I love Lynch’s persistence to let artistic work weave through you, to let it speak for itself, to let it shift and change moment to moment. This attitude is especially radical now when people keep demanding WHY or IS IT REAL or WHAT DOES IT MEAN when they engage with art.
Mulholland Drive is a masterpiece and deserves all the praise. But I do think it's sad/funny that it's his most canonized film basically because unimaginative fans and critics view it as a puzzle box movie that they've solved and "makes sense" so they can ignore the mysteries.