No Vacancy feat. Kasane Teto, GUMI, and Hatsune Miku is streaming now! It's a girl crush K-pop style song where the vocalists are constantly trading off sections and the lyrics are ultra confident. The MV won't be done for a few months but if you'd like to get an early listen to a new side of my music then please check out the links below! Spotify: tinyurl.com/7t6k6ujz Youtube Music: youtu.be/3zbXcPsZNSo?si=4bn9…

Idk how many of my followers care about FFXIV but I'll be progging the new Ultimate every day over the next week. twitch.tv/emirixiv

Self-Destructive Girl just hit 400,000 views! Across all platforms, it's now over 1 million total streams. Thank you everyone!

Do any other producers ever listen to their own songs and think, "Wait, I made this? I don't remember how I did this."

update regarding finale forever

Tune in to hear not only my first real English song but also my first song with GUMI and Teto!

OK I NEED TO TALK ABOUT SOMETHING THAT'S KINDA FRUSTRATING. So I hadn't made it public yet, but for a while now I've been creating a bunch of Teto/GUMI/Miku group songs. I'm a big fan of K-pop and my plan was to make a pseudo K-pop group using those three, especially since trio songs feel underused to me and that trio specifically just hits different in my opinion. My very next song which is coming to streaming in just a few days is one of these trio songs (the music video will be coming out sometime in August). The first day I began this K-pop project, I realized that their hair colors were red, green, and blue. Instantly, I decided that once I dropped the next song, I'd announce that I was gonna do more songs with this group and call them RGB. THEN KIRA DROPS CRASH THE PARTY WITH TETO/GUMI/MIKU WHICH IS COOL AND ALL BUT THEN ONE OF THE TOP COMMENTS IS SAYING "WE SHOULD CALL THIS GROUP RGB" AND NOW I'M LIKE BRO. THIS IDEA I'VE BEEN PLANNING FOR SO LONG IS NOW GONNA LOOK LIKE I'M JUST RIPPING OFF SOMEONE ELSE'S IDEA. Honestly, it's super frustrating cause this isn't the first time I've planned something for a long time and then right before I put it out someone else does it first. Legit I'm not sure what to do now. I'm not tryna get called out for copying ideas, but I have receipts of me talking about this with people way before. Can I get some opinions?

#vagueposting but not really because my name is front and center LMAO

It was an honor to be a small part of something so impactful to the English Vocaloid scene!

Why is the English for V6 Miku so fuzzyyyyyy. I swear they accidentally left a TV playing static on while recording the audio

These lines are crazy

🌟パワフルポップス🌟 更新曲① open.spotify.com/playlist/1x… Self-Destructive Girl (feat. Hatsune Miku) @EmiriXIV はやぶさ (PERIOD Version) (feat. 初音ミク&鏡音リン&鏡音レン&巡音ルカ) @ShoXenon 月光讃花 (feat. KAITO) @madoi_io

EMIRIさん（@emirixiv）の『Self-Destructive Girl』が配信開始！ 繰り返し愛と恋に傷つき続け、自壊していく少女の物語。 リフレインするキーフレーズが印象的な病みポップ・パンクナンバーです。 n0.com/a/b62gfvxuhn8s

I'm officially on KARENT! This was one of those milestones I was chasing when I first started producing so it's awesome that it's finally happened!

I feel like this is especially relevant to me and I've thought about this topic a lot. I've known for a long time that MVs are now significantly more important than the quality of the music, which is why I spent much more money on the MVs for Millennia and Self-Destructive Girl. Of course, I still personally put a lot of effort into the songs themselves, but when I realized these songs had potential, I knew I would need MVs with gimmicks/GIFable moments. And what happened? Both songs got over 350,000 views when my previous average was like 20,000. I don't think these two songs are particularly much more amazing than my other songs, but it doesn't matter. The results speak for themselves. In my opinion, MVs are about 75-80% of the success of a song now and can propel average songs to meteoric heights. I know that sounds pretty hyperbolic, but I honestly think I'm assessing it pretty accurately. This obviously mean that it prices out a lot of new producers since they can't afford a crazy MV. However, I wanted to give a bit of persprctivr using my own song analytics so new producers can gauge what they should do. With Millennia and Self-Destructive Girl popping off, I've made more money off just one of those songs than all my other songs combined. They've actually both made 2-3x the amount that it cost to make the MVs, whereas none of my previous tracks even came close to breaking even. If you're confident that you're song has the potential to pop off, it might be worth it to save up and invest more if possible. To be clear, I really hate how the culture and trends have shifted since I'm a Vocaloid boomer and grew up listening to songs with single still images as the video. Unfortunately, I also feel like it's kinda just the times we live in and I've been forced to adapt.

Hard to believe it's been 1 year since Millennia released. Here's to 999 more

初音ミク

My remix of @Rishhie's Broken Souls Poem is out now! If you were a fan of my older, heavier stuff, then you'll definitely love this one as well! youtu.be/Gn4yj9I7Fdg Illustration: @bugtyannn MV: @Maad_R #ミクの日2026