Jo Twist OBE has just been announced as one of @billboarduk's 2026’s UK Power Players 🏆 Jo is helping to drive “a level of global success not seen in years” for British music 🇬🇧 Check out all the other honourees here: billboard.com/pro/billboard-…

Lord Tim Clement-Jones setting the record straight 👏 During a recent debate on the King’s Speech, Lord Clement-Jones, Lib Dem Lords Spokesperson for Science, Innovation and Technology, highlighted new data in a report from WPI Economics and BPI (British Phonographic Industry). The report shows that a nascent licensing market for the use of music in AI could present significant wide-reaching economic growth potential. It reinforces that record labels are motivated licensors, optimistic about the potential commercial opportunities for the creative sectors and AI developers. However, the scale of that opportunity will ultimately depend on policy certainty - particularly clear rules around record keeping, data use, and rights protection. You can read more in the full report here: wpieconomics.com/publication… Thank you Lord Clement-Jones for continuing to champion our sector and the conditions needed to ensure that the UK's music, creative and tech industries can grow in tandem 🙏 #aiinmusic #musicindustry #musicrights #recordlabels

MEGS applications are now open! If you’re a music business looking for support with international touring, applications are now open for the 25th round of the Music Export Growth Scheme (MEGS) ✈️ Supporting UK independent music businesses as they grow their artists’ global reach, MEGS has already backed 500 artists and helped drive millions in export growth for British music worldwide 🌍 A vital partnership between industry and the UK Government, the scheme continues to strengthen the UK’s position on the global stage, with applications open now until 8 June. Business Secretary @peterkyle: “Now more than ever, it’s vital that our talented artists and music businesses have the support they need to take their creativity to new heights on the global stage. This funding is crucial in helping British music continue to flourish internationally and remain a driving force in the world and I encourage all eligible to apply and seize this opportunity.” BPI CSO Sophie Jones: “We are pleased to be opening applications for the 25th round of the vital Music Export Growth Scheme, together with our partners at DBT and DCMS, and are grateful to the UK Government for its continued support of and commitment to the Scheme. With many MEGS alumni going on to become BRIT Award and Mercury Prize-winners, chart-toppers and household names, we’re looking forward to seeing its continued impact on British musical success for years to come.” Apply here: grants.businessandtrade.gov.…

"I’m going to show my age and say…” 🤔 The British Consul General, @pauljgrennie tells us his favourite sync placement ever and reveals his top 3 tips for UK creative companies trying to make it in Hollywood 🎥 Last week in Los Angeles, our LA Sync Mission 2026 delegates came together for a standout evening at the British Consul General residence 🙏 Connecting UK record labels, music publishers, songwriters, composers, artists, managers and leading voices from the US sync community, the reception was a powerful reminder of the global demand for British music across film, TV, advertising and games. Guests were also treated to a special performance from the winner of Channel 4’s @ThePianoUK, @BradKella17 🎹 We caught up with Paul to discuss how UK companies can break the US market with visibility, ambition and momentum. In a city defined by competition and opportunity, success comes to those who show up, connect and push their craft forward 📢 Now in its 22nd year, the LA Sync Mission continues to open doors for UK music businesses in one of the world’s most important sync markets. Delivered by @bpi_music, @the_MPA, @biztradegovuk and @UKinLA 🤝 #Sync #MusicSupervision

Another stellar lineup 👏 The British Music Embassy stage returns to @sxswlndn 2026 2-3 June 🇬🇧 Ft. @nadineshah @MichaelAldag12, @FraserTSmith , @preciouspepala , @cqwrestlingband @daytimetvmusic, @VENUSGRRRLS & Young Rebel Set 🔥 More info here: bpi.co.uk/news/13243719

Great to take TMT on the road for this week’s show. Thanks to @bpi_music & @SoundCity for having us & our guest, BPI chair @yolandabrown for bringing the sort of insight that only comes with having seen the biz from all angles. Plus: the truth about working with @elmo! Tune in…

We love bringing together our industry to talk about the future of recorded music 🤝 Another brilliant 'In Tune With Tomorrow' programme last Friday at Liverpool @SoundCity 2026 🎉 From keynote conversations and fireside chats to industry panels, networking and a live recording of The Money Trench podcast, it was an insightful and enriching day bringing together voices from across the UK and global music industry. Special thanks to all of our speakers, moderators and panelists: Dr Jo Twist OBE, Sophie Jones, Vanessa Reed, Shira Gans, Steve Rotheram, Chris Tams, David J Pichilingi, Deborah Smith, Dan Waite, YolanDa Brown OBE DL, Dr Yasin El Ashrafi, Esme O'Keeffe, Alex Hannaby, Alice Grace Fuller, Ammo Talwar MBE, Simon Pursehouse, Danni Brownsill, Serena Safieddine Tazi, Mark Orr, Josh Daniel, Mark Lippmann, Ryan Edwards, Will Beardmore, Corbyn Asbury, Ben Kerr, Olivia Hobbs, Mark Sutherland It was fantastic to see so many artists, executives, entrepreneurs and industry professionals come together in Liverpool to explore the future of music, from grassroots talent development and musical cities to international growth markets and innovation across the sector. We’re proud to continue building connections between local and global music communities through Sound City, and grateful to everyone who helped make this year’s programme such a success 🙏

