Music helps to understand the mind and the brain. Throughout the history of science, metaphors have shaped how we understand complex phenomena. The brain-as-computer metaphor has guided decades of theories and research. We propose music as a scientific metaphor for understanding the mind and brain via triplicate interfaces (listener, performer, composer) and a compound set of predictions. Multiple domains of music can be mapped onto different neural, cognitive and intersubjective processes such as network coordination, prediction, emotion and meaning. Neurocognition is not static but a dynamic, embodied, and time-sensitive system, much like a self-organized orchestra in which multiple processes interact simultaneously. Drawing on synergetics, predictive processing, and embodied cognition, we outline musical principles illuminating cognitive and action integration across time, offering new conceptual frameworks and testable predictions for future research. I enjoyed writing this piece with these stellar authors:
@Kaiameye,
@acolverson1, Christopher Bailey,
@brucemillerucsf,
@dafneduron90, Nicholas Johnson, Olga Castaner,
@PierLuigiSacco, Eoin Cotter and Lucia Melloni. Science, like music, advances through new ways of listening to complex systems:
doi.org/10.1016/j.neubiorev.…