Dear artists, Curators and collectors are trying to find your work, so PLEASE do yourself a favor and do the following: 1. Have a link in your bio to your available work! No one wants to have to look for hours through your feed to see if they can find a link to a piece or go through every platform searching for you. 2. If you have a Linktree: great — but please update it. Again, having tons of expired or broken links is very confusing and frustrating. Update it and keep it current. 3. Have a webpage. You can do something very simple with AI or with any web-building tool. Something that says who you are, what your practice is like, shares your overall work, and shows your available work. Again, make it easy for a collector to fall in love with you. 4. In your X bio, have something that makes sense (or points to something that makes sense, like a website). If they’re looking at your X profile, chances are something caught their attention or someone recommended you. Let them know who you are as an artist. 5. Please put prices on your pieces! It is very hard for a collector to offer to buy without knowing your price point. They don’t want to go too high, but they definitely don’t want to go too low and offend you. Take the guessing out of it. State your price (and adjust accordingly). If you don’t want to do this on a platform, at least do it on your webpage so collectors can understand your general price range. 6. Have some sort of pricing strategy that you can stand behind. Don’t make it seem like you have completely different pricing depending on which platform the collector finds you on. Do all your pieces have to have the same price? Absolutely not. Is it based on how much time you put into the piece? No. It is based on what you believe the piece is worth. Make it make sense to you, and it will make sense to a collector — but be consistent. 7. And lastly, be active. I don’t mean you have to post 10 times a day or that you even have to have new work. But if a collector sees that you’ve had no activity for over six months, they might assume things have changed and you’re no longer interested in selling. Most collectors want to buy beautiful work, but they also want to support an artist’s journey. If you’re no longer interested in the journey, they might not be either. Rooting for all of you artists out there! The bear market is tough but there are many people looking for your work! 🫂❤️

GM🙏 Starting the day with my heart full of gratitude after yesterday receiving so many words of support and beautiful comments. To be able to live from what I love doing in life is a dream, but nothing would be possible without the support of all the people that stay by my side, my family, friends, collectors and everyone who share support to my art. Thank you all!🤍

Good morning 🎬 Today is the day In just a few hours, we’re screening our not-quite-a-documentary documentary at @NFCsummit in Lisbon 15:10 Kawaii Stage @nuclearsamurai and @rocketgirlART will be there with us, so you can ask them anything about their experience at @BaliArtRes Come join us 🌱

Starting week 1 of artist interviews with @andresdelvecc on spaces tomorrow, 12pm EST

"YOU MAY KNOW THEM" - the premiere of our documentary on the month-long Bali Art Residency 🎞️ 11 artists in the middle of nowhere, brought together to make what none of us could have made alone 👇🏼🧵 🗓️ 6th of June · 3:10 PM 📍 NFC Lisbon · Kawaii Stage

FAULT LINES The subject is the one I know better than anyone on earth: myself. 5 oil paintings. 5 stories I've never told. (see below) Curated drop on SR - placing this body of work in the most trusting of hands is my goal.

RT @musicalnetta: ARTISTS: Reply with your art that represents our MOUNTAIN theme. Not all will be purchased. Art is subjective; but I prom…

Art Dubai vip opening today 🔥 @yatreda solo presentation Plan X gallery - Booth A9

"All Heart" Feel first, think later.

Who has art to share?? #ArtTank is how I discover new artists each week, in partnership with @rollbit. You know the drill… share your work below and I’ll acquire 5 of my favorites. Let’s begin 🖼️⚔️👇

After hundreds (thousands?) of iterations, I found my perfect set of Algorithmic Synesthesia. 😍 True "imperfection and accidental beauty" by @harvey_rayner.

I think this piece called "canny" by @ClaireSilver is one of the most interesting pieces I've seen this year So I sent Claire a DM letting her know and she sends me the other 9 editions in this series as a gift Thank you Claire; what an unbelievable gesture♥️♥️

Morning ✨ Numen Series is available today. A collection that exists across two chains. Born from the dual dimensions of consciousness, it was created by recording my brain activity and processed using quantum hardware. Showcased tonight as part of the Equilibrium group exhibition, curated by @SuperRare and @objktcom at Offline Gallery in NYC. Huge thanks to @im_jonooo and @kikanicolela for including me and helping bring this incredible show to life! Know more about Intus & Extus 👇

Last Day to get your amazing art in my friends if you are interested! You have until 11:59 tonight - some GREAT work submitted already cannot wait to dive in to everything!

