Yes, like San Pedro or ππͺππππͺπ’π, another hallucinogenic cactus used by the ancient Peruvians for ritual purposes, the candelabra cactus also contains psychotropic phenylethylamines: N-acetyl-3,4-dimethoxyphenylethylamine, N,N-dimethyl-3,4-dimethoxyphenylethylamine, N,N-dimethyl-4-methoxyphenylethylamine, and the substituted amphetamine 4-methoxyamphetamine. The synthetic form of this last compound has been manufactured since the 1970s as a designer drug and is marketed as MDMA.
In the iconography of the Paracas and Nazca cultures (closely related both spatially and temporally), cactus-like appendages represent a symbol of spiritual transformation and connection to water and fertility. They emerge primarily from the mouths, napes, or torsos of divine beings, channeling shamanic power and the life cycle.
In Nazca art, the "Anthropomorphic Mythical Being" is emblematic, featuring undulating extensions that sprout from its body. Although often mistaken for snakes, many of these appendages contain structural segments, spines, and flowers that reveal their true identity as cactus stems.
In Nazca pottery (especially during periods of great aridity), both stylized cacti and phytomorphic decorations were depicted, serving as symbolic conduits or channels for vital fluids.
For these cultures, the cactus was a sacred and entheogenic plant. The appendages represent purging, the flow of vital energy, healing, or shamanic visions, connecting the individual with the world of ancestors and deities.
This visual manifestation was inherited by the Nasca culture from the magical-religious traditions of the Paracas textiles and masks, where the deities already displayed hybrid attributes (feline-ornithomorphic) and mouth appendages that flowed towards the natural environment.
πΈ Detail of a funerary mantle from the Paracas Necropolis/ToparΓ‘ culture (500 BCβ200 AD) depicting a mythological being or shaman in a state of ritual ecstasy. It features anthropomorphic traits combined with zoomorphic and supernatural elements, including serpentine appendages that likely represent stylized cacti.
πΈ Early Nazca-style sculptural bottle (100 BCβ300 AD) representing the "Mythical Being of the Crops," depicted as a squatting figure adorned with a helmet, headband, nose ornament (or mouth mask), ear discs topped with severed heads, and a necklace of snakes. In its hands, it carries a sacrificial knife and a severed head with its mouth sewn shut with thorns. The body features representations of chili peppers,
yuca, an ear of corn, and cactus stems transformed
into snakes.