“That rock ‘n’ roll, eh? It just won’t go away...” - Alex Turner at the BRITs 2014 🎤 Rock music is having a moment in the UK 🇬🇧 📈 22.2% of UK singles consumption in 2025 (highest in nearly a decade) 💿 Still the UK’s biggest albums genre with a 36% share 🎶 A huge 54.9% of vinyl sales belong to rock All from our newly released ‘All About The Music 2026’ yearbook that analyses @officialcharts data for a deep dive on the UK recorded music industry 📊 Free to BPI members and now available to purchase online here: bpi.co.uk/page/shop Dr Jo Twist OBE: “For decades, rock has played a critical role in maintaining and enhancing the UK’s status as a global music superpower. This was truer than ever in 2025. Rock has long flourished thanks to its incredible foundations built on a deep, exceptional and still-cherished back catalogue. We can now add to that contemporary stars such as Sam Fender, Sleep Token, Wolf Alice, and Yungblud, who hail from across the UK and who are breathing new life into this much-loved genre both at home and around the world.” If you’re at @SoundCity this Thursday, head to our Insight Session called ‘UK Rock in the Age of Streaming’ where we’ll be discussing these findings and how the UK’s love for rock is only getting louder 🔊 Tickets here: universe.com/events/the-long…

This isn’t your average record store 👀 The final part of our look inside the @RCALabelGroupUK Shop at King’s Cross with Head of Marketing at RCA Records/Sony Music UK, Alex Bean 🎤 From immersive pop-ups to live performances, this space transforms with every new RCA Records release. Whether it’s a Peaky Blinders-inspired pub takeover or an intimate fan rave, it’s all about bringing people closer to the music in real life…

How is Rock music evolving in the streaming era? The BPI’s programme for Liverpool @SoundCity kicks off this Thursday with our Insight Session 'UK Rock in the Age of Streaming' 🚀 This in-conversation brings together Ryan Breslin, lead guitarist of chart-topping indie band @TheKsUK, alongside speakers from Conrad Murray (@SJMConcerts), Alfie Skelly (@ModernSkyUK) and Becky Ayres (@SoundCity) 🎙️ Join the discussion at Liverpool Philharmonic Hall for insights into how rock is evolving in the streaming era, from those shaping it firsthand. The event is free to attend, but registration is required, and spaces are limited so make sure to sign up here before it fills up: universe.com/events/the-long…

“Sophie has been truly exceptional in her six-plus years with the BPI, joining as the pandemic hit, and taking on broader leadership responsibilities as both CSO and as interim CEO.  She has shown a relentless commitment to growing British recorded music, championing the value and stories of human creativity as well as creating opportunity and inclusion for all.  She is a persuasive leader and has effectively influenced UK policymakers and our industry partners through evidenced-based arguments that deliver positive but sustainable outcomes, not just for our label members and their artists but for the good of the wider industry. “My profound personal thanks to Sophie for the amazing support she has given me, and on behalf of everyone at the BPI and across our membership. Having known Sophie for many years, first meeting when we both worked at Channel 4, I know she will do a wonderful job leading the Royal Television Society and will leave us with our thanks and best wishes.” – BPI CEO Dr Jo Twist OBE (@Doctoe)

BPI CSO Sophie Jones announces her departure: “My background before I joined the BPI was in television. I have always been aware of the vital work of the Royal Television Society, so to have this opportunity to join it now and lead it into its next phase, at a time of such pivotal change, is both hugely exciting and a great privilege for me. I shan’t be leaving until later this year, and I’ll have more to say then, not least in expressing my sincere thanks to Jo, YolanDa and to everyone that has supported me, but I have absolutely loved my time at the BPI since joining in 2020 and working with all the amazing people there and across our brilliant membership. I know that I will be able to look back on some amazing collaborative achievements that I will always feel proud of. I felt it would have to take something very special for me to move on from a music industry that I have come to love, but the RTS is exactly that – very special – and it feels a natural next step for me that I simply couldn’t say no to. “In the meantime, there are of course many important issues and opportunities for our industry that I will continue to keep a close focus on as we work to secure the best outcomes for our BPI members.”

Big Tech said we must water down our copyright laws, otherwise investment would flee. The UK said no… and AI companies are investing anyway. My piece in today’s @Telegraph on why Open AI’s new investment in London should put the copyright opt-out debate to bed. Link below ⬇️