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12 Oct 2022
👋 We're moving! Follow us on @timesculture for the latest on what to watch, read and listen to next
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15 Jul 2022
Can the Women of the World help make Rotherham a place that is kinder to women and girls? @BenDowell talks to Jude Kelly about this weekend's festival thetimes.co.uk/article/jude-…

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14 Jul 2022
"Throw yourself into the fray like a true devotee of fan fiction, and you may have a better time than a critic primly scribbling notes", writes @CliveDavisUK on #PeakyBlinders: The Rise at #Camden Garrison ★★★☆☆ thetimes.co.uk/article/peaky…

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14 Jul 2022
"Nowadays, subtitles are no longer only for the hard of hearing; they are particularly beloved by younger hearing viewers too", writes @SharinHussain on how #StrangerThings4's subtitles become viral on #Twitter thetimes.co.uk/article/stran…

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14 Jul 2022
“Compared with some comedians, I’m pretty laid-back and pretty straightforward,”@EdGambleComedy talks to @alicevjones on his career and becoming the new host for @TVsPointless thetimes.co.uk/article/ed-ga…

13 Jul 2022
"Otello is one of the toughest sings in the tenor repertory, not to mention dramatically demanding. Ultimately Russell Thomas does a fine job at drawing us into the antihero’s demise", writes @Becca_JF21 on Otello at the Royal Opera House ★★★☆☆ thetimes.co.uk/article/otell…
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13 Jul 2022
"Do I think Avery is a first-class artist? No, I don’t. Did I leave wide-eyed and dazzled, the way you do after a day of too much sun on the beach? I did, I did", writes Laura Freeman on the Milton Avery exhibition @royalacademy ★★★★☆ thetimes.co.uk/article/milto…
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11 Jul 2022
"Paisley-born artist @PaoloNutini was as unpredictable as #TRNSMT gets. All day, other acts claimed that they were staying on site to see him", writes Lisa Verrico on the #TRNSMT2022 festival at #GlasgowGreen ★★★★☆ thetimes.co.uk/article/trnsm…

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11 Jul 2022
"In a flawless cast, Stephen Kennedy’s Trinculo and Gary Sefton’s Stephano supply the hearty comic interludes. All in all, it’s a pleasure to hear verse delivered with such clarity", writes @CliveDavisUK on The Tempest @TheatreRBath ★★★★☆ thetimes.co.uk/article/the-t…

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11 Jul 2022
"No chance of singing along in Rossini’s La donna del lago, it requires four of the main characters to deliver something like 16 notes a second for long stretches", writes @RichmoMusic on La donna del lago @BuxtonFestival plus a review on Gypsy ★★★★☆ thetimes.co.uk/article/gypsy…
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11 Jul 2022
"We see him combine flair, nous and stroppiness to win three Wimbledon singles titles in 1981, 1983 and 1984, becoming the best player in the world", writes @edpotton on interviewing tennis legend, @JohnMcEnroe about his new documentary #McEnroe thetimes.co.uk/article/john-…

11 Jul 2022
"Like a moth returning to the flame, 52 years after the original film, she is again playing Roberta, now a grandmother in The Railway Children Return," writes @aoconnell on interviewing #JennyAgutter on her reprised role as Roberta Waterbury thetimes.co.uk/article/jenny…

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11 Jul 2022
"It is 20 years since their debut album. Turn On the Bright Lights became a key influence on a future generation of gloomy indie rockers with an over reliance on dry ice and effects pedals," writes @Willjhodgkinson on the return of @Interpol thetimes.co.uk/article/inter…

"This fascinating behind-the-scenes documentary about the campaign to free Julian Assange is ultimately undone by the difficulty of its central subject", writes @KevinTMaher on #ithaka ★★★☆☆ thetimes.co.uk/article/ithak…

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"An improbable premise and some dubious gender stereotyping are easily overcome by the British actress Sally Phillips and a buoyant sense of fun", writes @KevinTMaher on How to Please a Woman ★★★☆☆ thetimes.co.uk/article/how-t…