Joined June 2017
133 Photos and videos
Présentation d'un nouveau numéro de CompLit Revue de littérature, d'arts et de société européens (@EuroCompLit Journal) „Mythes, folklore et magie dans les littératures européennes. Reconfigurations critiques et contemporaines” classiques-garnier.com/compl…
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La censure ne se contente pas d’interdire les livres : elle les corrige, les réécrit, les transforme. Dans l’Italie de la Contre-Réforme, Rome met en place un vaste système de contrôle des idées. « Les Livres dangereux » de Giorgio Caravale raconte cette histoire 👉 classiques-garnier.com/les-l… 1/3 ⤵️
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Open Access Book Literary Translation in Latin America in the Twenty-First Century Bridging experiences, theories and cultures Dirce Waltrick do Amarante,  Letícia Maria Vieira de Souza Goellner Eds. uclpress.co.uk/book/literary…
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My department (Media Studies, University of Amsterdam) is hiring lecturers... great early-career job in a collegial and highly international environment. Can answer questions (but DMs don't work so email or reply) ⬇️⬇️
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We are pleased to announce that the winner of the 2025 R. Gapper Book Prize is Helena Taylor for her book, Women Writing Antiquity: Gender and Learning in Early Modern France (Oxford University Press). sfs.ac.uk/prizes/r-gapper-bo…
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#CfP “Enlightenment and (In)equality” 17th International Society for Eighteenth-Century Studies (ISECS) Congress held at @unizar isecs-zaragoza2027.net/en/en…
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CfP on #Literature and the #Body: The Relations Between #Being and Writing Deadline: August 1, 2026 @nesirdergisi More at: nesirdergisi.com/index.php/n…

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― F. Scott Fitzgerald, The Beautiful and Damned
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A beautiful reconsideration of John Banville's 2005 novel The Sea from the spring issue of @readliberties
Delighted to have written on John Banville, Elena Ferrante, Iris Murdoch—novels & life—for Liberties libertiesjournal.com/article…
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Call for Applications: Postdoctoral Research Fellowship, 2026-2027, deadline for papers 15th June 2026 eurojewishstudies.org/homepa…

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Toni Morrison performing in 'Richard III' as a student at Howard University, 1953
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“If the urge to write should ever leave me, I want that day to be my last.” - Nobel Prize laureate Naguib Mahfouz. Mahfouz began writing when he was seventeen and was awarded the 1988 Nobel Prize in Literature when he was 76. Read more: bit.ly/3mLugDm
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May 26
📢 Call for regular issues (no deadline): Translation in Society seeks papers on the social dimensions of translation & interpreting. Interdisciplinary contributions on translation, interpreting, adaptation, rewriting and their societal impacts are welcome buff.ly/DGxWsBF
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#CfP FEMINANIMALS Representations of Women and/as Animals in Literature, Arts, and Other Media Place: University of Oxford, Oriel College Dates: 14-16 April 2027 Deadline: 15 July 2026 Website: medieval.ox.ac.uk/feminamina…

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May 23
COPOS III • PROGRAMA / PROGRAMME copos.lineupr.com/iii-congre…
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📬 SEND BOOK REVIEW PROPOSALS FOR NEXUS 2026.2 We invite you to send references you'd like included in the book review section of Nexus' next issue. Also, if you want to be a book reviewer, please contact us at nexus@aedean.org 📆 Deadline to send the titles and info: 26th May
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🎉Another SIS Networking Scheme event coming up! 🎦"From 'Pink Pages' to the Silver Screen" - Dr Nike Del Quercio (Bologna) 📅 Thu 28 May, 4:30pm | In person at Warwick online via Teams Details and Teams link: warwick.ac.uk/fac/arts/scapv…
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Francesca Manfredi's The Silent Period traces a woman's retreat into a porous world of wordlessness, where a new language is born with childlike wonder. Sonakshi Srivastava's review unpacks the politics and philosophy of silence: tinyurl.com/366j764w
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"'The Castle' by Kafka remains for me today the most beautiful secret in literature." Literature laureate László Krasznahorkai explains how his introduction to the work of Franz Kafka as a child sparked his interest in literature. He says, "Without Kafka, I would never be a writer." Watch our full interview: bit.ly/3O3FeBN
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