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Senior Colorist Joey D'Anna takes you through a demo of Luminary, a Dolby Vision IMF metadata QC and validation GUI - synced live with DaVinci Resolve.
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The full ACES workflow from camera to delivery. Billy Causey Jr teaches you Show LUTs, on-set monitoring, ACEScct setup in Resolve, and rendering.
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VFX Artist Bernd Klimm breaks down DaVinci Resolve Fusion's Path modifier - how it differs from an XY Path, and how one curve can drive motion, rotation, and paint.
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Learn Adobe's new Premiere Color Mode with its designer Alexis Van Hurkman - the zone system, Lumetri's future, and the design philosophy.
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Explore NAB 2026's takeaways with five colorists: AI disruption, Premiere Pro's color comeback, and a storage crisis to plan for.
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Colorist Billy Causey demos: ACES 2.0 vs 1.3 in SDR, the new JMH gamut, why your tools react differently, and eliminating red inversions.
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What is DaVinci Resolve Fusion's hidden Modifier system? VFX artist Bernd Klimm shows you what they are, how to find them, and the mental model that makes them click.
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Whether on-set or in-suite, colorist Rafael Bernabeu shows you how to build a log-based false color LUT in Fusion - for a clear view of the image elements you are managing at that moment.
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Stoked to launch our @VFXSociety On-Set VFX Data Collection and Usage Guide. Over the r past year we have been working to out this out from the VES Technology Committee. You can find the guide here ves-on-set-data.org/dashboar…
Colorist and cinematographer Billy Causey compares ACES 1.3, ACES 2.0, and RCM in DaVinci Resolve in this insight. He examines rendering transforms, toe behavior, and RCM tone mapping.
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GaiaColor Analyzer is now shipping as a free firmware update for Flanders Scientific XMP and XMP C Series monitors. GaiaColor Analyzer brings fast, on-monitor calibration QC directly to your display.
Learn more and download the firmware:
flandersscientific.com/news/…
Are you making a novice mistake with DaVinci Resolve Fusion? VFX artist Bernd Klimm walks you through the beginner mistakes he sees most often, plus some systematic debugging tips for Fusion.
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How do you build a cinematic logo reveal in Blender? Colorist and cinematographer Billy Causey provides a streamlined walkthrough using procedural curves, particle physics, and emission shaders.
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Discover how Tashi Trieu finished Avatar: Fire and Ash across 16 picture formats using Resolve 20.2, custom DCTLs, and AI coding tools.
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Today, Kali Bateman, CSI shares a new feature in Baselight 7. Use it to rebuild broken conforms with V7's machine learning transform matching - from plain resizes to keyframed and stabilised shots.
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Dolby Vision has just undergone its first major expansion in years... does this change your workflow? Learn what Dolby Vision 2 means for colorists: new tiers, Authentic Motion de-judder, and ambient-light metadata.
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Discover the 40th ASC Awards winners with trailers, crew credits, and curated resources for each cinematography category.
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Explore Genesis, Cullen Kelly's new film emulation plugin for Resolve. Colorist Rafael Bernabeu gives you tips on negative stocks, development controls, bleach bypass, & more.
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Colorist Jason Bowdach shows you how to sync your LUT and DCTL library across multiple DaVinci Resolve machines using a shared cloud folder and Resolve's LUT preference.
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