Joined May 2014
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3,720 Photos and videos
The eye always comes before the camera.
Photographers spend hours researching lenses, debating sensors, and comparing autofocus systems.
And then the greatest photograph of the year gets taken on a decade-old camera by someone who simply saw something nobody else did.
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Two people can stand in the exact same place, with the exact same light, using the exact same gear, and come away with completely different photographs.
That difference does not live in the equipment. It lives entirely behind the viewfinder.
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Gear matters and good vision makes a real difference.
But gear gives you the capability to execute. Vision gives you something worth executing in the first place.
The best investment you can make right now might simply be more time spent looking.
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Jun 12
The prime vs zoom debate has been going on for decades and nobody has won yet.
Here is why both sides are completely right.
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Jun 12
So here is where it actually lands.
Prime lenses make you a more deliberate photographer. Zoom lenses make you a more adaptable one. The best photographers know when they need which, and they never feel guilty about the answer.
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Jun 12
At Sigma, we build both because we believe neither should ever be a compromise.
Sharp where it matters. Made for photographers who take the craft seriously, regardless of which side of the debate they are on.
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Jun 12
Layer after layer, the hills dissolve into morning haze and the SIGMA 35mm F1.4 DG DN Art lens holds the tonal depth a frame like this deserves. F1.4 gathers what little light the mist leaves behind.
Shot by Tom (@tomzjpg)
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Jun 11
Look closely at each frame in this reel. The sharpness, the field of view, the way the light falls across the entire frame. All of it was shot on the SIGMA 20mm F1.4 DG DN Art lens
Can you guess the settings used for each shot? Drop them below.
Review by Logesh Kumaramurugan
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Jun 9
You've probably walked past this building a hundred times.
But have you ever actually looked up?
Shot by @thinklight_jal with Sigma 35mm F1.4 DG DN HSM Art
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Jun 9
Shooting at night meant balancing the floodlit highlights with the details in the stonework. The Sigma 35mm F1.4 gave Jalpa enough light to preserve both.
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Jun 9
So, photographers, your turn.
What's your go-to focal length for architecture at night? Do you shoot wide open or stop down for more depth?
Tell us below
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Jun 5
A village on the hillside, dramatic clouds, and a tonal range that needs a lens that doesn't pick favourites. The SIGMA 24-70mm F2.8 DG DN II Art holds the whole frame faithfully.
Shot by Mansee (@manseesit).
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Jun 1
Surrealism in the middle of a street — you just have to notice it. The SIGMA 18-50mm F2.8 DC DN Contemporary's close focusing and constant aperture let Arkajit get intimate with the subject, rendering every curve and numeral of the melting form with real clarity.
Arkajit Ghosh (@shots_by_arko) found surrealism hiding in plain sight.
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