African visual artists currently control just 1% of a $65B industry. That’s about to change. We’ve been quietly building Know for months, testing, breaking, rebuilding, dreaming. Brick by brick (and bug by bug 😅). After months of designing, testing, crying (a little).

I am no longer affiliated with The German Language School. For clarity and Transparency: Before working with them, I personally attended their classes, reviewed their social media platforms, and assessed their structure. Based on that, I agreed to collaborate and publicly invited my audience to a free trial class. I put in a lot of work onboarding everyone according to our agreement. I handled communication personally, answered questions, shared links, sent reminders, and made sure people showed up. I took that responsibility seriously. Unfortunately, the actual trial sessions did not reflect the quality, coordination, or preparedness I had observed earlier or felt comfortable recommending. This led to a loss of trust and credibility with my audience, which I take seriously. As a result, I chose to withdraw fully rather than continue endorsing something that didn’t align with my standards. I’ve communicated this privately to the school and transparently to those I onboarded. I wish them well going forward, but I am no longer involved in any capacity.

I’m gonna repost this art till it gets the recognition it deserves.

The lovely folks at @figma put my illustrations on a billboard in Paris. How cool is that?! 😎  Thanks so much to Amy and the rest of the team for the feature! 🥯🍞🥖

“ORCHESTRA” Watercolour on Paper by Olufemi Oyewole

I will be there

Excited to announce my first ever solo show in Lagos, Nigeria, titled Nourishment. “Nourishment” traces how food, packaging, and price shaped Nigeria’s memory and survival, Through paintings, sculpture and installation. Opens 7th of November, at federal palace hotel Lagos.

Silent Strength Oil on Canvas by @4dtruth1 🎨

I feel like such beautiful work should be a part of the first collection to be sold in the UK on our platform.

If this made you stop scrolling, tell me what you see and what it made you feel.

Walk with me😏 With this intriguing journey of Art First stage shots

The Boy who Played the Harp 🎻☀️ My new painting.

Am just a boy 3 oil on canvas by Okoye Emeka John Castro

Still with me?🥰 Second stage shots Acrylic and oil on textured canvas Untitled

African visual artists currently control just 1% of a $65B industry. That’s about to change. We’ve been quietly building Know for months, testing, breaking, rebuilding, dreaming. Brick by brick (and bug by bug 😅). After months of designing, testing, crying (a little).

We as Africans really need more reach on these things, it’s so important! @KnowForCreators Big ups!

What we waited for

If this made you stop scrolling, even for a moment, then my job is done. You’re welcome. ❤️

Gm “INFATUATION”, 2025 🔗 👇🏽 on @manifoldxyz