Author. Also gardens, mainly faffs. Working on Louisa Lawson biography SPIRIT OF THE CROCODILE (A&U 2025) SO FAR, SO GOOD (2022) ELIZABETH MACARTHUR (Text 2018)

Joined March 2017
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What an honour. Winners announced on Friday. For more info about the book, and about the Torres Strait, and about our collaboration, try my website - deets in the bio. @AllenAndUnwin #middlegrade #amreading #AaronFaAoso
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At 130,000 words, I've nearly finished the first draft of my biography of Australian feminist Louisa Lawson. Still have to write an epilogue & edit those words to fewer than 100,000. But today I wrote about her death in 1920 & it feels like a milestone. #biography
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Michelle Scott Tucker retweeted
In time for Anzac Day: a new book, Challenging Anzac: Stories That Don't Fit the Legend (NewSouth) edited by Mia Martin Hobbs, @SigmundMarx and Joan Beaumont. My chapter is 'Bolshevik Anzac: the politics, celebrity and mythology of Hugo Throssell VC'.
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Michelle Scott Tucker retweeted
Here she goes again — kicking our most vulnerable to maintain the grievance and rage that appeals to her base. She’s back to Aboriginal people this week. … Let’s fact-check the “$30 billion Aboriginal industry racket” claim, because it’s one of the most persistently dishonest figures in Australian political debate. Of that $30 billion, 81% is mainstream expenditure — hospitals, schooling, welfare — available to all Australians. The Productivity Commission confirmed only $5.6 billion is Indigenous-specific funding. Not $30 billion. $5.6 billion. And that $5.6 billion in targeted funding exists for exactly the same reason the government funds free bowel cancer screening for Australians over 45, free breast cancer screening for women over 50, and prostate cancer campaigns for men. Because when a specific group dies at catastrophically higher rates from preventable causes, you direct resources accordingly. That is not a racket. That is what taxes are for. It is the entire basis of preventive health policy in this country. We don’t argue about those campaigns. Nobody calls BreastScreen a racket. Nobody demands prostate cancer funding be scrapped on the grounds that women don’t get it. Apparently we only argue about it when it’s the colour of the prostate being examined. Or the colour of the breasts being screened. The data on why Indigenous health funding exists is not subtle. 68% of deaths among Indigenous Australians are preventable. That is 2.3 times the rate of preventable deaths among non-Indigenous Australians. Indigenous Australians die from rheumatic heart disease at 20 times the rate of other Australians. In the Northern Territory, over 50 times. Indigenous children aged 5 to 15 are 55 times more likely to die from it than other Australian children. This is a disease effectively eliminated in the rest of Australia decades ago. It still kills children here. It is entirely preventable. So here is the only question that matters: why are we having a public argument about the money being spent to prevent children dying, instead of the fact that children are dying? There is only one answer. It is the colour of the children. And even with that targeted spend, the funding still falls short of what need-based modelling requires. NACCHO and Equity Economics put the current annual health funding shortfall at $4.4 billion. The argument that this is too much money is being made while the actual problem is that it is not enough — and has never been enough. Here is the deeper problem with calling it “Aboriginal money.” That label makes the spending visible and politically vulnerable in a way that mainstream funding never is. It gives politicians licence to frame an entire cultural identity as fraudulent — not a program, not a contractor, not a bureaucracy, but the people themselves. And it gives successive governments the cover to keep underfunding, because cutting “Aboriginal money” is easier to justify politically than cutting hospitals. The racket framing does not follow the money. It follows the people.
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Wow. Just wow. Shortlisted for the 2026 Children’s Book Council of Australia Awards. Stunned and delighted 💚🐊💚 #SpiritoftheCrocodile #MiddleGrade
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Police decision to arrest him on his birthday was absolutely deliberate, just sayin. 🤣
Suck shit you nonce
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Michelle Scott Tucker retweeted
Something about writing fiction.I spent two hours cleaning my chicken coop. 5 wheelbarrows of dirty wood chips.Then replace with clean litter. Scrape and clean nesting boxes. Now I know how that scene can go. Just because a writer isn't writing doesn't mean they are not writing.
