New Writing / Theatre Company 🐀 | you wake up / octopus @ Sprint Fest '22 CPT - tinyurl.com/5n7ddus9
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ALT A digital illustration of a person in monochrome at the centre of a yellow circle framed by black. The person sips a smoothie from a straw out of a jar, looking brightly intent, facing forward slightly on an angle. They wear heavy framed glasses, have a fringe and wear a patterned scarf tied into a bow in their hair. The text below the yellow circle reads “The Call Back”, also in yellow.
ALT Production photo from One Man Poe. A sweaty, bruised and bloodied man in dim blue lighting, dressed in a robe, staring up at the ceiling, terrified.
ALT Production photo from Birdwatching. A young man is wearing a warm orange winter coat. He is crouched over a bag and holding a scary wolf mask. He is gesturing and looking at someone off camera.
ALT A production photo from Irving Undead. Actor James Swanton is dressed as Henry Irving, wearing a flouncy sleeved Victorian white shirt, a yellow and brown striped waistcoat, and brown breeches. He is sat in an ornately carved wooden chair with a black and white portrait of Henry Irving leaning against one of the chair legs. He has a tormented ghostly expression on his face as he wildly gestures with his arm raised and his hand wide open. The other hand clasps the arm of the chair. Behind him are dark red velvet theatre curtains.
ALT A production photo from To be a bat. Two young people stand with their arms outstretched and their eyes closed, as if summoning something.
ALT Production photo from One Man Poe. A sweaty, bruised and bloodied man in dim blue lighting, dressed in a robe, staring up at the ceiling, terrified.
ALT Production photo from Birdwatching. A young man is wearing a warm orange winter coat. He is crouched over a bag and holding a scary wolf mask. He is gesturing and looking at someone off camera.
ALT A production photo from Irving Undead. Actor James Swanton is dressed as Henry Irving, wearing a flouncy sleeved Victorian white shirt, a yellow and brown striped waistcoat, and brown breeches. He is sat in an ornately carved wooden chair with a black and white portrait of Henry Irving leaning against one of the chair legs. He has a tormented ghostly expression on his face as he wildly gestures with his arm raised and his hand wide open. The other hand clasps the arm of the chair. Behind him are dark red velvet theatre curtains.
ALT A production photo from To be a bat. Two young people stand with their arms outstretched and their eyes closed, as if summoning something.