My essay, “Refoliating Vietnam in the Post-9/11 American Homeland: Debra Granik’s LEAVE NO TRACE,” Discourse @DiscourseJourn1 45.1-2, is now available online.
Discourse 誌から映画『足跡はかき消して』論が出版されました。bioのHPから全文アクセスできます。
muse.jhu.edu/issue/50793
My essay, “Refoliating Vietnam in the Post-9/11 American Homeland: Debra Granik’s LEAVE NO TRACE,” Discourse @DiscourseJourn1 45.1-2, is now available online.
Discourse 誌から映画『足跡はかき消して』論が出版されました。bioのHPから全文アクセスできます。
muse.jhu.edu/issue/50793
Just published in the latest issue of @discourseJourn1 , my article “Sex, or the Illegible: AIDS Video Art and the Erotics of Abstraction.” Check it out for some reflections on activist video cultures, “graphic sex,” Bersani, and Bowers v. Hardwick: muse.jhu.edu/pub/27/article/…
We're excited to invite you to Crossing the Finish Line of the year, happening on April 21st at 4PM on Zoom! 🎓🎓🎓 Register here: queensu.zoom.us/meeting/regi…
Summer 2023's CIN360H1F - Personal Cinema seeks critical inquiries into both the historical and contemporary “gaze on life” while the exploration of self-representation and the “day-to-day” are transformed into screen-based allure and fascination.
cinema.utoronto.ca/undergrad…
Looking for me? For the latest issues try Project Muse (muse.jhu.edu/issue/47943)! We are also available on JSTOR but new policies there have a 3 year moving wall on recent availability.
Issue 42.3 featuring Jules O'Dwyer, Jessica Gordon-Burroughs, Stephan Bowman, Nicole Erin Morse, David Rambo, plus book reviews by Jonathan Buchsbaum, Ryan Watson, and Fan Wu! digitalcommons.wayne.edu/dis…
Today seems like a great day to read @excitableboy75's "This Guitar has Seconds to Live: Guitar Drag's Archaeology of Indeterminacy and Violence" from Discourse 30.3 (2008), the special issue on Cinema and Accident. Then again, every day is a great day to...