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Today? I’m writing about Henry Lawson’s first book. Want to guess who published it in 1894? Yep, you’re right. His mother (printer, editor and journal proprietor) Louisa Lawson. Click on pic to see it full size #biography #australianwomenwriters #LouisaLawson #amwri̇ti̇ng
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Today? Checking to see if my ponies remembered how to load in case we have to evacuate. 🤷‍♀️ 🔥 Years since either has floated but they stepped up and stood like champions. Then happily unloaded & had a good feed. Fingers crossed we (& everyone else) can stay safe at home tomorrow.
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Michelle Scott Tucker retweeted
american craftsmanship is declining. 20 years ago, if you wanted to manufacture a reason for a war, you had to make a map and do a little presentation at the UN. now you just say anything.
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Today’s writing adventure? Speaking to an academic whose Nana (as a child) knew Louisa Lawson (her elderly neighbour). Mrs Lawson ‘was poor, poorer than us.’ And Henry? Well he was ‘a nasty piece of work’. Gold. #biography #amwri̇ti̇ng #australianwomenwriters #louisalawson
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Earlier this week I wrote to some Australian booksellers, pointing out that their curated collections of First Nations titles included few, if any, books by Torres Strait writers. Some had none at all. But I've had a win... 🧵1/4 thenile.com.au/content/shop-…
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... to our wonderful publisher: It’s definitely a long game & the dismantling of systemic cultural ignorance and bias will be done over time, however we are all responsible for propelling the change. 3/4
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That's the key take away, my friends. We are ALL responsible for propelling the change. 💚🐊💚 4/4
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Michelle Scott Tucker retweeted
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The Second Window. Once upon a time, there was a green-eyed Tabby Cat who ran a bookshop by the Christ Church gate of Canterbury Cathedral. It was a marvellous place, four stories high, with treasures on every shelf & free buttered toast, plum cake & hot sweet tea for all who visited. At Christmas, it glittered with lights & its window was a wonder of the city. There were ancient, comfortable arm chairs and deep velvety sofas the colour of pansies in high walled gardens, gently undulating wooden floors, cyclamen and primulas in blue and white china pots on wide Georgian windowsills, and books, thousands upon thousands of books old and new, arranged in such a way that made perfect sense to every browser and led to satisfying and productive juxtapositions. An impoverished and rather melancholy writer, for example, could turn happily in a couple of steps from Thomas Hardy's Tess to a history of bridges in Bratislava to a fat and jovial cook book of hearty stews and Pot-au-feu for "lean days and empty purses," and feel somehow that these three volumes fulfilled a profound need of which he had hitherto been entirely unaware. Downstairs, at the old fashioned polished counter with its pots of pens and pencils and thick ordering ledgers and ornate brass till decorated with notable cats of the 1840s, his books would be wrapped in sturdy brown paper and string, invariably costing a little less than expected. The Tabby, extensively well-read and an expert in many areas, was always interested in her customers' eclectic choices and made them feel fascinating and erudite in their tastes – "the engineering history of the Danube is such an absorbing subject – how clever of you to find that particular signed edition of Hardy's! – do try the Hungarian lecsó on page 134, it's terribly good - very warming for a winter's night!" Thus one would leave the Tabby Cat's bookshop, its bell tinkling merrily, grasping one's weighty parcel, warm with toast and tea and cake in the cold December air, feeling that the world was a good place after all, full of possibilities and vast intellectual and imaginative horizons, unfettered by one's position or bank balance or low spirits. And that, thought the Tabby Cat on a regular basis, was the essence of a good bookshop – it salved and suggested and guarded and guided and presented and preserved and mused and mapped – a veritable mappa mundi for the frantic modern soul.
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If you’re a white Australian writer, you should read this. If you’re not a white Australian writer, you should also read this. Because it’s brilliant. Insightful. Sharp. Thoughtful. And simply a cracker of a read.
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At State Library NSW reading letters written in 1923 by Louisa Lawson’s sister, describing how in 1867 a teenage Louisa gave birth in a tent on a goldfield to a sickly baby in winter & didn’t cope. Sister not sympathetic. Totally fascinating and sad. #biography #AustralianHistory
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Today’s desk posy
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