Conductor & Musical Director | Passionate about #Opera and #ClassicalMusic transformation 🎶| Current work: Ethel Smyth’s "Entente Cordiale” w/ @retrospectopera
"Andrews is a past master at extracting the best from underpriced scores and he and the Orchestra of Scottish Opera excel themselves in a properly reflective reading, allowing his players to relish Bantock's instrumental colourings along the way." @RetrospectOpera@operamagazine
Editor's Choice - October 2025
Review of Kennedy-Fraser and Bantock's The Seal-Woman (Retrospect Opera, 2025) in @LimelightArtsAu, 8 September 2025, by Clive Paget:
limelight-arts.com.au/review…
And the reviews are in for #TheSealWoman with
@RetrospectOpera! Fair to say not all the critics agree entirely about its stageability, but are absolutely unanimous in praise for the beauty of the score and wonderful performances. Congratulations team!
And the reviews are in for #TheSealWoman with
@RetrospectOpera! Fair to say not all the critics agree entirely about its stageability, but are absolutely unanimous in praise for the beauty of the score and wonderful performances. Congratulations team!
‘All credit to Retrospect Opera [...] Yvonne Howard is in fine voice as The Cailleach [...] Best of all is Catherine Carby as the seal woman’
- Review of Bantock and Kennedy-Fraser’s The Seal-Woman, Christopher Cook, BBC Music Magazine, 7 August 2025
pressreader.com/uk/bbc-music…
"Retrospect Opera has an excellent track record in recording largely unknown British operas: this latest release is not a disappointment.... Conductor John Andrews leads his forces in a well-shaped reading of the score." ⭐⭐⭐⭐ from Opera Now.
gramophone.co.uk/opera-now/r…
“Throughout the performance is well played and sung… The extensive booklet notes are thorough and absorbing. This was clearly a labour of love… there’s no question it is good to have this extremely enterprising release”britishmusicsociety.co.uk/20…
"Throughout the performance is well played and sung ... The extensive booklet notes are thorough and absorbing. This was clearly a labour of love."
- Review of Kennedy-Fraser & Bantock's The Seal-Woman by Kevin Mandry for British Music Society, July 2025
britishmusicsociety.co.uk/20…
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Many congratulations to @Dr_Chris_Wiley for his piece on Smyth’s Entente Cordiale in this month’s @operamagazine magazine – perfectly timed as the opera, which I will be recording with @RetrospectOpera next year, turns 100!
If this ‘critic’ had bothered to do his research, he would have seen that it’s not called ‘The Relaxing Prom’. It’s a ‘Relaxed Prom’, often attended by those with additional needs. The @bbcproms is for everyone. And I make absolutely no apology for that. thecritic.co.uk/democratisin…
Great mention of the @RetrospectOpera recording of C.V. Stanford's Shamus O'Brien this morning on @BBCRadio3, following broadcast of a movement from one of Stanford's symphonies. Listen from 13:13-13:51 here: bbc.co.uk/sounds/play/m002f7…
Last Sunday, six tracks from our recording of Kennedy-Fraser & Bantock's The Seal-Woman were broadcast on @BBCRadioScot's 'Classical Now', presented by Jamie MacDougall & introduced by @bycarbytrain who sings the title role. Listen here from 51.25-1.16.28: bbc.co.uk/programmes/m002dw0…