Your chance to perform at Glastonbury 2024! This year’s free-to-enter Emerging Talent Competition, supported by @PRSforMusic and @PRSFoundation, opens on Monday. Get all the info at glas.to/ETC2024 now! #ETC2024
The @glastonbury#ETC2023 is now open!
A pleasure and complete privilege to be involved once again.
Necessaries should be submitted via the below link for one week, and one week only:
glastonburyfestivals.co.uk/2…
It wasn’t so long ago that O. Girdler struck a chord with début number I Want You (Say So) and the itinerant Londoner now returns, turning in Death Spin:
dotsanddashes.co.uk/blog/o-g…
‘Scrupulously composed without compromising on whimsicality’, I Want You (Say So) serves as a startling introduction to Londoner O. Girdler:
dotsanddashes.co.uk/blog/o-g…
We’ve become accustomed to exceptional stuff from @sharonvanetten, and the ‘entirely uninhibited and properly expansive’ Used To It is no exception: dotsanddashes.co.uk/blog/sha…
Entries now open for @glastonbury’s annual Emerging Talent Competition! If you’re that way inclined, or know those who could be, follow the link below this week…
ENTER NOW for your chance to perform at Glastonbury 2022! Entries for this year’s Emerging Talent Competition, are open now (until 7 Feb). #ETC2022
-> glas.to/ETC2022 <-
‘More phlegm-filled than his usual, phlegmatic self,’ illness overshadows and undersells the @Manics’ final show of 2021, in support of The Ultra Vivid Lament, as the trio return to The @ssearena, Wembley:
dotsanddashes.co.uk/live/rev…
‘The name may have changed although this band of brothers and others remains a true national treasure.’
Going from strength to strength while the country continues to decline, we review @SeaPowerBand at @BedfordEsquires:
dotsanddashes.co.uk/live/rev…
‘A window into another world’, @annaprior opens her solo account with Thank You For Nothing – available now via her very own Beat Palace Records imprint:
dotsanddashes.co.uk/blog/ann…