Writer. Columnist. Filmmaker. | Host of THE FILM FRONTIER | hypertensivefilms@gmail.com

Joined September 2009
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I liked but didn’t love DISCLOSURE DAY. There are moments when Steven Spielberg and Janusz Kamiński move the camera in ways that made me enormously giddy, but occasionally dynamic camerawork can’t overcome a mediocre script that doesn’t know what to do with its ideas or themes.
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For those wanting to know more of my thoughts on the film, feel free to check out my video review where I give an in-depth analysis of the film. youtu.be/RXw2FrTE7s8?is=SbAW…
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I'm hearing there's a lot of deliberate misinformation going around regarding THE BATMAN: PART II to preserve the film's many secrets. I would not believe many of the rumors circulating at the moment.
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This is fine. When OPPENHEIMER is re-released in IMAX theaters in a few years it’ll finally cross $1 billion. Mark my words.
MICHAEL is now tracking to hit $940M-$950M at the global box office this weekend after a superb #1 debut in Japan. It’ll soon beat OPPENHEIMER ($975M) to become the biggest biopic of all time.
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Dan Marcus retweeted
DISCLOSURE DAY is a plea for empathy, yes, but it's also longing for a world where humanity can share in a collective awe in a way it seems we can't anymore. And nobody is better suited than imagining that than Spielberg.
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This is the best day of my life.
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Spielberg and Janusz Kaminski in Disclosure Day are moving the camera in ways that we haven't seen done in a while
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I can confirm there is a new trailer for THE ODYSSEY attached to DISCLOSURE DAY. It’s the longest and best trailer yet.
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I’m about to see DISCLOSURE DAY and I’m seeing reactions such as “This is Spielberg’s TENET” and “This is the worst in his oeuvre.” I could not be more excited.
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I think a big part of Christopher Nolan’s success as a filmmaker is that each craftsperson who works on his films is approaching their particular technique with the utmost seriousness and dedication, and that dedication comes across in every aspect of Nolan’s films.
Ludwig Göransson breaks down the score of ‘THE ODYSSEY’ in a new featurette. This included rediscovering instruments from the Bronze Age as well as using bronze itself in the musical process.
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Matt Damon recently said in an interview that any of the crew could’ve been working on an easier film & gotten paid more, but they chose instead to work on this. Many of that crew have worked with Nolan before. He extracts the best out of every single person that works for him.
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We didn’t just lose the recipes, they were completely vaporized.
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You know I had to pull up to see The Odyssey horse in the flesh
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Imagine a romantic beachside dinner where your view is of The Odyssey Trojan Horse
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I'm obsessed with the fact that even though the first film's cinematographer, Jeff Cronenweth, shot this the film still looks like it lacks David Fincher's sauce.
First trailer for ‘THE SOCIAL NETWORK’ sequel, starring Jeremy Strong, Jeremy Allen White and Mikey Madison. The film follows an engineer who becomes a whistleblower on Facebook's most guarded secrets. In theaters on October 9.
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I'm very excited for THE SOCIAL NETWORK sequel that isn't even bringing back the first film's director, lead actor, co-stars, composers, etc.
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TOY STORY 4 moved me, which surprised me since I walked into the film with my arms crossed. I really believed TOY STORY 3 was the ideal ending. TS4 was simply a lovely narrative about rediscovering your purpose and letting go. So, honestly, I'm very psyched for TOY STORY 5.
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