· Since 2006 your biannual fashion & culture magazine · metalmagazine.eu
Joined October 2009
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Twenty years in, METAL Magazine Nº54 asks who we follow when old altars fall silent and new rituals take over fashion, fandom and pop culture.
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Felipe Hernández convierte las servilletas de bares y cafeterías en un archivo visual de la España cotidiana con “Servilletas”, editado por Ojos de Buey.
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Who owns a sound once it has passed through twenty hands? Jesse Draxler turns “CTRL ALT DEL” into a gothic reboot of authorship.
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On “Detour”, Kim Petras turns club hedonism into a route towards vulnerability, nostalgia and independence.
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Teddy Iborra turns ballet into a tabula rasa, using “Edward, Francesca, Téo and Viola” to recover instinct through movement, light and observation.
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Hermès goes golden in LA, turning ballet, Bel Air light and house codes into a softer language of movement.
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Talia Chetrit trae “Bunny” a Madrid: una exposición donde la fotografía mira al cuerpo, la maternidad y la memoria sin resolver del todo qué es real y qué está construido.
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Wesley Joseph turns memory, chaos and nostalgia into “Forever Ends Someday”, a debut album built to be felt rather than simply heard.
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Schiaparelli turns fashion into anatomy, fantasy and provocation at the V&A, where Elsa’s surrealist legacy meets Daniel Roseberry’s couture spectacle.
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Callum Scott Howells on “Madfabulous”, Henry Paget’s extravagant rebellion and finding the fire behind the Dancing Marquess.
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Isamaya Ffrench’s Studio Iron turns art, design, and object into one unstable field of tension.
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Hyd turns grief into sound architecture on “Hold Onto Me Infinity”, where SOPHIE, memory and the body become part of the same frequency.
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What happens when a gallery becomes too warm to ignore? Gabija Grušaitė’s “Circulation” makes climate, migration and Baltic construction feel physically present.
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When taste starts to feel algorithmic, fashion reaches for sleaze, sex and imperfection. Hedonism becomes less escape than resistance.
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harli xcx gave us John Cale, Marc Jacobs and Martin Scorsese. We built our own “Music, Fashion, Film” dream lineup.
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¿Qué ocurre cuando el odio deja de esconderse detrás de una pantalla? Javier Marco estrena “A la cara” y habla de culpa, empatía y dos personajes rotos frente a frente.
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From LA warehouse parties to London bass culture, Carré is building a world where instinct moves first and confidence follows.
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At the Venice Biennale 2026, the strongest pavilions do not affirm national identity. They expose how fragile that fiction has become.
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Bunka Fashion College’s next wave turns fantasy, craft and discomfort into five new ways of imagining Japanese fashion.
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Olof Dreijer’s “Loud Bloom” turns the club into a space for queer joy, radical tenderness and collective imagination.
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