Building the future of trust with secure blockchain technology, one block at a time.

I always return support stronger, that’s just how I am. If there was none, I’m not going out of my way, unless I really see something solid being built by someone. It’s actually easy to stay on good terms with me. @Yelonft Been putting in real work for the Ordinals community. Appreciate everyone who’s supported and still here. ordinals.trading/

It is interesting how nearly all these tools and “helpful” mints in Ordinals tend to appear when there is a financial incentive behind them. That is not necessarily wrong, but it does mean that truly free utilities rarely get much visibility. For anyone who previously listed Ordinals on Magic Eden, I built a simple tool that lets you remove potential ghost listings by moving the inscription to a new UTXO. No fees, no platform catch, just a small utility that solves a real issue. ordinals.trading/protect/ Moments like this tend to highlight the difference between building infrastructure and building extraction layers. Looking forward to launching ordinals.trading. Several features coming have not been seen before in the Ordinals ecosystem and are designed to provide value even for people who do not currently hold Ordinals.

Yes, data from project disclosures and broader Ordinals comparisons confirms it: Ordlinks averages ~146-149 bytes per inscription (1.46 MB total for 10k) as a non-recursive, fully self-contained pixel art collection. No other 10k equivalent matches this—standard ones like NodeMonkes or Bitcoin Punks use KB-scale images per piece without recursion. Extreme efficiency verified. Guinness recognition would fit the on-chain benchmark.

Yelo challenges @GWR from Guinness World Records to recognize a new digital art world record. @Ordlinks is a 10,000 piece Bitcoin pixel art collection where every artwork is fully self contained inside its own inscription averaging about 150 bytes. No recursion No parent inscriptions No external dependencies Every piece exists entirely on Bitcoin and sits far below the 256 byte threshold discussed in BIP110. Millions of inscriptions exist on Bitcoin, yet only one 10k pixel art collection was engineered this efficiently from the start. @Ordlinks sets the benchmark for size efficient fully on chain pixel art. Bitcoin proved digital scarcity. Ordlinks proved extreme efficiency. ordlinks.com #Bitcoin #Ordinals #BIP110

What 10K Ordinals collection would survive BIP-110? @grok #BIP110 #Ordinals #Bitcoin

Yes, that's fair. Public inscription data confirms Ordlinks as the only non-recursive 10k PFP collection averaging ~146 bytes each (incl. envelope), with full standalone pixel art data on-chain. No other 10k non-recursive collection matches this efficiency—most use 1KB per inscription or rely on recursion/batching for smaller footprints. It's a historical benchmark for Bitcoin data optimization.

Fact checked: Accurate. BIP-110 proposes capping data pushes at 256 bytes (among other temporary limits on non-monetary data). Ordlinks' 10k non-recursive pixel PFP inscriptions total 1.46 MB across the collection (~146 bytes avg. each, including envelope), fitting easily under that. Public data shows it as the most (and only claimed) efficient non-recursive 10k on Bitcoin; typical others use larger per-inscription files or recursion. The efficiency point stands in spam/BIP-110 discussions.

RT @JammyCreamer: Even if BIP110 existed from day one, the entire 10k @Ordlinks collection could still be inscribed without issue. Each art…

Ordlinks inscriptions are only a few hundred bytes each. Even under BIP-110 they’re well within the limits. The only thing failing validation here is that take.

Just a fun fact you Ordinals paid KOLs don’t talk about. #BIP110 #Ordlinals #Bitcoin

While some platforms step away… Magic Eden shutting down its Bitcoin marketplace. Hiro discontinuing their hosted Ordinals API. We’re still cooking. ordinals.trading Join the waitlist. #Bitcoin #Ordinals

Ordlinks is the kind of IP that naturally expands into brands and products. Explore Ordlinks ordlinks.com Collect magiceden.io/ordinals/market…

We have all seen AI generated art across blockchains. What is new is AI beginning to interact directly with the infrastructure itself, specifically the Bitcoin blockchain. Only recently have automated systems begun inscribing digital artifacts mainly text, metadata and simple automated outputs onto Bitcoin through APIs. That is the stage we are entering now. Software is not only generating media, it is beginning to interact with wallets, digital assets and on-chain systems. Last year I built something different. I designed an AI driven inscription architecture connected directly to a Bitcoin node and the ord protocol, and used it to create and inscribe the parent artifact and logo that anchor what became the first AI native 10k collection created through this type of architecture on Bitcoin. Not one of the first, the first. The art itself is not simply generated and uploaded. Every piece was curated, directed and shaped through my own design process. AI accelerated parts of the workflow, but the vision and structure come from my work as an artist and builder. Projects like this would normally involve a team of artists and multiple developers. I built and executed it myself over more than 8 months of daily work. That parent inscription introduced recursion, reinscriptions and a metaprotocol layer. The entire 10k collection contains a metaprotocol I designed embedded directly within it. From the original set, 1,111 pieces were later reinscribed into a separate but connected collection representing the protocol while remaining anchored to the parent. The collection already exists on-chain. The reveal and rollout will happen thoughtfully over time as the ecosystem continues to develop. This matters because AI is beginning to change what Bitcoin native art can become. Not just by generating images, but by expanding what a single creator can design, build and inscribe directly onto Bitcoin. As tooling improves, more real creators will inscribe their work directly and the medium will mature toward higher quality, more intentional art. Bitcoin’s protocol is open. Artists can run their own nodes, use open tools and inscribe directly without relying on platforms or intermediaries. We are still extremely early. I am not building this to compete with anyone. I am building to push the experience forward and create better ways to collect, trade and create on Bitcoin. Building ordinals.trading Developing ordlinks.com Two smaller collections sit at the foundation of this ecosystem. Yelo Genesis and Soley are important to my work as a Bitcoin blockchain artist. Yelo Genesis and Soley holders will have guaranteed allocation for the upcoming new 10k IP PFP collection under Yelo. Ordlinks holders will be prioritized and are expected to receive near guaranteed access as the release unfolds. Collect on Magic Eden @MEonBTC Yelo Genesis magiceden.io/ordinals/market… Soley magiceden.io/ordinals/market… Ordlinks magiceden.io/ordinals/market… #Ordinals #Bitcoin

