In 2020, right before Covid, I was lucky enough to get to shoot some BTS on the set of Everything Everywhere All at Once. I had no right to be there, and was underprepared for the job... but basically used it as an excuse to follow @Daniels around and watch them work their magic.

We did 100% of Maya and The Three in Blender so I'm thrilled!!!

When I made this animation as a style test, I started flirting with stepped animation. There’s something about the texture it adds to the motion that I can’t get enough of.

There's always been a fight over the true story of America. I believe deeply in the story that says we’re all created equal, and that if we can treat each other with decency and respect, all of us will be better off.

I grew up in San Francisco, walking with my family by the Golden Gate Bridge. I still remember the thick and iconic chain railing that gave the place a sense of distinctiveness. Now the chains are gone, and they've been replaced by a soulless metal railing that's colder than a hospital waiting room. I'm sure some bureaucrat somewhere justified it with a tidy spreadsheet, but they stripped away a little piece of San Francisco's soul in the process. This is how a culture loses its charm: slowly, quietly... one small decision at a time.

me and my gang of independent vfx pals handled over 700 shots on THE LEGEND OF OCHI, which is playing this weekend in NY&LA, and april 25th everywhere. go support independent artists! tickets.thelegendofochi.movi…

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Reminder that FLOW got made because Gints made his own luck. He didn’t wait for someone to open the door. Four years of making a truly no budget independent film (that was also great). He just won the Academy Award. Go make your thing.

Congratulations to @gintszilbalodis and the entire Flow film crew for the Academy Award win! Flow is the manifestation of Blender’s mission, where a small independent team is able to create a story that moves audiences worldwide. Thank you for the shout out! 🧡 #b3d

make software silly again