Film, misc. Writer @FilmComment, @SightSoundMag, @ObsNewReview, @Screendaily.Screenwriter, Fiona Tan's HISTORY'S FUTURE. Now teaching @NFTSFilmTV

Joined March 2012
158 Photos and videos
Jonathan Romney retweeted
Guardian & Observer journalists are on strike again today & tomorrow. We believe we have a duty to tell readers the truth. Which is that this deal sucks. It’s bad for the Obs, bad for the Guardian. Bad for journalism. Any support you can give us is hugely valued 🙏
We strike again tomorrow and Friday. Please support us SHARE our posts WRITE to guardian.readers@theguardian.com JOIN US - the picketline was packed last week. Will be the same tomorrow. The strength of feeling is undimmed 💪⬇️
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Jonathan Romney retweeted
Today Guardian & Observer journalists are on strike for 48 hours over plans to sell the Observer to a loss-making digital start up and put its journalism behind a paywall.🧵 How can you support us? SHARE our posts WRITE to guardian.readers@theguardian.com JOIN US - there's cake!
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RIP Terence Davies, one of the great cinematic poets and explorers of the self and of memory. He plumbed the sorrows, rejoiced in the follies… 1/2
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I remember a Q&A in Rome, where he declared that he couldn’t live - literally couldn’t live - without Eliot’s Four Quartets and Bruckner’s symphonies. Later that day, he enthused about the Carry On films and the immortal “Infamy! Infamy!”
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This is awful. Carlo and team vibed up the Berlinale wonderfully, under exceptionally difficult circumstances, reviving it as a festival of real discovery.
In case you missed it
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RIP Jane Birkin. The songs, the unique interview style… but also superb performances in films by Rivette, Tavernier et al (and as herself, by Agnès Varda). Her daughter Charlotte Gainsbourg made a beautiful documentary about her 2 years ago; see it if you get the chance.
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RIP Derek Malcolm. His caustic, often unpublishable one-liners magnificently cut through the nonsense around film, but couldn’t disguise deep knowledge of, and love for cinema. His intro to a mid-80s mini-retrospective of Mrinal Sen was a vital educational moment for me.
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Jonathan Romney retweeted
Albert Serra in conversation @ifru_london with @JonathanRomney is now available on the French Institute YouTube channel - youtube.com/watch?v=muxXExZX…
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Jonathan Romney retweeted
Join us this Friday, 9 June at Pushkin House for a conversation between Sergei Loznitsa and @JonathanRomney as part of the comprehensive programme “Witnessing History”. Tickets still available: pushkinhouse.org/events/disc…
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Jonathan Romney retweeted
On our fourth #Cannes2023 podcast, @devikagirgayi was joined by @JonathanRomney & @GMarchiniCamia to discuss two of the festivals most fascinating films: Jonathan Glazer’s THE ZONE OF INTEREST and Lisando Alonso’s EUREKA: filmcomment.com/blog/the-fil…
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Jonathan Romney retweeted
Join us next Friday, 9 June at Pushkin House for a talk with film critic @JonathanRomney and director Sergei Loznitsa and as part of the programme “Witnessing History”, celebrating the multifaceted oeuvre of this Ukrainian filmmaker. Book tickets here: pushkinhouse.org/events/disc…
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1/2 For me the strange thing about the #Cannes2023 competition was that there were a lot of excellent films, and yet so many were strictly classical, exploring familiar territory or established film language.
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2/2 Exceptions: Glazer - Alice Rohrwacher (basically drove me nuts, but absolutely followed its own path) - and the last film I saw, BANEL & ADAMA, in its own way reinventing sub-Saharan cinema for the 21st century. #Cannes2023
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Somewhat baffled by the love for Anatomy of a Fall, which left me cold, but… bof. Glad to see The Zone of Interest win its prize. For me, the absolute competition highlight. #Cannes2023
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At Nice Airport: my kind of place.
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Kind of a shame that Wenders didn’t make his toilet cleaner film in Seoul rather than Tokyo. He could have called it Korean At Your Convenience.
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