Senior U.S. Critic for @Screendaily | Often at @latimes, @rollingstone and @ebertvoices | Author of THIS IS HOW YOU MAKE A MOVIE | timothygrierson@gmail.com
Joined June 2009
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10 Nov 2024
Just a reminder you can also find me at.....
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Jun 11
‘The Death Of Robin Hood’ review: Hugh Jackman is the tortured ageing outlaw in sombre, uninspired drama. By @TimGrierson screendaily.com/reviews/5217…
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Jun 13
At the large outdoor viewing party I went to, a lot of people booed when he came on screen. I was one of them.
Secretary of State Marco Rubio watching the World Cup match between the USA and Paraguay.
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Jun 12
For the @latimes, I reviewed the Cannes prizewinner THE LITTLE SISTER, a coming-out drama that's as much about learning to love yourself as it loving someone else. latimes.com/entertainment-ar…
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Jun 11
THE DEATH OF ROBIN HOOD is full of atmosphere and ambition. But it's also another "Hey, what if we reimagined this famous character by making him really sad and moody?!?" film. screendaily.com/reviews/the-…
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Jun 9
The Worst Persons in the World
EXCLUSIVE: David Ellison, Bari Weiss, Josh D’Amaro, Jeff Bezos and more are set to go to Sun Valley for Allen & Co.’s annual exclusive leadership retreat, also known as “billionaire summer camp.”
variety.com/2026/film/news/d…
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Jun 6
Last night at the Egyptian for the 4 hour directors cut of Michael Cimino’s ‘Heaven’s Gate’ in 35mm. Q&A with Isabelle Huppert.
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Jun 6
Superb review of Chie Hayakawa’s RENOIR by Tim Grierson for the @latimes.
The film indeed depicts a character “pre-grieving” the loss of a parent but I can’t recall that term being used in a review.
latimes.com/entertainment-ar…
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I'm so accustomed to the vibrant 2012 restoration of HEAVEN'S GATE that seeing an original 35mm print last night, with its hazy sepia tint intact, was a revelation. They feel like entirely different movies, and both are exquisite. Thank you, @am_cinematheque and Isabelle Huppert!
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Bleak Week night 5: Heaven’s Gate extended cut on 35mm. Isabelle Huppert Q&A with @TimGrierson after
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Screen critic Tim Grierson picks Clarissa as his Cannes hidden gem:
"It's edited by Blair McClendon... he's worked on films like Aftersun. That movie did a really incredible job of weaving past and present and the idea of memory. That is something that also plays very beautifully in Clarissa," He said on The Screen Podcast.
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Isabelle Huppert attended tonight's 35mm screening of Michael Cimino's monumental epic HEAVEN'S GATE at @am_cinematheque in Hollywood. Huppert watched the movie with the sold out crowd and appeared quite moved during her Q&A with @TimGrierson. (1/2)
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Jun 5
For KCRW's Press Play, Alison Willmore and I discussed this weekend's big releases, including MASTERS OF THE UNIVERSE and SCARY MOVIE (and also THE CURRENTS). open.spotify.com/episode/0KZ…
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Jun 5
In honor of the new Death Cab for Cutie album, here are Ben Gibbard's Criterion Closet picks from 2024. Of the more than 400 videos that Criterion has shot in this series, this is the only one in which the person cries. (It's one of my favorites.) youtube.com/watch?v=ZiRJyUUF…
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💬 Meet some of the #interpreters who help make film press tours global
latimes.com/entertainment-ar…
by @TimGrierson
via @latimes
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Jun 4
SCARY MOVIE: Marlon Wayans does a funny Shaquille O'Neal impression.
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Jun 3
On Friday at 3pm at the Aero, I'll be introducing a screening of COME AND SEE as part of @am_cinematheque's Bleak Week. Greatest antiwar movie, among the greatest movies ever. americancinematheque.com/now…
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‘Masters Of The Universe’ review: Nicholas Galitzine wields the Sword Of Power in irreverent, conventional actioner. By @TimGrierson screendaily.com/reviews/mast…
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Jun 2
Silly and playful, MASTERS OF THE UNIVERSE is a conscientious attempt to make a throwback blockbuster that doesn't take itself too seriously. The strategy very nearly succeeds. screendaily.com/reviews/mast…
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"For all its dark comedy, the movie is most cutting when it moves away from the big set pieces and, instead, examines the small ways that employees lose their humanity to a capitalist system that’s out to destroy them."
Tim Grierson, Los Angeles Times
Screens @garterlane June 2nd
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