Joined April 2020
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This coming Tuesday, November 14th: Season 4 begins with a conversation about early Hollywood camera movement with Patrick Keating, author of 'The Dynamic Frame: Camera Movement in Classical Hollywood'! Follow along at ernstcast.com
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Replying to @Vocrobot
This entire experience - hundreds of hours of research, recording, and editing - has been a surreal and gratifying one, and everyone’s contributions have meant a great deal to me. Onwards to whatever's next?
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Thanks in particular to @Vocrobot for editing an absolutely unreasonable amount of these episodes, and thanks to Ernst Lubitsch for reasons that should be all too obvious.
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...@WhitStillman, @AdrianMartin25, @JoseArroyo16, @LanceStLaurent, Tim Brayton, William Paul, Dara Jaffe, Gary Jaffe, @labuzamovies, Willa Harlow Ross, @EloiseLoRoss, @dcairns, @NoahIsenberg, Matt Severson, Mateusz Pacewicz, and Charlotte Garson.
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...Patrick Keating, Jennifer Fleeger, @ferrifrigida, @feuilladist, @WillSloanEsq, Lea Jacobs, @tangoldman. Krin Gabbard, @jwordfish, Ray Tintori, Z Behl, @SignalsToNoises, Scott Eyman, Imogen Sarah Smith, @CCassingham, @thescrewballgrl, @GriffLightning, @RealKevinBahr...
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Thanks to everyone who hopped on the show: Lauren Faulkner Rossi, @franhoepfner, @bramruiter, @lucimarz, @firewalkwjaime, @maddiewhittle, Paul Cuff, Kristin Thompson, Stefan Droissler, @RasberryRazz, @sarahshachat, James Penco, @dave_kehr, @JuliaSirmons, @DeusExCinema...
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Well, the end of HOW WOULD LUBITSCH DO IT arrives today with our episode with Tim Brayton on CLUNY BROWN (1946). It's a bittersweet one only in the sense that there's nothing left to cover - this has been among the more rewarding adventures of my life thus far!
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Two days until the big dead-German-director podcast ends...
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A fortuitous late addition for our penultimate episode of HOW WOULD LUBITSCH DO IT (@filmformally): Cahiers du Cinéma deputy editor Charlotte Garson joins us for a wide-ranging discussion of Lubitsch's pet themes and influence as we begin to close out the podcast.
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A last-minute addition to HOW WOULD LUBITSCH DO IT! Screenwriter Mateusz Pacewicz (CORPUS CHRISTI) joins us to discuss the intersections between Lubitsch and Poland, and @DeusExCinema returns for a final word on HEAVEN CAN WAIT. This one's for the completionist freaks among us.
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A momentous occasion for How Would Lubitsch Do It?, in which we finally talk a film from *this century*! Matt Severson stops by @FilmFormally to discuss THE GRAND BUDAPEST HOTEL, Wes Anderson's ode to Zweig, Lubitsch, and Mitteleuropa in all its forms. movingimageagency.com/ernstc…
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HOW WOULD LUBITSCH DO IT returns with a discussion featuring @NoahIsenberg about one of Lubitsch's most prominent disciplies - Billy Wilder - and one of his greatest achievements, ONE TWO THREE!
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A unique episode of HOW WOULD LUBITSCH DO IT (@FilmFormally) this week: a reading of frequent Lubitsch collaborator Samson Raphaelson's eulogy/memoir 'Freundschaft', as published on May 11, 1981 in The New Yorker.
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And while we're at it: @dcairns absolutely knocked this recording out of the park, and his contributions to the show as a whole have been absolutely essential. My immense gratitude for helping me tackle such a heavy episode.
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Today: a momentous and melancholy episode of HOW WOULD LUBITSCH DO IT featuring @dcairns in which we discuss the end of Ernst Lubitsch's life - his last productions, his death, and his legacy.
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How Would Lubitsch Do It? is, for this week only, How Would Otto Preminger Do It! @EloiseLoRoss joins us to discuss Preminger's 1944 noir, LAURA. (SKIDOO may or may not make an appearance.)
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Replying to @SadHillWilla
Featuring one of the greatest forum posts in film history:
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