Pro-audio magazine for post production and games.
Joined June 2020
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10 Photos and videos
20 Oct 2022
We caught up with Andy Gibson, Co-Owner of game audio facility @RevRooms
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24 Aug 2022
Shayna Brown, owner of Chez Boom Audio, discusses what it’s like being a woman in the male dominated world of sound. Brown had her fair share of humiliation because she is not what some imagine when they hear the job title ‘Audio Engineer.’
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17 Aug 2022
We spoke to Hannah Charman founder of Sister Music about the company and how she is promoting a more women led and diverse approach to music production.
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15 Aug 2022
BAFTA award winning Audio Director Adele Cutting and founder of audio production company @SoundCuts speaks to us about her work providing sound design, music, and speech production for games.
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7 Jul 2022
Twickenham Film Studios collaborated with Skywalker Sound for Top Gun: Maverick. The mix was facilitated against the odds in the height of the global pandemic and proved the template for major productions to resume work under Covid-19 protocols.
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27 Jun 2022
Game dialogue provider @SideStudiosLA have opened their expanded production facility in the heart of Marina Del Rey, Los Angeles. behindtheglass.uk/article-se…
22 Jun 2022
We spoke to Zoe Freed, Foley Artist at @Molinare_Foley about her work and diversity in the audio industry. behindtheglass.uk/article-se…
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18 May 2022
As part of our women in audio features, we speak to Jessica Kent and Sini Downing of @SideGlobal. A typical day as Heads of Studio often means many meetings and dealing with any unforeseeable situations.
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5 May 2022
Post-production facility, Molinare, has announced the appointment of Richard Pryke. Pryke joins the Molinare Audio Team as Re-Recording Mixer, working across its Film, High-End TV and Games projects.
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5 May 2022
Some of the game industry's biggest voice acting talent will join forces at @SideGlobal London to fund raise for Ukraine during an upcoming live-stream on Saturday May 7th, 2022, starting at 2pm BST.
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29 Mar 2022
Whilst many were trying to keep businesses afloat during Covid restrictions, @BrownBearPost Audio was busy upgrading its facilities. Owner Thomas Dalton has now expanded the facility to include a Dolby Atmos suite and dedicated podcast studio. behindtheglass.uk/article-se…
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23 Mar 2022
Nicolas Fournel, owner of @tsugistudio talks to Behind the Glass about starting the audio tools company, how he meets customer demand and how he has seen the game industry change.
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21 Mar 2022
A second @AudientWorld mixing console has just been installed at the @womensaudio (WAM) facility in downtown San Francisco.
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15 Mar 2022
In an industry where long hours and overtime are the norm, remote working has enabled a better work life balance. Thomas Dalton, owner of @BrownBearPost talks about how the pandemic has changed the post industry for the better.
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28 Feb 2022
The winter issue of Behind the Glass is now out. In this issue we talk to @SuperMGames @frontierdev @molinarepost @tsugistudio @hootstudiosuk @BrownBearAudio @SafeInOurWorld @audibleuk
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24 Feb 2022
UK post-production facility, @molinarepost , has launched its Dolby Atmos 4K HDR theatre, The Jack Cardiff Theatre. The largest room of its kind in London, The Jack Cardiff offers premium sound mixing and grading in in the heart of Soho.
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17 Jan 2022
Gavin Shepherd, co-owner of @RevRooms, talks to us about how he got into the audio business and starting the company. Rev Rooms already has many titles under its belt and has grown very quickly due to its success.
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#gameaudio #Audio
13 Jan 2022
One of the most important things to remember when recording an audiobook has to be a consistent sounding recording. We caught up with Rhys Young of @hootstudiosuk to talk about audiobooks.
#audiobook #Audio
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5 Jan 2022
ISF Studios, one of the largest animation and production studios in the Turkish capital of Ankara have chosen an @AudientWorld 48-channel ASP8024-HE console as part of their upgrade.
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15 Dec 2021
The expansion at @TwickStudios continues with the launch of a new Sound Editorial department and the appointment of creative talents Supervisor Sound Editor Dan Morgan and Sound Designer Arthur Graley.
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