The particulars of time travel in Michael Felker’s lo-fi sci-fi thriller THINGS WILL BE DIFFERENT give the whole thing a tactile quality. Read @OneBigWiggle's review. slantmagazine.com/film/thing…
It quickly becomes clear that Greg Jardin’s IT'S WHAT'S INSIDE isn’t just here to dazzle us with visual trickery. Read @OneBigWiggle's review. slantmagazine.com/film/its-w…
In THE OUTRUN, Saoirse Ronan delivers a performance that’s rawer and rougher at the edges than perhaps anything else the actor has done to date. Read @OneBigWiggle's review. slantmagazine.com/film/the-o…
As promised by its title, Guillem Morales’s thriller THE WASP, starring Naomie Harris and Natalie Dromer, is a film with a stinger in its tail. Read @OneBigWiggle's review. slantmagazine.com/film/the-w…
Zoë Kravitz’s BLINK TWICE somehow manages to show its hand too early while also playing its cards too close to its chest. Read @OneBigWiggle's review. slantmagazine.com/film/blink…
In THE OUTRUN, Saoirse Ronan delivers a performance that’s rawer and rougher at the edges than perhaps anything else the actor has done to date. Read @OneBigWiggle's #GFF25 review. slantmagazine.com/film/the-o…
Got to work on a very cool, Alien-themed essay for Wisecrack this month. It's all about how life is meaningless and the universe hates you specifically :)
youtu.be/eP6XaR3E4rs?si=Akki…
BLUE SUN PALACE’s tale is filled with quiet spaces, and the way the texture of this quiet changes over the course of the film is a testament to its power. Read @OneBigWiggle's #EIFF review. slantmagazine.com/film/blue-…
James Marsh's DANCE FIRST seems content to merely adapt the “Personal Life” section of Samuel Beckett’s Wikipedia page. Read @OneBigWiggle's review. slantmagazine.com/film/dance…