Bitcoin’s history is too important to be lost, distorted, or reduced to myths. Today, History of Bitcoin officially launches. 🧵 launch.historyofbitcoin.io/H…

RETRATOS Mint is open. Only 330 available. First come, first served. retratos.jrcasas.com

Moments of the Unknown is a film to celebrate humanity. Every day for a year, I created ten-second Super-8 portraits of people across all 7 continents. To show that, as humans, we are one. My mission is to spread peace, love, and friendship through the lens of life. The soundtrack honors the Voyager Golden Record, curated by Carl Sagan and launched by @NASA in 1977. A portrait of Earth sent out to the stars. Half a century later, that record is still traveling outside of our solar system. This artwork is its echo. A message once aimed at the stars, now returning home. Happy Earth Day 🌎

🧵When working on ‘Tutti I Re in Ascolto’ my recent installation at the museo of sound of Parma I channeled my passion for these artists: @sashastiles @CaballeroAnaMa @matdryhurst @hollyherndon @quasimondo @ivonatau Let me tell you how each influenced my work⬇️

There is a handful of serious, professional people in web3. Can we please get together and put a stop to this constant shit show? The community is strong. The culture is unique. Let's work together to build solid, long term structures that make sense and are managed properly. 🙏

Too many thoughts. The kind Mary kept writing through every day of @ArtBasel . Hong Kong was intense. An experience that taught me a great deal and above all, being part of Zero 10 gave me the chance to see and feel things from a perspective that was entirely new to me. I’ve been a gallerist for many years. I’ve participated in international art fairs more times than I can count. But this time was different. Love it, hate it, struggle to explain it but Zero 10 was the center of the scene. Again. From Miami to Hong Kong, Art Basel has made its position clear. This isn’t a experiment anymore. The backing is real, the visibility is undeniable, and the results speak for themselves: among the busiest floors of the entire fair, and the most photographed corner of all of it. It blinds you. It pulls you in. It makes noise. We were in the middle of it. Together. Championing a movement that isn’t waiting for permission, it’s writing history in real time. Hard truth : The general public isn’t there yet. I watched it happen in real time . The fascination, the circling, the photos and underneath it all, a genuine struggle to connect. This isn’t new. Digital art has always been a harder sell than a canvas. A video installation asks more of a buyer than a painting does. That’s just reality. But here’s what I keep coming back to: none of this, not the noise, not the crowds, not the cultural moment would have existed if we had shown up as individuals. One work. One artist. One booth. It wouldn’t have landed. We landed because we arrived as a movement. @redbeardnft has been saying this for a while now, and standing inside Zero 10 for five days, I felt it in my bones. From the outside, the world sees us as one thing. That coherence, that critical mass, is what makes the impact possible. It’s not a marketing strategy. It’s the truth of what we are. I’ll be honest: I’ve had my moments of doubt. Being at the intersection of the traditional and digital art worlds as long as I have, I’ve wondered whether visibility at this scale changes something. Whether the underground quality , that punk energy that pulled me in back in 2019 starts to fade when the institution shows up with a spotlight. I don’t think it does. Recognition is not dilution. The movement is still early. Most people in that fair didn’t fully understand what they were looking at. We are still ahead. But we are no longer invisible, and that combination, early and present, underground and undeniable is exactly where you want to be. The language of the next generation is digital. That shift isn’t coming. It’s already here. What feels like novelty today will simply be how art works. And when that moment fully arrives, the history will show who built this before it was obvious. I know which side of that history I want to be on. I’m investing more, not less. Doubling down on every front. I have never been more certain. To @ThankYouX and @ClaireSilver, what you put together was genuinely impressive. The quality of the presentation reflected the seriousness of the work. Claire, you faced real obstacles and I never once saw you settle. That relentless push toward something better, combined with everything you’ve given to championing AI art as a movement, is something I deeply respect. @eli_schein the work you do with Art Basel, living in that same in-between space most people don’t even know exists it matters more than it probably gets acknowledged. @redbeardnft for being the kind of person a movement needs and rarely finds. The one who builds the bridges, holds the room together, and the irreplaceable reminder that this is still supposed to be fun. All the artists, collector, galleries who continue to bet on this movement, your belief is the foundation everything else is built on. Movements don’t announce themselves. They accumulate quietly, stubbornly, person by person,until one day the room is too full to ignore. We’re at that inflection point. And the people in this room built it.