i want to be honest about what a day actually looks like, i have $1.50 budget a day for food and everything.
i carry a fifty pound backpack everywhere i go. it's not a preference. it's everything i own. uniform in case the security company calls. phone charger. extra pair of shorts. shoes. coffee. everything that has to exist has to fit on my back because there is no alternative.
water is logistics. i know which parts of the city still have open faucets. i walk to them. if they've been closed i keep walking until i find another one. i drink as much as i can because carrying fifty pounds in heat requires it. drinking that much means i have to pee often. bathrooms cost a quarter. if i use one four times that's already a dollar. that's most of the budget. gone. so i walk.until i find somewhere i can go without a cop seeing me and writing me a fine for being poor.
that's the math. that's the actual math of being homeless with a dollar fifty.
the rest of the day is motion and windows. when i'm moving i'm thinking. planning what to post, what to write, what comes next. when i find somewhere i can sit without being told to move i take out my phone and i work. that's the system. motion and windows. motion and windows.
i am not telling you this for sympathy. i'm telling you because you should know what is on the other side of every post, every book, every line i've put out. there is not a waking moment i am not working. the logistics of surviving homeless eat most of the day. what's left goes into this.
and what this produced is not random.
the nights that built me came first because my story had to exist somewhere outside of me before anything else could. homelessness. shifts. the city that runs on labor it refuses to see. that book is the ground floor. my testimony. my coordinates.
when innocence bled came second because before i could ask you to trust anything i say about trauma i needed you to know i'm not theorizing. childhood abuse. psychological. physical. sexual. i lived it in its many forms.
the architects of obedience is the bridge. once you know my story and once you know i understand yours the only question left is who designed the conditions that made both of our stories possible. who built the machine. who benefits from the breaking. that book stops looking at the wound and starts looking at what manufactures the wound.
the psyche lab that ate the world and from woodstock to tiktok continue the dissection.
the machinery. the history. the long unbroken line between the systems that shaped us and the ones still shaping us now. why none of this is accidental. why it never was.
eight books written across four years of in and out homelessness. two scrapped because they were wearing a voice that wasn't mine, trying to be stoic, trying to be self help, trying to fit a category i had no business being in. one written just to prove i could write in a completely different direction.
five that exist because they had to, in the order they had to, for reasons that compound the further in you go.
this is not five books. this is a sequence. a progression that moves from my story to your story to the architecture behind both. you can read one. but they were built to be read as a whole.
this is ongoing. there is more coming. there will always be more coming. the only thing that determines whether it continues is whether enough people decide the work deserves to.
if you've read this far you already made a decision. you just haven't acted on it yet.
ko-fi.com/dissonantlogic/tie…
become a monthly member. or buy me a coffee. one coffee. so i can keep moving. so the windows keep producing something. so the sequence doesn't stop because the math stopped working and a faucet was closed and there was nowhere left to sit.
the work is real. the need is real. the order is deliberate. If you can see that ... walk with me a while