WE'RE MAKING IT OFFICIAL!
We are committed to supporting artists with ways to engage & work. We now have an official community to do so!
Join our Collective to hear about opportunities, events & workshops & get to know fellow artists.
Find out more -
ow.ly/glIO50DArfw
We’re so proud of @Nilgin for growing her play across our 12-month writer development programme, further for a London run last year and now again for a mini London tour 👻
Next steps? Nilgün is now on the lookout for Producers to collaborate with for a larger run of NM.
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ALT A dress rehearsal photo of a play. A femme presenting person with dark hair and eyes is wearing a white shirt. Blue and pink light bounces off of their shirt and face. They are expressionless.
Firstly, HOW COOL IS THIS POSTER!
Secondly, we could not be prouder of playwright @Nilgin, her previous & current creative team. This play has never stopped evolving, nor has its artists.
Congratulations to everyone involved on their first shows at @GrimFestUK 👻
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ALT A poster for a play. The poster has a black background with a distorted head and shoulders in red in the middle. Quotes and star-ratings are at the top in white text. The title of the play ‘NINE MOONS’ is in red text below the distorted image of the shoulders and head.
Little bit of surreal career news, last night was the official opening of an exhibition of my photography work 😱 running alongside the play, Kim’s Convenience at Riverside Studios in London, you can visit the exhibition for free until the end of October 📸
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ALT Shona, a white woman wearing glasses with a shag haircut, takes a selfie in front of some of the photos in her photography exhibition. She is smiling proudly.
ALT Shona, a white woman using a Powerchair, takes a photo in front of the start of her photography exhibition. There’s a blue sign introducing the exhibition and two of the photos. Shona is wearing an orange mesh dress, black boots and a black bag with a cats face on. She is smiling proudly.
Please go and see HOW I LEARNT TO SWIM by @JonesSomebody 💦
We shouted about this show a while ago, and we’re doing it again because they have only two shows left today of their London run (after a sensational Edinburgh run) before heading to @BristolOldVic - exciting!
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ALT A poster for a play. At the top of the image are various rows of five and four white stars with publication names underneath them. A black feminine presenting person sits on a tiled surface. Theatre seating is behind them.
Not only is this an incredibly special (& 5*) play but it was written by the Programme Dramaturg of The Writers’ Collective. This is an important artist to watch.
Head to @BrixtonHouse today for their 2.45pm or 7.45pm show.
Ticket link in bio.
Image @prenticeprods
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THIS IS NOT A DRILL! @GoodBoythePlay
Join our other sold out audiences in seeing the five-star play that will ‘long live in the memory’ ScotsGay Arts.
Ticket link in bio.
📸 Alex Walton
ALT A white masculine presenting person lifts themself off two pink chairs. Their back is arched. White text is above them detailing ‘only two more shows’.
Wow, what an Edinburgh fringe it has been.
Congratulations to everyone who has taken up a show this year and best of luck with your final performances!
We want to shout about some of the important, bold and special shows we’ve experienced!
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Timeless by Brian Coyle.
Inspired by a true story, Timeless spends a single day in Martin’s bewildering world. It’s strange and unsettling for him, but his wife has the daily heartbreak of explaining just what’s wrong & the strain is beginning to show.
Link in bio!
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ALT A poster for a play. The side profile of a white man wearing a red football jersey is on a black background. The man smiles intensely. On the left is the title of the play and a quote from the blow in acidic yellow text.
And one more shout out for a play that means a lot to our team!
Two more shows left for @GoodBoythePlay!
Join their other sold out audiences in seeing the five-star play that will ‘long live in the memory’ ScotsGay Arts.
Ticket link in bio.
📸 Alex Walton
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ALT A baby pink background with a white masculine-presenting person sat crossed legs. They wear bunny ears, white trainers and a gag over their mouth. Quotes from reviews are featured either side and across of the person.
Another ⭐️⭐️⭐️⭐️⭐️ for GOOD BOY which is in its FINAL week @theSpaceUK
“At the heart of Good Boy is Farley’s self-awareness. His performance is disarming and relatable, blending sharp humour with the play’s heavier themes.”
🎟️ link in bio.
edfestmag.com/good-boy/
⭐️⭐️⭐️⭐️ - @TheQueerReview
Only THREE chances left to catch Good Boy before it closes on Saturday 24th. Last night was another sell-out so book now to avoid disappointment!
tickets.edfringe.com/whats-o…
It was so incredible being Paines Plough’s playwright fellow. Much more than words or a mere tweet would allow. But I can’t thank the team enough for believing in little ol’ me and all the other brilliant writers they’ve supported
Brilliant memories. And lots more to be made. Thank you @guardian for giving us this profile on our 50th birthday 🍻
‘Peter Capaldi was punched off his chair’: Fifty years of explosive theatre company Paines Plough.
theguardian.com/stage/articl…
FIRST WEEK ROUND-UP!
Monday 12th, Wednesday 14th, Friday 15th, Saturday 17th - SOLD OUT
Five and four star reviews and some gorgeous feedback from our audiences.
Good Boy's second (and final) week are already filling up 👀
20:55 - Theatre 2, Surgeons' Hall @theSpaceUK
🎟️ in bio