Joined May 2018
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- Followers 479
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401 Photos and videos
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May 25
Built a fictional luxury fashion campaign using AI.
AUVIRELLE: Anywhere She Arrives.
The idea was simple:
luxury isn’t the location — it’s the presence.
Lagos. Accra. Havana. Tokyo.
Same brand DNA.
Different worlds.
What do you guys think?
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Adidas. Starbucks. And now Glossier.
Ran your base prompt through soft beauty pink terrazzo instead of grid, foil "NEW" seal instead of comic burst, window-soft instead of studio.
Template travels further than sportswear. This is one of the best campaign-poster systems I've used this year.
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Jun 14
Another great kit for all designers.
Jun 14
Built another template for you
Steal the project: amirmushich.link/shade-glass
Moda design Agent is damn good
(not sponsored)
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Jun 14
Built this using a reference selfie and a cinematic concept about identity, process, and photographic fragments.
Prompt:
Cinematic 8K photograph, wide medium shot. A photographer stands in a warm, lived-in studio, back partly to camera, piecing together a monumental portrait covering an entire wall, built from hundreds of overlapping photographic prints. From this distance, the fragments resolve into one enormous, luminous human face. The reference face preserved exactly, gazing directly out at the viewer.
The photographer reaches up mid-motion and pins the final print into the iris of the eye the last piece that brings the whole face to life a subtle ring catching the light. Loose prints scattered across the floor and a cluttered worktable: developer trays, a camera, a warm desk lamp.
Up close it’s hundreds of individual photographs; together, one seamless living face. The freshly completed eye locks with the viewer. A warm shaft of window light rakes across the wall; rich amber studio glow, deep cinematic shadows, true 3D depth, vibrant and luminous. Highly detailed, photoreal, eye level. No text, no logos.
ALT A warm cinematic studio scene shows a photographer standing in front of a wall-sized portrait made from hundreds of overlapping photo prints. The massive face fills the wall and looks directly at the viewer. The photographer reaches up to place the final small print into one eye, making the portrait feel alive. Loose photographs, developer trays, a camera, and a desk lamp sit around the studio floor and worktable. The lighting is amber, dramatic, and gallery-like.
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Jun 9
I built an entire luxury campaign for a fictional fashion house — Auvirelle — using AI.
But I treated it like real photography. Real techniques. No filters.
A thread on how each shot was actually "made"👇
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Jun 9
One fictional brand. Real techniques. Zero photoshoots.
The point isn't that AI made it — it's that it was art-directed like a real campaign.
Which reads most "real" to you? (more of this world → I'm Prompted by Reggie)
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Jun 9
2. Wet-plate collodion.
A 170-year-old photographic process — silvery tones, oxidized borders, that chemical texture — collided with a modern fashion subject.
Old chemistry, new face.
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Jun 9
1. Projection mapping.
The brand name isn't pasted on — it's projected as light across her skin and the fabric. The logo becomes part of the lighting itself.
This is how you brand an image without a flat overlay.
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Jun 7
AI fashion visuals are getting too good to ignore.
This AUVIRELLE resort campaign concept was built around:
white tailoring
brutalist architecture
hard Mediterranean light
shadow patterns
premium editorial posing
Would you use AI visuals like this for a fashion brand?
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ReggieaGames retweeted
Jun 6
My Pinterest is generating 200k views/month
This traffic goes to my X
here's how you can do it 🔽
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28,866
Jun 3
A campaign concept with built-in story.
This one works especially well if you want mystery, fashion, and a little cinematic humor. Copy my prompt👇
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Jun 3
A security camera POV — grainy, timestamp visible, fish-eye lens distortion — showing a gallery at night. The paintings on the wall are dark Renaissance portraits. But one painting is empty — the gold frame there, the dark background there, but the subject is gone. On the museum floor below the empty frame: a single [BRAND NAME] [BAG / PRODUCT], one heel, and a receipt. She left. The timestamp reads 11:47 PM. The other painted subjects in neighboring frames are all looking toward the empty one.
Headline text:
[BRAND NAME]. SHE HAD SOMEWHERE BETTER TO BE.
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Jun 3
What if a luxury campaign looked like a painting literally escaping the past?
This one feels editorial, surreal, and instantly attention-grabbing.
Copy my prompt:👇
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Jun 3
A full Renaissance oil painting — but the subject has one leg swung over the gold frame, mid-escape. She is leaving the painting. One heel is already outside the canvas, a [BRAND NAME] [BAG] over her shoulder, phone in hand — the screen visible and glowing with a modern UI. The painting world behind her: dark classical landscape, warm candlelight. The world she’s stepping into: pure white editorial space. Her expression: I’ve been in here for 400 years. I have places to be.
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Jun 2
Love these prompts. Follow @AmirMushich for the sauce. Here's my take. Click on his post for the prompt👇
Jun 1
Nike, Uniqlo, DKNY & other brands look fresh on these mockups
Seedance prompt:
the camera is attached to the roof of a riding car, focused on the road sign and zooming in to the sign in the classical 80's movies style
Image prompt 👇
Save these posts for later
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May 31
Prompt:
Full chrome reality luxury product campaign. The entire set — floor, ceiling, background, model’s outfit — is rendered in brushed surgical steel and mirror chrome. The only color in the entire frame is the [PRODUCT] from [BRAND] — saturated, vivid, impossibly vibrant against the monochrome chrome world surrounding it. Low angle, wide lens distortion, the product pushed toward camera until the packaging fills 40% of the frame. The model stands wide behind it wearing a chrome bodysuit, chrome face paint, silver contact lenses, blending into the environment except for the eyes, which track the lens with unsettling precision. The effect is that the product is the only real thing in this world, everything else is a reflection of it. High-key diffused lighting from all sides creating zero shadows. The product appears to float. Ultra-realistic luxury beauty campaign, futuristic skincare or fragrance advertising, premium editorial composition, sharp product focus, clean reflections, cinematic fashion ad.
CTA:
Perfect for a serum, perfume, or high-end cosmetic launch.
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May 31
Free prompt drop 🧵
Fashion. Luxury. Campaign quality. No watermarks. No paywalls. No catch.
Just copy it. 👇
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May 31
High fashion desert surrealism. The Sahara at golden hour — but wrong. The sand is white. The sky is a deep saturated cobalt blue with no clouds, no horizon gradient — just flat impossible blue meeting flat impossible white at a razor-clean line. The model stands at the vanishing point, impossibly far away — a tiny perfect silhouette in an enormous structured couture gown that billows in a wind that isn't moving anything else in the frame. In the extreme foreground, the [product] rests directly on the white sand, shot from ground level, the camera almost touching the desert floor — the packaging towers in the frame like a monolith, the model a ghost behind it. Heat distortion shimmers between the two. The light source is the sun itself — hard, unfiltered, casting a single perfect shadow from the product directly toward the lens. Magic hour color grading. No studio. No artifice. Just scale.
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May 31
I think I need to take a deeper dive into Claude. It really is a game changer.
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