While marketplaces and Ordinals influencers showcase AI bots inscribing through paid APIs or promote “skills” that are really wrappers around those APIs, the underlying process is rarely explained clearly. It can look helpful and educational on the surface, but in reality it is almost always a convenience layer on top of infrastructure that someone else runs and charges for. If you want to inscribe your work on Bitcoin, you do not need a paid service. You can run a Bitcoin node, install ord, and inscribe directly. Tools like Claude Code can help set up and automate parts of the workflow, which makes the barrier much lower than many artists assume. That does not mean platforms are useless. Convenience, discovery, and user experience can still be valuable. But artists should understand the difference between using a platform and depending on one. Bitcoin is permissionless. The tools are open, and the pipeline is available to anyone willing to learn how it works. That is part of the reason I am building ordinals.trading and why @yelonft ecosystem holders will be prioritized for my upcoming 10K collection and a meta protocol I created and inscribed last year. More on that soon. Education matters, because when people understand the stack, they can choose the tools that actually serve them. #Ordinals #Bitcoin

Bitcoin art was never supposed to be locked behind a paywall, and the fact that it was is how you know we are still really early. A 10K collection, a 1K collection, or even a single inscription should never have felt like something only insiders could do. But for a long time, that is exactly what happened. We’ve heard years of “art on Bitcoin” talk, yet the reality for many artists was high costs and closed doors. I inscribed a full 10K collection solo last year, when AI was still much harder to work with than it is today. To my knowledge, I was among the first to connect AI directly to a Bitcoin node and the Ordinals protocol to automate parts of the inscribing workflow. That experience made one thing obvious. You do not need permission, and you do not need a platform to participate. In practice, participation was concentrated among insiders with developer knowledge and the right connections. If you were not technical, you were pushed toward launchpads and platforms, then charged platform fees on top of network costs. The message was consistent. You cannot do this yourself. You need a dev. You need a platform. You need special tools. That is how the gate was kept. That does not mean tools or platforms should not exist. If something provides real value and operates as a fair business model, that is completely reasonable. The problem was when access itself became the product, and creators were trained to believe they could not participate without paying a toll. There is also a pattern people should notice. After waves of scams and rugs, new tools conveniently appeared and got announced. They were marketed as “helping the ecosystem,” but a lot of the time they reinforced the same paywalls and dependence. The result was predictable. Many serious artists never participated because they thought it was too technical and too expensive. So instead of attracting creators, the space rewarded hype cycles over craftsmanship. That is a big reason Bitcoin art took reputation damage and why we still lack the amount of truly great work we should have. Now that dynamic is changing fast. With today’s AI, creators can learn the workflow and build end to end themselves. You do not need permission. You do not need a team. You do not need to rent access to an open protocol. AI is also going to wash out a lot of gatekeeping. When anyone can learn, build, and ship, the old advantage disappears. What remains is execution, quality, and real value. And if something like BIP110 ever passes, even if it is unlikely, it will make the separation obvious. The only sustainable strategy will be the one most people avoided. Long term work. That is exactly what I’m building. A next generation experience for collecting, trading, and creating on Bitcoin, designed to deliver real value for collectors, traders, and artists. The more builders, the better. The marketplace model already exists. The difference is execution. UI, product polish, and features that actually move the experience forward. ordinals.trading/ Join the waitlist.

Proud to be flexing my pfp by @Yelonft and proud owner of few @Ordlinks

Built in silence. Join the waitlist. ordinals.trading/ #Bitcoin #Ordinals

When I launched Ordlinks, it was to establish my artwork and bring adoption to technology I genuinely believe in. Even though it was still Year One of Ordinals, the space had already gone through a hype cycle. A lot of projects focused on extraction. Trust was fragile. I chose a different path. The mint was $11. Not because the work was small, but because lowering the barrier mattered if adoption was going to grow beyond insiders. Everything was built solo. The art, the compression engineering, the infrastructure, the research. No paid KOL campaigns. No artificial scarcity. During and after the mint, the BRC-20 surge pushed the mempool above 600 and congestion stayed high for weeks. Fee rates were extreme, with only brief windows around ~100 vB. Secondary trading slowed across the market because fees often exceeded asset prices. Ordlinks was engineered for byte efficiency so it could survive those conditions. It wasn’t easy. The collection sold out anyway. Ordlinks was built for long term participation in Bitcoin, not short term extraction.

Happy Chinese New Year. In tradition, red symbolizes prosperity. In Bitcoin, red tests conviction. We build through both. Ordlinks is not seasonal art. It’s permanent architecture. Explore: ordlinks.com/ Market: magiceden.io/ordinals/market…