I always wonder why people support people who don't deliver on crowdfunding campaigns, whatever platform they place it on. But, then DON'T support creators with finished books. We only release campaigns when the books and items are completed for this very very reason. Even if it means we spend years preparing the books, cause its better to crowdfund a completed book, then promise a book and never deliver. kickstarter.com/projects/plu…

Daily Matt Baker Comic Cover! Jan, 1949 Fox Feature Syndicate Baker inks? #MattBaker #junglecomic

Nico Rosso, Seleções De Terror 43 Drácula NaÁfrica, Brazil, Edições Outubro Comic Magazine Cover, 1963.

Blood Realm is officially returning. The complete two-volume saga set will launch through crowdfunding in late 2027. More artwork, remastered pages, and previews are on the way. The road is long, but the journey has begun. Watch the announcement: youtu.be/0W0wjD_lIY8?si=-Cng…

There should be a special place in Hell reserved for the studio jackass who dreamed-up this approach to promoting Clive Barker's Nightbreed. I mean, what did they think was going to happen when your dyed-in-the-wool slasher fan realised they were not, in fact, watching a slasher? That Decker (AKA Buttonface) was not the next Freddy, Jason or Michael? Look at all those amazing characters conjured by Barker and realised by Bob Keen and his team, relegated to thumbnails as if they're incidental to the plot, as if they are in fact not the Nightbreed of the movie's title! As for 'David Cronenberg stars in' and 'The masters of the macabre join forces'? I love Cronenberg, great filmmaker, but it makes it sound like he had a hand in the movie's creation and wasn't simply acting in it, working from Barker's screenplay. It reeks of studio cowardice, attempting to leverage Cronenberg's reputation. Patronising nonsense. The whole approach seems to be "Oh sh*t we've got something completely original here! Disaster! Unacceptable! But fear not, we can package it all up as if it's a wash-rinse-and-repeat stalk-and-slash. No-one will know the difference! They're only horror fans, after all." I'd like to end on a positive, so... Cronenberg's hair looks great here.😄

¡Muy buenos días y feliz miércoles! ✏️ Marc Silvestri y Dan Green

Daily Matt Baker Comic Cover! May, 1948 Fox Feature Syndicate Baker inks #MattBaker #junglecomics

The trailer for Jonathan Demme's The Silence of the Lambs (1991).

#Zoot 🦍 #JungleComics 💀🌴 #Rulah 🐅 #FoxFeatures 🦊

Look at your shelf: Is your DANZA MACABRA collection incomplete? Deep in your collector’s heart, you know this injustice must be remedied.

New Batsy art for sale. 8.5x11 original art. Ink Brush and Pen on Bristol Board. One of a Kind. Link Below!

Robert Englund on how he was influenced by the performances of Klaus Kinski & James Cagney for his role as Freddy Kruger in "A Nightmare on Elm Street" (1984): "I saw the Klaus Kinski version of "Nosferatu the Vampyre" (1979, Herzog) with Isabelle Adjani, and I was so blown away by his work and I'm a big fan of Klaus Kinski's and so his freedom, his physical freedom in that film also influenced me to be freer and not be afraid to dance a little bit; to dance to Freddy a little bit or, as we say in the theatre, to wear the scenery a little bit. And sort of find my composition because so much of the scenery that Freddy is involved with is larger than life, it's surreal, it's the boiler-room, it's exaggerated, the set is mutating for whatever reasons and so Freddy, to kind of fill that frame, that rectangle, that picture frame, I wanted Freddy to be able to do that and kind of wear that scenery as if he was almost manifesting it himself in the imagination of whichever victim was hallucinating or dreaming it or having a nightmare in that landscape, so to speak. Yeah and that influenced me a lot and I would also use the hat a lot. I liked to use the hat to reveal the bald head - I liked to use the hat as silhouette and shadow and I liked to use the hat to hide behind. I could like literally hide my eyes from the light under the brim, and then at other times I could just barely lift my head and let the light in under the brim to catch my own eyes. So that was really informed part of Freddy, and then I think there was a little bit of Jimmy Cagney in there. There was a kind of a plant your legs wide, almost a little bit of Jimmy Cagney gangster thing. These are all like images that actors used, almost like having a bulletin board with scraps on them and they kind of inform you in your imagination and then they kind of manifest. I don't think anybody watching me would say Klaus Kinski or say Jimmy Cagney or say Bob Fosse or any of those things. But they did inform me a little bit. Because Freddy knows you're dreaming him, so it's almost like he's on stage. Freddy knows you're dreaming him and you're experiencing him as a spectre so I thought he would exploit that a little bit and milk it a little bit, you know." (Robert Englund's interview with Kwenton Bellette, Screenanarchy, 2012) P.S: Happy 79th birthday, Robert Englund!