I'm a proud #LoyalFan and entering with #LaysFWC26 #entry @Lays for a chance to win Semi-Final tickets!

I'm staying true as a #LoyalFan for my shot to win FIFA World Cup 2026™ Semi-Finals tickets! #LaysFWC26 #entry @Lays

full settoor - finally landed x's #1 @glitchmarfa

AI BUBBLE

🖼️ 24 HOURS OF ART 📊 June 6, 2026 🥇 805 Meebits “Very thankful to have just acquired the remaining 805 @MeebitsNFTs from the historic Larva Labs collection.” @AdamWeitsman breaks big news and a private acquisition, becoming the 1/1/20,000 @larvalabs collection’s largest holder at 1,036 Meebits in total. @MeebitCompany CEO @sergitosergito clarifies that they still hold their allotment of 882 Meebits, with Weitsman acquiring “the other half of the original Larva Labs dev Meebits”. 🤝 Private Pease Not one, but two @joepease 1-of-1 artworks change hands via private acquisition to the same collector, facilitated by @eli_schein. The works are January 2022 minted ‘The Gardener’, with a description of “Frankfurt 2018”, and April 2022 minted ‘Broken Sidewalk’, with a description of “The void between”. They join Pease’s ‘Contents May Settle During Transit’, acquired in September 2025, in the anonymous collection. ⛓️ Ripcache Pairing ‘machine_vision’ by @ripcache is acquired for 10 ETH by @LeftWithTheArt. Part of the dronekiller collection, the on-chain digital and physical artwork combination was first displayed at @heft_gallery solo show ‘WATCHING’, which exhibited from November to December of 2025. The physical work is oil paint on canvas, sized at 40.3 × 40.3 inches. ✍️ Weekend Reading: Weekly Dose of Art - @louisdazy Cinemagraphs by @justinwetch (in Articles tab) 🎨 Pictured: 24 Hour Highlights - 'The Gardener' by @joepease - 'Broken Sidewalk' by @joepease - 'For Lease' by @GrantYun2 - 'Meebits' by @larvalabs - 'Fidenza #572' by @tylerxhobbs, collected by @shinyrockz - 'One of Us' by @SamSpratt, collected by @LaurentNft64534 (completes full Category set) - 'machine_vision' by @ripcache - 'Ringers #528' by @dmitricherniak

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The Horsemen cometh tomorrow (hopefully) Before we kick off the apocalypse, I wanted to take a second to thank everyone who helped make this collection possible. To the 60 artists who contributed their time, creativity, and horse art. To everyone who helped spread the word, collect submissions, and curate this thing alongside me. To the team at @TransientLabs for talking me off the ledge last when things weren't working. To @0xConcept for building tools that helped track metadata, organize submissions, and randomize the collection. I was not alone in this process. What's crazy is that most of this came together in under a month. What started as a dumb horse joke somehow became a collection built by a significant amount of people from across this community. Most importantly, thank you to @m0dest___ for building the world we're all playing in. Death & Taxes has inspired so many of us to create, collaborate, and push beyond what we thought we were capable of. I'm incredibly proud of what we've built together and excited to finally share it with everyone. See you tomorrow. 🐎🐎 🐎 🐎

You never get the full effect of glitch work unless you look at all the frames individually. Here's a frame from Original Glitched Painting 2013 held by @batsoupyum

alone, not lonely

allowlist opens in ~10 mins **the AL is slightly overallocated** 8nap.art/editions/digital-my…

on where we are / idiots and scarcity sorry to be the bearer of bad news, but we nowhere near the comfortable part of our history yet. digital art on the blockchain is still a knife fight in a parking lot compared to the centuries of institutional momentum traditional art has behind it. we are still tiny. still early. still mocked. still wildly underestimated, and perhaps even more misunderstood. so no, i’m not interested in sitting quietly in a corner making scarcity-optimized pieces hoping the old world eventually validates us. fuck that. i want this medium to win. and winning requires force. energy. experimentation. obsession. people willing to build loud enough, weird enough, ambitiously enough that the world cannot ignore what’s happening here anymore. that’s why i make work every day, incessantly. that’s why i build systems. games. stories. mechanics. chaos. participatory art. internet-native experiences. because every one of those things is a distribution vehicle for the medium itself. every one is another chance to pull someone deeper into this world and show them that onchain art can do things physical art never could. i do not believe cryptoart is a phase. i think it is a new creative frontier. a new canvas. a new set of rails for how art lives and moves through humanity. and if we want that future, we creators and collectors have to bend the world to our will. drag it into existence ourselves. nobody is coming to hand it to us. so yeah. i’m going to keep showing up every day. exhausted or inspired. confident or terrified. i’m going to keep pushing this boulder uphill with everyone else insane enough to believe this matters. because i would rather die swinging for the future of this medium than politely wait for permission or acceptance from a world that still doesn’t understand what’s coming. thank you for coming to my ted talk. no further questions or comments at this time. except this : if you don’t like what i do or how i do it or how often i do it… floor it and get the actual fuck out.

felt appropriate today ₵Ø₥₥Ɇ₦ŦØØØⱤȘ by @m0dest___

monkeys36 from 'the monkey miners' by @m0dest___ "there’s something beautifully humiliating about remembering we are still just highly emotional primates wearing expensive shoes and staring at glowing rectangles all day."

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gm @etherscan - wallet watch is borked for me. activities on watched wallets, but zero msgs sent. halp!

▐ J▧▟▤ █▐▙▤▛▄ "▜▛▟▐▟▤" ◨▙ ▗▐▥39... ▘▙▄ ▟▛▙▤ ▐▤ ▄▐▜▛▝▤▀▦ ▤◨ @5ila5eth IYKYK

I guess people were paying attention 🫨 -no notice, yet another masterclass. This was fun @m0dest___ 💎