"We rise and fall together"

Joined July 2023
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A very Happy 70th Birthday to one of my favourite composers, the marvelously talented Elliot Goldenthal, one the most intelligent composers to ever scored for film, including Alien3, the best Alien score of all time. So once again Happy Birthday Elliot and many more.
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Well, I didn't have this on my bingo card this morning, wish it was SkyFall, but at least its the more relaxing of Newman's two Bond scores.
AVAILABLE TO ORDER NOW exclusively at lalalandrecords.com & 007store.com  - #SPECTRE 2-CD 10th Anniversary Expanded & Remastered Limited Edition #Soundtrack by #ThomasNewman !!! #JamesBond @007 #007 @samsmith
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We still remember you, Roger, nobody's done it better yet.
Just found this funny Tesco Christmas ad with Sir Roger Moore from December 2003.
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Lane Steele retweeted
May 23
Remembering the great Sir Roger George Moore on the day he passed away in 2017. He played Bond with charm, wit and style.
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Wow, stupid AI can't tell the difference between Kate Beckinsale and Eva Green, amazing.
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Lane Steele retweeted
Disney’s live-action remakes of past animated films have all been a total waste of time, money, & resources. It’s funny that studios claim movie-making is getting too expensive so as to justify AI when they choose to make bullshit like this. Who asked for these live action films?
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At last my ultimate holy grail soundtrack dream has been fulfilled. Once again for the second time in twelve months, Michael Kamen fans rejoice!
Available to order NOW exclusively at 007store.com & lalalandrecords.com - 35th Anniversary Limited Edition Remastered & Expanded 2-CD #Soundtrack #LicenceToKill by #MichaelKamen !!! @007 #JamesBond
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RT @holodeckfour: Kira and Odo
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#Notevember Day 30 Top 3 Episode Tracks: 1. "One Last Visit" by Dennis McCarthy from DS9: "The Visitor." 2. "The Answer to a Mystery/Lullaby # 1A" by Jay Chattaway from TNG: "The Inner Light." 3. "Tasha's Goodbye" by Ron Jones from TNG: "Skin of Evil."
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#Notevember Top 3 Film Tracks: 1. "A Christmas Hug" by Dennis McCarthy from Star Trek Generations. 2. "First Contact" by Jerry Goldsmith from Star Trek: First Contact. 3. "Dining on Ashes" by Cliff Eidelman from Star Trek VI: The Undiscovered Country.
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#Notevember Day 28 Conversation Underscored: For Spock and Kirk's talk about life and age after Valeris' betrayal Cliff Eidelman composed a 59 second long bittersweet version of his Kirk theme in "Dining on Ashes." Never has so much wisdom happened than in those last 59 seconds.
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#Notevember Day 27 Conversation Underscored: For the episode "Time Squared" Dennis McCarthy scored the rather surreal conversation between two Picards with deep, creepy synth pulses, eerie chimes and low menacing strings in "P-2 Arises/Hall Twins/P-2 Dies/Escape/No Repeat."
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#Notevember Day 26 Adventure: For Reg Barclay's sword duel with the holo versions of Picard, Data and Geordi Dennis McCarthy composed a rollicking action cue of high adventure recalling the old Erich Wolfgang Korngold scores for Errol Flynn movies in "Lady Gates/Swordplay."
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#Notevember Day 25 Adventure: For the Enterprise crew's daring adventure to save the earth by traveling back in time to find humpback whales to talk to the Probe Leonard Rosenman composed a bold fanfare followed by some unused avant-garde sounds for the crew's "Time Travel."
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#Notevember Day 24 Something is Off: For when Picard realizes that his dream life isn't real, Dennis McCarthy scored this with deep strings and synths before segueing into a sorrowful version of his Nexus theme for the loss of Picard's dream and Rene again in "A Christmas Hug."
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#Notevember Day 23 After Death: For the episode "Skin of Evil" Ron Jones wrote what I consider to be his finest work, a 6 and a half minute long elegy of heartbreaking perfection featuring outstanding orchestration with a notable mournful horn solo in "Tasha's Goodbye."
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#Notevember Day 22 Nobility: For Picard's last visit with Will Riker as his first officer at the end of Star Trek Nemesis, Jerry Goldsmith introduces a brief noble horn and piano theme as Riker's says it was "An Honor" to serve with him as they shake hands one last time.
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#Notevember Day 21 Nobility: For the ending of Star Trek: Voyager's pilot episode "Caretaker" Jay Chattaway composed a poignant finale with tender strings and noble horns before concluding with a resolute statement of Jerry Goldsmith's main theme in "Set Course for Home."
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#Notevember Day 20 Nobility: For the journey down to Sha-Ka-Ree Jerry Goldsmith composed a regal version of his Quest motif and a stunningly majestic theme for "God" performed by a synth choir and sweeping strings with a brilliant cameo for his Klingon theme in "A Busy Man."
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#Notevember Day 19 Action Score: For the episode "Twilight" Dennis McCarthy composed a driving 7 minute long action cue for the finale and outdid himself with exemplary string writing and a beefed up percussion section complete with struck anvils in "Showdown/Back to the Past."
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