Carlo Scarpa | 1. Deeply subtle, particularly in its treatment of materials, light and history, Carlo Scarpa’s architecture reflected his passion for history, craftsmanship and artisanal traditions at a time when his peers were steeped in rationalism.
instagram.com/p/Cs0Ul5yIgN6/
A @nytimes piece about the wonderful jewelry designer Romilly Sumarez Smith who - after losing the use of her hands due to MS - thought her career was over.
Then she realised collaborations could mean she cld continue bring her creative imaginings to life.
nytimes.com/2023/05/26/fashi…
Absolutely thrilled to read this lovely article. Please send Romilly my very best - and also let her know I have passed on the piece to Prof Gavin (G).
For #InternationalMuseumDay, we're revisiting our conversation with 'The Art Museum in Modern Times' author @CSaumarezSmith.
In this episode, he explores the ‘Disneyfication’ of the art museum, the uniquely contemporary role of the museum café, & more: thamesandhudson.com/news/pod…
Interested in finding out more about the Castle Howard Mausoleum?
Learn about architect John Vanbrugh's involvement in the origins of the mausoleum, as well as the ideas and beliefs which led to its construction in this free talk by @CSaumarezSmith
Book: warburg.sas.ac.uk/events/dir…
Book now for our upcoming Director's Seminar with @CSaumarezSmith:
'The Castle Howard Mausoleum Revisited'
Thursday 1 June, 5:30 - 7pm | 📍 The Warburg Institute
warburg.sas.ac.uk/events/dir…
Charles mentions that Stamp was "much less predictable in his views than might be expected". Indeed: his mid-life conversion to an appreciation of historic modernism - Seifert included - was a Damascene moment.