if i can’t change your mind then no one will.

Joined February 2022
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in 2024 i donated an NYC movie locations walking tour for the Cinema for Gaza auction, which raised funds for Medical Aid for Palestinians. i'm now happy to continue offering this tour to any individual or small group who make a donation: markaschonlinepresence.com/n…
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Disclosure Faye
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they could have called it THE NEXT VOICE YOU HEAR (joke only for people who’ve read Army of Phantoms)
DISCLOSURE DAY [Spielberg, 2026]
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not saying Spielberg is out of touch but it’s undeniably sentimental and nostalgic for DISCLOSURE DAY to show crowds gathering, spontaneously, in front of TVs to take in a unifying monocultural spectacle, as if it’s still June of 2026 amid the Knicks’ Finals run
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DISCLOSURE DAY [Spielberg, 2026]
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Mark Asch retweeted
Author and contributor to @reverse_shot, @ScreenSlate, @LWLies, and more @MarkAschParody discusses how @Festival_Cannes selections Fjord, The Beloved, and I'll Be Gone in June grapple with what’s lost—and gained—in translation. filmcomment.com/article/cann…
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rest in peace David Hockney, whose paintings i’ll treasure for their bright colors and blocky brushwork, their playful and erotic water imagery, the mysterious and electric circuitry of their self-regarding queer male gaze
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Mark Asch retweeted
A super-enjoyable change of pace to write about the making of BODY DOUBLE (showing on 35 at MoMI tomorrow) under the deft editorship of formidable De Palma expert Michael Koresky of @reverse_shot
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Mark Asch retweeted
Come watch a quarter- or semi-final match and OFFSIDE or INFINITE FOOTBALL or SHE’S THE MAN with me! All free!
- Summer for the City Outdoor Film Series: Penalty Flicks | July 9–18 Join FLC at this year’s free outdoor screening series at Lincoln Center’s Hearst Plaza, taking place as part of the program World at Play at Lincoln Center, a campus-wide series celebrating the global spirit of soccer and the intersections of arts and sports. Learn more: filmlinc.org/series/summer-f…
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data point: Triet also signed the open letter published in Libération the day before Cannes 2025 opened, referencing the murder of Fatma Hassona, the abduction of Hamdan Ballal, and the ongoing genocide (so did Lapid)
Natalie Portman, Justine Triet and Jacques Audiard Sign Open Letter Opposing Boycott of Israeli Director Nadav Lapid hollywoodreporter.com/news/g…
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Ira Sachs' THE MAN I LOVE, about AIDS, experimental theater, and nonmonogamy in 80s NYC, was a Cannes highlight & i was glad to talk to him about it, and how it revisits and remaps the themes of of his earlier films
“At the center of KEEP THE LIGHTS ON is what it was to be gay, and to come out, for me, in the ’70s. So THE MAN I LOVE is a transition film for me, because the work that I made before was driven by what was hidden.”—Ira Sachs to @MarkAschParody on his intimate domestic dramas.
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talked to Philip Hartman—cofounder of Great Jones Cafe & Two Boots Pizza—about the deep East Village history in his great, newly restored NO PICNIC, opening today @FilmForumNYC. Rafic! Princess Pamela! Donnie Darko! this could have been 3 times as long. hellgatenyc.com/searching-fo…
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with NO PICNIC held over for a sensational 9th week, @FilmForumNYC invited me on to its podcast(!) to talk to director and Two Boots pizza impresario Philip Hartman about his memories of making the film, and its resonance for today's East Village. links below
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guys being dudes
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wondering if, ahead of Game 3, Julian Champagnie will visit the famous Brooklyn Flea, which like him, spent its formative years at Bishop Loughlin
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Mark Asch retweeted
still think about this bit everyday. line reading of the decade.
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hipster bands: This Heat, Pere Ubu, Outsiders, Nation of Ulysses, Mars, The Trojans, The Black Dice, Todd Terry, the Germs, Section 25, Althea and Donna, Sexual Harrassment, a-ha, Pere Ubu, Dorothy Ashby, PIL, the Fania All-Stars, the Bar-Kays, the Human League, the Normal,
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shot bolt upright at 5am with a vision of Conan wandering through the Backrooms in the Oscars cold open
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at the 99th Academy Awards, Conan O'Brien has the opportunity to do the funniest thing ever (pull the Walker Texas Ranger Lever to cue the In Memoriam montage)
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