This is seriously the cringiest collapse of a nation in real time.

Thank goodness for Birthright citizenship 4-1

In the days and weeks ahead, we’ll be sharing more about the initial design concept and meaning behind the GWOT Memorial. One of the most important questions is how we will honor the fallen. Watch to see how we will ensure every sacrifice is remembered and no one is left behind.

Dünya Kupasına katılan Norveç Milli Takımı, Amerika’da sıcaklara dayanamayıp antrenmanı yarıda kesti. Avrupalılar, Latin Amerikalılara nazaran daha fazla acı çekecekler; çünkü Latin Amerikalılar, Asyalılar ve Afrikalılar ülkelerinin doğası ve iklimi gereği yüksek sıcaklıklara alışkınlar.

John Badham on how he filmed this brilliant scene in "Stakeout" (1987) & what matters the most in a movie: "The challenge of making 'Stakeout' (1987) was to make a lot of divergent elements stay together. Trying to blend comedy and violence in a smooth, realistic way is very difficult. There's one part of the picture, for instance, where there's a tender love scene between Richard and the girl [Madeleine Stowe], then a horrible nightmare sequence, then a passionate s€xual interlude and then a farcical chase with Richard in drag - and all of it happens in less than five minutes. Pulling off something like that is a real test. The trick, which I think I mastered, is to accomplish it all without inflicting audience whiplash. To me, making movies that work in such a way that the people watching don't really feel your presence is what it's all about. So many directors want to show off the fact that they're using a mini-cam for this shot or a helicopter for that one. I don't think those things matter. If they don't help the story, who cares? I tell everyone who works for me, from the guy getting the coffee to the studio head, that all that matters is 'the picture that comes out. I'm always saying that, and the key is always the story. Whenever I'm stuck, I'll inevitably ask myself, 'What part of the story am I trying to advance here? How do I do it?' I'll work forever on these kinds of questions, and when I find the answers I'm pretty pleased." ("John Badham Just Don't Call Him an Auteur", Steve Oney, The NY Times, 1987)